1,720,957 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
The Marketing of Social and Solidarity Economy in Morocco: Characteristics and Issues
We find ourselves facing a certain group of individuals belonging to marginalized populations who are experiencing a crisis of social link; SSE was conceived as a response to this exclusion to create wealth and employment, thus contributing to the national GDP (Gross Domestic Product). This reflects the essential role of the ESS, which in no way aims to replace the role of public authorities, but rather to give them considerable support
Consumer involvement in the creation of E-WOM through social media - Case of the tourism sector
The E-WOM which is becoming increasingly popular has become a powerful tool used by consumers in order to optimize their purchasing decisions and minimize the risk of dissatisfaction. The E-tourist in the tourism sector should no longer be considered as a target but as a partner who contributes to the promotion of a company's services. He is now an integral part of the digital marketing strategy and becomes a consummator by influencing internet users
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
The small world hypothesis: How social media revolutionized the luxury hospitality industry?
Luxury and Internet. While the first one is characterized by scarcity and selectivity, the second is based on large distribution and accessibility. Here begins the paradox of luxury and internet.
Luxury industry being in constant development and looking for opportunities to build a relationship with the customers, the emergence of social media has brought a new way to engage with the audience and be attentive to their needs.
In this framework of this new dynamic, the role of the customer in the service production moves from being passive to active, creating a relational marketing approach that is evolving towards personalized one-to-one relationships.
This bilateral relationship advocated by Eiglier and Langeard considers the customer as an integral part of the service during its consumption and leads to the Consumer Empowerment that recognizes the power of the client in determining the strategies of the companies.
This power has been reinforced by the web which has facilitated access to information and made sharing faster, especially with the advent of social media.
The objective of this article is to analyze how the emergence of social media has reshaped the relationship between luxury brands in hospitality industry and consumers, fostering a shift toward personalized and participatory marketing strategies. The analysis is based on a conceptual review of the literature, aiming to explore the evolving dynamics between luxury hospitality industry and consumers in the context of social media.
Finally, the article clarifies its theoretical grounding by relying on Consumer Empowerment and relational marketing to explain the evolving role of the consumer in the luxury sector.
JEL Classification: M30
Paper type: Theoretical ResearchLuxury and Internet. While the first one is characterized by scarcity and selectivity, the second is based on large distribution and accessibility. Here begins the paradox of luxury and internet.
Luxury industry being in constant development and looking for opportunities to build a relationship with the customers, the emergence of social media has brought a new way to engage with the audience and be attentive to their needs.
In this framework of this new dynamic, the role of the customer in the service production moves from being passive to active, creating a relational marketing approach that is evolving towards personalized one-to-one relationships.
This bilateral relationship advocated by Eiglier and Langeard considers the customer as an integral part of the service during its consumption and leads to the Consumer Empowerment that recognizes the power of the client in determining the strategies of the companies.
This power has been reinforced by the web which has facilitated access to information and made sharing faster, especially with the advent of social media.
The objective of this article is to analyze how the emergence of social media has reshaped the relationship between luxury brands in hospitality industry and consumers, fostering a shift toward personalized and participatory marketing strategies. The analysis is based on a conceptual review of the literature, aiming to explore the evolving dynamics between luxury hospitality industry and consumers in the context of social media.
Finally, the article clarifies its theoretical grounding by relying on Consumer Empowerment and relational marketing to explain the evolving role of the consumer in the luxury sector.
JEL Classification: M30
Paper type: Theoretical Researc
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