1,803 research outputs found
Rusia. Mapas generales. 1827. 1:1641836
No full textPremière partie. Europe, N° 2, h. 5Presenta la zona de Rusia al N. que baña el Mar Blanco con: Kolskiy, Polvostrov y Polv, Kanir y la Isla Ostrev Kolguyer, con el mar actualmente llamado Barentsevo, al N., antes llamado Boreal ; verde en el borde de la costa, y escasa orografía e hidrografía. GraduadoMención de responsabilidad tomada de la portada del atlasIndica verile
Memahami Mutiara Hadis Nabi SAW
No full textHadis adalah sebuah narasi yang sangat singkat, dan
bertujuan memberikan informasi tentang apa yang dikatakan Nabi (aqwal), dilakukan (af'al), disetujui (taqrir) atau tidak disetujui beliau, dan beredar pada masa Nabi
Muhammad saw. hingga wafatnya (11 H/632 M), yang
terkodifikasikan jauh setelah Rasulullah saw. wafat.
Kedudukan hadis atau sunnah, baik secara struktural maupun fungsional hampir disepakati oleh mayoritas kaum muslim dari berbagai mazhab dalam Islam sebagai sumber teks keagamaan fundamental (asl) dan otoritas kedua setelah al-Qur’an menempati posisi sentral dan signifikan. Otoritas Nabi Muhammad saw. di luar al-Qur’an tak terbantahkan dan mendapatkan justifikasi dari wahyu yang memiliki kedudukan terhadap al-Qur’an diantaranya sebagai penafsir al-Qur’an (Q.S. al-Nahl [16]:44);sebagai pembuat hukum (legislator) [Q.S. al-Nisa’ (4):65]; sebagai teladan untuk masyarakat muslim (model for muslim behavior) (Q.S. al-Ahzab [33]:21); wajib dipatuhi oleh masyarakat (Q.S. al-Hasyr [59]:7), Q.S. al-Maidah [4]:59, 64; Q.S. Ali Imran [3]:32, 132;).
Buku ini akan mengupas dan mengkaji beberapa tema hadis dari sudut pemahaman matan hadis guna menggali mutiara yang terkandung dalam pesan-pesan kenabian. Sistematika dari penulisan buku ini terdiri dari sepuluh bab yang merupakan sepuluh tema pokok hadis yang akan dielaborasi makna kandungan matannya. Elaborasi yang akan dilakukan mencakup
pada aspek takhrij al-hadis, syarh al-mufradat, asbab alwurud [jika ada] dan fiqh al-hadis
Originalidad en la imitación: dos mu‘āraḍas de Ibn Darrāŷ al-Qasṭallī
No full textThe essay explores the range and function of the emulation (mu‘āraḍa) in al-Andalus, taking as examples two odes of Ibn Darrāj al-Qasṭallī (d. 421/1030), dedicated to his first patron al-Ḥājib al-Manrṣūr and his last patron al-Mundhir b. Yaḥyā of Saragossa. The first is modeled on an ode of Abū Nuwās and a declared poetic contest, the second a silent overwriting of al-Mutanabbī’s ode on the battle of al-Ḥadath, summoning it as “the vocabulary of a second higher power” to invert a celebration of military victory into one of a wedding feast. The ode acted as an ideological strategy to defend the patron’s peaceful diplomacy with Saragossa’s two Christian neighbors in order to form a coalition against a third Christian party, and it responded to criticism by some Muslim contemporaries. Both emulations show the considerable freedom Ibn Darrāj took in developing the themes of his subtexts.Este artículo analiza las variedades y la función de la imitación literaria (mu‘āraḍa) en al-Andalus a partir de dos poemas que Ibn Darrāj al-Qasṭallī (m. 421/1030) dedicó a sus mecenas al-Ḥājib al-Manrṣūr y al-Mundhir b. Yaḥyā. El primero de ellos imita un poema de Abū Nuwās, en competición poética explícita con el mismo. El segundo es una imitación no reconocida como tal del poema de al-Mutanabbī sobre la batalla de al-Ḥadath, que se invoca como “vocabulario de un segundo poder más elevado” para convertir la celebración de una victoria militar en la de una boda. al-Qasṭallī utilizó este segundo poema como estrategia ideológica para defender la diplomacia pacífica que su mecenas mantenía con dos vecinos cristianos de Zaragoza con los que formaba una coalición contra una tercera facción cristiana. Con él respondía a la crítica de la que esta política era objeto entre ciertos musulmanes. Ambas imitaciones muestran la considerable libertad que Ibn Darrāj se tomó a la hora de desarrollar los temas presentes en sus sub-textos
