1,720,967 research outputs found

    Il mio vicino Miyazaki

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    Testo per l'apprendimento del giapponese a livello intermedio. Il volume propone una biografia in giapponese del regista Miyazaki Hayao. Tutte le letture sono corredate di un agile glossario giapponese-italiano contenente, oltre al significato dei lemmi, anche lettura. La sezione delle regole grammaticali in appendice comprende spiegazioni in italiano e utili frasi di esempio in giapponese e in traduzione italiana. Il CD-Audio contiene la lettura integrale del testo

    Modalità di collegamento dello haikai del Seicento: kotobazuke e kokorozuke

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    L'articolo definisce le principali modalità di collegamento delle strofe nello haikai del Seicento: il kotobazuke (collegamento lessicale) e il kokorozuke (collegamento semantico). Secondo Basho, unanimemente considerato il massimo poeta di haikai, il kotobazuke era tipico della scuola Teimon mentre il kokorozuke era esaltato dai poeti dello stile Danrin. Partendo da questa concezione l'articolo mira a definire kotobazuke e kokorozuke sia in relazione tra loro sia in relazione ad altre modalità di collegamento.There is a large number of rules in haikai poetry of Seventeenth century. However, despite the undeniable importance of all these rules, what matters most in a haikai session is the way a poet links his verse to the previous one. In other words, “linking” is the essence of haikai. According to Basho – needless to say, widely considered as a major figure of late Seventeenth century haikai poetry – before he established his own style based on the nioizuke or ‘scent link’, there was mainly two types of link: kotobazuke or ‘lexical link’ (also called monozuke or, litterally, ‘thing link’), valued by the Teimon style poets; and kokorozuke or ‘content link’ (litterally ‘emotional link’), stressed by the Danrin style poets. Starting from Basho’s view, this paper focuses on the definition of kotobazuke and kokorozuke in relation to each other as well as in relation to other important ideas like yoriai, torinashi and mushinshojaku. In order to define more precisely kotobazuke and kokorozuke and at the same time try to clarify that Basho’s classification was at least incorrect, I will consider the fact that both terms may have different meaning in different contexts, from Medieval treatises on renga poetry to Seventeenth century treatises on haikai

    Modalità di collegamento delle strofe in Basho: nioi e omokage

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    L'articolo definisce la relazione tra il nioi (profumo) e l'omokage (illusione), due delle principali modalità di collegamento delle strofe nella poesia a catena di Basho. Secondo Kyorai, uno dei più importanti allievi di Basho, il “nioi riguarda la profondità del collegamento, l'omokage il contenuto del collegamento". Partendo da questa definizione, l'articolo analizza gli esempi di nioi e omokage presentati dagli allievi di Basho al fine di dimostrare che il nioi non è una modalità di collegamento, in quanto consiste nel cogliere l'atmosfera della strofa che precede e nel suggerirla nella strofa che segue; inoltre, che l'omokage può essere considerato una forma di nioi essendo un modo di alludere alla letteratura classica.The essence of haikai poetry lies in the way the poet links his verse to the previous one. Therefore, to understand the distinctive style of a work or an author, we must study the types of links in that work or author. The so-called nioizuke, which consists of nioi, utsuri, hibiki, kurai and omokage, is regarded as typical of Bashō. This article focuses on the relationship between nioi and omokage. Bashō’s disciple Kyorai wrote: «Nioi is related to the extent of the link. Omokage is related to the content of the link». Starting from this definition, the article ana- lyzes the examples of nioi and omokage suggested by Bashō’s disciples in order to demonstrate that nioi is not a type of link, but consists of grasping the subtle atmosphere of the previous verse to suggest it by overtones in the added verse; second, as a way to make subtle allusion to the classical literature, omokage may be considered as a type of nioi

    Cenerentola giapponese

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    Diffusione e ricezione della fiaba di Cenerentola in Giappone dalla letteratura classica al manga contemporaneo (scheda del catalogo relativo alla mostra "Mille e una Cenerentola: illustrazioni, adattamenti, oggetti consueti e desueti" tenutasi a Roma dall'8 novembre 2012 al 18 gennaio 2013 presso al Biblioteca Nazionale Centrale di Roma

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods
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