1,720,976 research outputs found
Il concetto di grazia e di genio nella letteratura sulle arti fra Quattrocento e Cinquecento.
No full textIl considerevole panorama di trattati artistici rinascimentali offre numerosi spunti di indagine. Il primo che interessa in tale contesto invita a scoprire quale relazione intercorra, nelle arti, tra la Grazia e il Genio: doti irrazionali, inesplicabili, affini al celebre non-so-che, lineffabile per antonomasia
nota critica al saggio: Alberto Gessani, Dante: la lingua di Dio e la poesia, in R. Bruno e S. Vizzardelli (a cura di), Forma e memoria. Saggi in onore di Vittorio Stella. Quodlibet, Macerata 2005
No full textIl saggio Dante: la lingua di Dio e la poesia può essere considerato un dipinto realistico dello smarrimento che colse Dante alla morte terrena della sua celestiale Beatrice e del tentativo di sovrastarlo, affidandosi ad un qualcosa che lui per primo sta scoprendo e che per il momento deve restare dappannaggio privilegiato
Shaftesbury e luomo, Architetto della propria vita
No full textAnthony Ashley Cooper, terzo conte di Shaftesbury, dipinge luomo come ununità, intesa sia come sintesi (anima e corpo), sia come parte delluniverso, microcosmo che riproduce in sé la varietà della Natura. Lobiettivo del filosofo inglese è quello di foggiare un «wise man», un individuo sapiente che, sviluppando il proprio e naturale comportamento morale, diventi Architetto della sua vit
Introduzione ad A. Liguori (a cura di), Momenti ed aspetti della nozione di Grazia
No full textQuesto volume raccoglie cinque studi sullidea di Grazia. Alberto Gessani, Veronica Regoli, Gennaro Curcio, Caterina Di Rienzo, Alessia Liguori, pur dedicandosi a temi storicamente e teoricamente lontani fra loro, giungono alla medesima conclusione: la Charis è un ideale che, attraverso la sua apparenza estetica, trasmette un profondo senso morale, indispensabile alluomo per affacciarsi ad un mondo sovrannaturale e per comprendere quanto sia importante, nel quotidiano, la reciprocità. La poesia, il canto, il bagliore della spiritualità che si coglie nei gesti, la danza, il Buon Gusto esprimono tutti la Grazia, che si serve del corpo e del linguaggio per rendersi visibile, accessibile, per un eterno istante, a quanti procedono ciecamente sul sentiero della mera materialità.Momenti ed aspetti della nozione di Grazia è un invito a vivere allinsegna di un valore mitico, che spesso si scopre inaspettatamente nellaltro
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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