Analysis Of Eligibility, Contribution And Behavior Of Cloves Market In North Kulisusu District, North Buton Regency, Southeast Sulawesi
No full textThis research was conducted in Wa Ode Buri Village, North Kulisusu District, and North Buton Regency. The location determination was determined purposively. The objectives of this research are 1) to find out how much income farmers get from farming, which is obtained by farmers from clove farming in Wa Ode Buri Village, North Kulisusu District, and North Buton Regency. 2) To find out how much contribution farmers get from clove farming in Wa Ode Buri Village, North Kulisusu District, North Buton Regency. 3) To find out how much feasibility value is obtained by farmers from clove farming in Wa Ode Buri Village, North Kulisusu District, and North Buton Regency. 4) How is the behavior of the clove market in North Kulisusu District. The sampling technique used is a simple random sampling technique. The results showed that 1) the average income received by respondent farmers from clove farming was IDR 15,258,026 with an income range of IDR 7,098,750 – IDR 29,798,750. 2) The value of the feasibility of farming is obtained by a value of 2.3, which means that the clove farming carried out by the respondent farmers is feasible to be cultivated and developed. 3) The contribution of clove farming income to the total income of farmers is 68.04%, which means that clove farming income is categorized as high
al-ʿUmdah fi Sharḥi al-Burdah (A worthy commentary for Ode of the Mantle)
No full textThe entire manuscript is available for download as a single PDF file. Higher-resolution images may
be available upon request. For technical assistance, please contact [email protected]. Fieldwork Team: Dr. Mustapha Hashim Kurfi (Principal Investigator), Malam
Umar Hajji Mustapha (Local Project Manager) and Abdullahi Mohammed (General Field Facilitator).
Technical Team: Prof. Fallou Ngom (Director African Studies Center), and Eleni Castro (Technical Lead, BU Libraries). This collection of Yoruba Anjemi materials are copied as part of the African Studies Center’s African Ajami Library. Access Condition and Copyright: These materials are subject to copyright. All rights reserved to the author. For use, distribution or reproduction contact Professor Fallou Ngom ([email protected]). Citation: Materials in this web edition should be cited as: Kurfi, Mustapha Hashim, Ngom, Fallou, and Castro, Eleni (2019). African Ajami Library: Digital Preservation of Yoruba Anjemi Materials of Southwestern Nigeria. Boston: Boston University Libraries: http://hdl.handle.net/2144/38122. For Inquiries: Please contact Professor Fallou Ngom ([email protected]).Provenance and Condition: This manuscript is owned by the Markaz Ihyahil Islam Abayawo, Ilorin – Nigeria, an institution which propagates, teaches, and popularizes Yoruba Anjemi knowledge. Al-ʿUmdah Yoruba Anjemi manuscript has 63 pages, and is numbered using Arabic numerals. This Yoruba Anjemi manuscript is in good condition and has the name of the translator, al-Ḥājj Ibrahim bn al-Ḥājj Abubakar Yusuf, along with the date of publication of 1435 A.H. / 2013 C.E.This manuscript titled al-ʿUmdah fi Sharḥi al-Burdah, can be roughly translated as "A Worthy Commentary for Ode of the Mantle," and is also known as al-ʿUmdah for short. It is a thirteenth-century ode of praise for the Islamic Prophet Muhammad composed by the eminent Sufi mystic Imam al-Busiri