1,720,966 research outputs found
Fëdor Dostoevskij v interpretacii Tat’jany Rozental’: pred-voschiščenie Frejda
Публикуемая статья Иларии Лелли и Марии Заламбани была представлена на III Международной научной конференции «Фрейд и русские: забытые судьбы и открытия» в октябре 2015 года.
На заре ХХ века психоаналитический дискурс вторгается в Россию и через литературу проникает во все круги русской интеллигенции, получив значительно более широкое распространение, нежели во многих европейских странах. Русские психоаналитики иллюстрируют основные положения новой дисциплины посредством образов и суждений таких отечественных классиков, как Толстой и Достоевский. Таким образом, литературный и психоаналитический дискурсы переплетаются и умножаются в постоянном обмене, который в России приобретает своеобразную окраску. Это хорошо иллюстрирует сопоставление исследования Татьяны Розенталь «Страдание и творчество Достоевского» и статьи Зигмунда Фрейда «Достоевский и отцеубийство». Если первое представляет собой чисто психоаналитический очерк, развивающийся в рамках филологического подхода, то второе использует литературу для изложения исключительно психоаналитической тематики. Для Розенталь психоанализ выступает критическим инструментом для анализа литературного текста, для Фрейда же литература — неисчерпаемый источник, к которому он обращается для подтверждения своих теорий
Nikolaj Osipov e Le memorie di un folle di Tolstoj
Fra le figure di spicco della prima generazione russa di seguaci di Freud si annovera lo psichiatra Nikolaj Evgrafovič Osipov, considerato un autentico pioniere della psicoanalisi in Russia . Egli, come molti intellettuali russi del tempo, si forma in Occidente; nel 1910 incontra personalmente il padre della psicoanalisi e instaura con lui un rapporto personale e professionale che porterà avanti per tutta la vita, come dimostra la loro corrispondenza. Rientrato in patria diventa il primo pioniere della psicoanalisi in Russia, una terra molto propensa all'accogliemento del discorso psicoanalitico che ivi attecchisce molto più rapidamente che nella maggior parte dei paesi europei. L'articolo dimostra come in Russia il rapporto tra psicoanalisi e letteratura sia molto stretto, infatti Osipov per diffondere la nuova disciplina ricorre all'autorevole parola di Lev Tolstoj, servendosi delle sue opere per fare riflessioni di tipo psicoanalitico.L'autorevolezza della parola di Tolstoj aiuterà la diffusione del discorso psicoanalitico in Russia
Literatura i psichoanaliz v Rossii. Nikolaj Osipov i “Zapiski sumasšedšego" L’va Tolstogo.
Творчество Осипова является прекрасным материалом для изучения зарождения русского психоанализа и выявления его связей с художественной литературой. Из его работ явствует, что с самого своего появления в России психоанализ использует литературу не только в качестве архива, из которого можно черпать клинические случаи для исследования, но и в качестве способа популяризации и распространения новой теории. В самом деле, Осипов иллюстрирует положения психотерапии при помощи литературных образов и текстов, позаимствованных у Толстого, Достоевского, Гоголя, Гончарова; тем самым, литературный и психоаналитический дискурсы тесно переплетаются между собой, постоянно взаимодействуя друг с другом: сначала психоанализ прибегает к литературе, чтобы проиллюстрировать свои гипотезы и приобрести больше авторитета, а затем и литература начинает пользоваться теорией психоанализа, на которой вырастут некоторые писатели следующего поколения
Fëdor Dostoevskij interpretato da Tat’jana Rozental’. Un’anticipazione di Freud
Tat’jana Rozental’s essay on Dostoevsky’s creativity, shows how strong the interplay between art, literature and psychoanalysis was in Russia at the beginning of the xx century. The rapid diffusion of Freudian method is not only due to the peculiarities of Russian culture, which was ready to embrace the new psychoanalytic discourse, but also to the fact that Russian psychoanalysts turn to literature to spread their ideas. Rozental’s article (likewise many other works of early Russian psy-choanalysts) suggests that the literary centrism of Russian culture may have served as a vehicle for the rapid spread of Freud’s new discipline in Russia. Besides, Rozental’s essay suggests a possible influence that she may have exercised on Freud’s Dostoevsky and Parricide. Studying the interplay between Dostoevsky’s literary work and his own disease she attempts to classify the writer’s illness as “hystero-epilepsy” (and not organic epilepsy), thereby anticipating Freud’s own hypothesis
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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