1,721,002 research outputs found
Abitare la sorveglianza
Articolo nel volume "Geografie del controllo nella scena audiovisiva contemporanea" di Laura Cesaro, che opera una riflessione sullo scenario, complesso, che muove dal panottismo securitario al capitalismo sorvegliante, dagli occhi diffusi alle pratiche di geolocalizzazione e tagging. Le evoluzioni delle società del controllo evidenziano infatti un carattere sempre più multiforme, pervasivo, insinuante, liquido –nella definizione proposta da Bauman– in una progressiva erosione della distinzione primigenia tra controllori e controllati. Guardando a prospettive provenienti da ambiti come gli studi visuali e sui media, gli approcci storico-filosofici e sociologici, "Geografie del controllo" abbraccia pratiche espositive, forme del documentario, narrazione cinematografica e serialità televisiva, mainstream e cinema d’essai, per monitorare la ricorsività delle forme e il loro metamorfizzarsi nella scena audiovisiva contemporanea sospesa tra la svolta dell’11 settembre 2001 e l’irruzione della pandemia da Covid 19
The (Un)berable Lightness of Media. Critical Approaches to Sustainability in Film and Audiovisual Production, Circulation and Preservation
Udine FilmForum 2022 - XXIX International Film and Media Studies Conference Proceeding
An Unsustainable Industry
This edited collection stems from the XXIX FilmForum conference The (Un)bearable Lightness of Media, which took place at the University of Udine in November 2022 and explored sustainability issues with regards to the film and media industry
The (Un)berable Lightness of Media Critical Approaches to Sustainability in Film and Audiovisual Production, Circulation and Preservation
This edited collection stems from the XXIX FilmForum conference The (Un)bearable Lightness of Media, which took place at the University of Udine in November 2022 and explored sustainability issues with regards to the film and media industry
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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