of Egypt. The original poem was reported to be entitled al-Kawākib ad-dhurriyya fī Madḥ Khayr al-Bariyya (The Celestial Lights in Praise of the Best of Creation), and was entirely in praise of the Prophet and is famous especially among Sunni Muslims. This Yoruba Anjemi translated version of the al-Burdah is accompanied by commentary in Yoruba. The result is a small bound book of 63 pages. As with all Islamic praise poems, al-ʿUmdah contains panegyric poems of Prophet Muhammad, commending the Prophet of Islam, portraying his pious characterstics, describing his distinctive attributes, and exploring the light that he has brought to humanity.The contents of this collection were developed with support of the Title VI National Resource Center grant # P015A180164 from the U.S. Department of Education. However, those contents do not necessarily represent the policy of the U.S. Department of Education, and you should not assume endorsement by the Federal Government
Contener : mirada al imaginario del desborde urbano en Peñalolén /
No full textMemoria para optar al título de Diseñador GráficoEl siguiente informe relata los procesos en la creación del proyecto
Contener: una mirada al imaginario del desborde urbano en
Peñalolén. Se compone de una investigación-creación en torno al
fenómeno de desborde urbano en la zona periférica de santiago –
específicamente la comuna de peñalolén– a partir de un ejercicio
de mirada personal al fenómeno reflejado a través de un estudio
visual fotográfico de los elementos del imaginario que se conforma
frente al encuentro del mundo urbano con el rural.
El proyecto se llevó a cabo a través del trabajo de campo con el
cual se desarrolló un fotolibro que busca poner en valor el registro
de los elementos y situaciones que forman parte del fenómeno y
difundir la mirada a la experiencia de vivir el desborde
Metaphorical Expression on Kaghati in Muna language: Ecolinguistic Perspective
No full textThis paper aims at describing metaphors on kaghati that used by the language community in Muna. Kaghati is a typical kite of the Muna tribe. The whole material of kaghati is obtained from the natural environment. Therefore, the interactions, interrelationships and interdependencies between Muna Speech Community (MSC) and nature are very high. For that, they always try to maintain the balance of nature. The degree of familirity is shown through metaphorical expressions created in the kaghati environment. The metaphorical frames are structured by forms of interaction of two models; a source and a target domain. The method employed was qualitative approach and the data obtained was from five informants who were born in Muna, especially in Lia Ngkobori village. The range of the ages was from 35 to 70 years and they also married the locals. The numbers of metaphors are nine pieces which commonly used as vernacular. In general, metaphors of Muna language constituted by the body of kaghati as the source domain and kaghati’s character in the sky or human’s behavior or his manner stands as the target domain. The relationship of both was processed in thought of the users, and also respected to the convention of the language community. For example, kaghatiku nobhie fotuno ‘my kite is heavy on the head’, convey metaphorical meaning ‘someone who has a stubborn nature, does not like being advised, or a person who is lazy to think forward to develop their potential.
Conectadas : el vínculo entre la visualidad y la lírica feminista
No full textEl proyecto de creación "Conectadas" consiste en el desarrollo de un Libro de Artista que representa la visualidad y la lírica de las creadoras de música feminista que residen en la ciudad de Santiago de Chile desde el año 2023 a 2024.
