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    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Reconstructing ice dynamics in the central sector of the last British-Irish Ice Sheet

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    The central sector (NW England and Scottish borders) of the last British-Irish Ice Sheet exhibits a palimpsest glacial geological and geomorphological signature characteristic of multi-phase ice flow and ice-marginal fluctuations. Despite its influential position at the heart of the British-Irish Ice Sheet, sourced from major ice dispersal centres of the northern Pennines, Lake District and Southern Uplands, and drained via fast-flowing outlets such as the Irish Sea Ice Stream, the region remains poorly constrained, both temporally and in terms of ice-flow dynamics. The principle goal of this thesis was therefore to reconstruct the palaeoglaciology of the central sector of the British-Irish Ice Sheet during the last glacial cycle, focusing on: (1) ice-flow dynamics with respect to palaeo-ice divides, ice-dispersal centres, flow trajectories and flow phasing; (2) the relative chronology of ice flows during advance and decay of the ice sheet; and (3) evidence for ice stream activity either within or sourced from the study area. The thesis adopted a dual approach involving both geomorphological mapping and sedimentological analysis. A 5 m resolution NEXTMap DEM was used to map over 9,000 individual landforms including subglacial lineations, hummocky terrain, moraines, meltwater channels, eskers and glaciofluvial sediment accumulations. Subglacial lineations were subdivided into discrete flow sets demarcating distinctive flow phases, and a relative chronology produced from cross-cutting relationships. Thirteen field sites, concentrated in the Solway Lowlands, supported by data collected from over 200 boreholes enabled detailed stratigraphic and sedimentological analysis to be carried out. This included stratigraphic logging, the collection of macrofabrics, particle size and geochemistry analysis on till matrixes, clast lithological counts, varve analysis and microstructural (thin sections) data. Results from this study have demonstrated that the central sector of the ice sheet was characterised by repeated ice-flow switches, initiation and termination of ice streams, drawdown into ice streams, repeated ice-marginal fluctuations (the Scottish and Blackhall Wood Re-advances) and the production of large volumes of meltwater, often impounded to form ice-dammed lakes. Six main stages of ice flow have been recognised in the region, of which stage I is thought to indicate the period of maximum ice expansion, while stages II-VI record the deglacial history. A pre-stage I event is also discussed and can be reconciled with the initial expansion of ice out of upland dispersal centres. Stage I was characterised by ice flowing eastwards across the country through major topographic lows of the Stainmore and Tyne gaps. The Tyne Gap was occupied by a topographic ice stream, which was heavily influenced by the changing dominances of both Lake District and Southern Upland ice-dispersal centres. Migration of ice divides back towards upland dispersal centres during stage II resulted in the flow of ice through the Stainmore Gap being cut-off, while the northern edge of the Tyne Gap ice stream was breached by a SE ice flow down the N Tyne Valley. Despite the maintenance of the Irish Sea Ice Stream off the western coast of Cumbria throughout stage III, the Tyne Gap and Solway Lowlands underwent widespread deglaciation. Meltwater from the Tyne Gap was routed into Glacial-Lake Wear via a major proglacial drainage network in the South Tyne Valley, while the natural basin of the Solway Lowlands also ponded-up (Glacial-Lake Blackhall Wood) as drainage became impeded by the Irish Sea Ice Stream. The overall pattern of retreat was reversed during the Blackhall Wood Re-advance (stage IV), during which ice was vigorously drawn down into the Irish Sea Ice Stream. Stage V was characterised by the continued retreat of ice out of the central sector of the British-Irish Ice Sheet; with the vast amounts of meltwater generated impounded in ice-marginal lake systems (Glacial-Lake Carlisle), or routed through meltwater channel networks or evolving glacier karst (Brampton kame belt). The landforms of the Brampton kame belt can be reconciled with ice stagnation on the reverse slope of the Tyne Gap, and is thought to have formed one component of a much larger, time-transgressive drainage network involving the Pennine escarpment and Tyne Gap meltwater channel systems. The final recognised stage in the glacial history of the region was the Scottish Re-advance, a brief incursion of ice, sourced from the Southern Uplands, onto the fringe of the Solway Lowlands. A large glacial lake is identified to have formed at the ice front, dammed against ice in the Irish Sea basin and delimited by a large deltaic complex at Holme St. Cuthbert

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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