1,720,952 research outputs found
The Way of Transformation (The Laban-Malmgren System of Dramatic Character Analysis)
Full text linkThe dissertation is a 'critical edition' of a system of actor training based on three main sources: a vocabulary of movement analysis developed by Rudolf Laban in the last years of his life; C. G. Jung's theory of psychological functions and types; and the acting system of C. Stanislavski and his main followers. The three strands were brought together by the dancer and acting teacher Yat Malmgren (1916-2002), who taught his system for over forty years to some of the major figures of world theatre and film: Peter Brook, Pierce Brosnan, Simon Callow, Sean Connery, Anthony Hopkins, Adrian Noble among others.
The dissertation is presented in two volumes:
- Volume I sets the system in context, historically as well as in terms of current discourses about the nature of acting. It includes a survey of its origins, followed by an in-depth examination of its three main sources, focusing on the central concept of energy in acting. Further chapters describe:
a. a systematic, step-by-step psychophysical approach to analysing character, the actor's own self and to ways of bridging the two in the process of transformation. The author captures the salient features of a method of work which informs aspects of Western acting practice.
b. the light thrown by the system on the idea of theatre character. The author puts forward the idea of a character 'independent' of both actor and text.
c. the applications of the system in training and professional practice, based on interviews with a number of prominent British actors and directors.
- Volume II consists of a detailed, annotated description of the system. It is based on a free transcript of recordings of Yat Malmgren's teaching and amounts to a 'manual' for those interested in studying and/or teaching the system. The volume is illustrated throughout.
Appendices include original materials derived from Laban's last years of work, published here for the first time
Probabilistic LMA-based human motion analysis by conjugating frequency and spatial based features
No full textThis paper presents an approach to analyse human motions using Laban Movement Analysis (LMA) system. LMA is a known descriptor for analysing human body motion by using different components that it has. We attempt to present how the frequency and spatial-based features can be applied in LMA concepts, and then we present that how the conjugating of these two kinds of different domains features can be fused by a Bayesian Network (BN). The point is that, the human motions based on the type of body parts motion, can be recognized by some aspects or features better than the others. By combining those different aspects (LMA components) or features, more precise estimation for more various human motions can be obtained. The results approve that our idea to recognize human motion is very successful
‘What Moves Them’ An investigation into the use of the techniques of Pina Bausch and the strategy of ‘creativity cards’ in the creation of a piece of dance theatre that communicates the brutalities of sex trafficking.
No full textThis thesis documents a process of practice-led research in which I drew on the techniques of Pina Bausch and a particular methodological and choreographic approach to making material – ‘creativity cards’ – in order to create a piece of dance theatre that communicated the brutalities of sex trafficking. The thesis concludes that the form of dance theatre together with the methodology of ‘creativity cards’ and Bauschian techniques such as the use of repetition, the use of ‘violence’ and the use of ‘memeplex’ (a specific characteristic movement species that can be found across Bausch’s work),
enabled me as a choreographer to establish a relationship between the performer and the audience. The combination of form, techniques and methodology used in the research project engaged the audience in such a way that they empathised with the performer and were encouraged to think about what was being presented on stage in The Body Shop. This engagement between audience and performer meant that the project was successful in conveying the brutal realities of sex trafficking
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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