En relación a ello, es relevante exponer los espacios y colectivos que representan a este movimiento en el país para generar un registro que les dé la categoría de histórico. Considerando la epistemología feminista como un lente para ver el mundo, se busca examinar el vínculo entre el lenguaje visual y las consignas cantadas por estas artistas, que construye imaginarios mientras promueve el discurso. Este enfoque permitirá la creación de un registro y posterior análisis que active la memoria visual de esta expresión artística y signifique un aporte tanto al legado colectivo como a los conocimientos de la música chilena feminista mientras actúa como una estrategia patrimonial. Al igual que en la manufactura del Libro de Artista que, a través de la fotografía y materialidad, evoca la transparencia del movimiento mientras reúne en su relato visual los aspectos distintivos y encapsula en su soporte de resina epóxica una parte de esta historia.Versión original del auto
La aparición de la esfera pública Abbasí: el caso de al-Mutanabbī y tres mecenas de extracción social media
No full textThe tenth century in Iraq and Syria saw an unprecedented rise in the number of canonical poets who were delivering glorious praise hymns (madīḥ) to middling members of society. Scholars have posed many theories in the past 30 years to explain the function and purpose of praise hymns for royalty and rulers, but why would ordinary men who had no hope of rulership pay painful sums to commission praise hymns in their favor? This article examines the emergence of a new kind of sociability and patronage in the tenth century that enabled middling people to form alliances and exercise influence in shaping ideals of government, leadership and manhood. Examples are given of poems to patrons of middle rank who gain glory and influence via the artistic endorsement of al-Mutanabbī (d. 965): The first ode restores the public dignity of a nineteen-year-old soldier who lost his face in battle; in the second ode, the poet glorifies and defends a state clerk who had little-known Sufi leanings; in the third ode, the poet vindicates an unmasked pseudo- Muslim who was in private a Christian. Using J. Habermas’s theory of the “Public Sphere,” I show the way these odes illustrate how middling members of society gained influence in a public sphere of participation and took measures to preserve that influence.En el siglo X, y en la zona de Siria e Iraq, el número de poetas canónicos que dedicaron panegíricos (madīḥ) a miembros no destacados de la sociedad experimentó un incremento sin precedentes. A lo largo de los últimos treinta años, especialistas en este campo han formulado diversas teorías sobre los himnos de alabanza dedicados a la realeza y a los gobernantes, pero ¿qué llevó a personas corrientes, sin ninguna aspiración de llegar a gobernar, a pagar grandes cantidades de dinero por himnos de alabanza en su honor? Este artículo plantea la aparición de un nuevo tipo de sociabilidad y un nuevo patronazgo en el siglo X. Ambos elementos habrían permitido a miembros de las categorías sociales inferiores formar alianzas y tener influencia a la hora de dar forma a los ideales del gobierno, el liderazgo y la propia hombría. El artículo presenta, a modo de ejemplos, poemas dirigidos a personas corrientes que adquirieron gloria e influencia gracias al apoyo artístico de al-Mutanabbī (m. 965). El primer poema le devuelve la dignidad pública a un soldado de diecinueve años cuyo rostro había quedado desfigurado en combate; en el segundo, el poeta glorifica y defiende a un funcionario del gobierno con inclinaciones sufíes poco conocidas; en el tercero, el poeta limpia el nombre de cierto pseudo-musulmán que era cristiano en privado. A partir de la teoría de la “esfera pública” de J. Habermas, el artículo describe el modo en el que estos poemas ilustran cómo miembros comunes de la sociedad adquirieron influencia en la esfera pública de participación y usaron los medios a su alcance para conservar esa influencia
Classical Themes in the Non-Satiric Poetry of Andrew Marvell
No full textPhDChapter 1 examines the grammar school curriculum
in the early seventeenth century, paying special
attention to the classical texts usually taught and
to the normal pedagogic methods used. It also gives
an account of the courses of study at Trinity College,
Cambridge in the period. Chapter 2 discusses Marvell's
Latin poetry, and includes a detailed analysis of those
poems which have a close relation to the English lyrics.
Chapter 3 considers 'To His Coy Mistress' in the
context of the carpe diem tradition, suggesting that
a particular affinity exists between Marvell's poem
and the Greek amatory epigram, and also traces
Lucretian influence on its metaphors and language.
Chapter k discusses 'The Nymph complaining' as a pet
lament which is in the tradition of the Greek Anthology,
Book VII, and of neo-Latin pet poetry, but which also
echoes the ecphrastic epigram, in its concentration
on the aesthetic object. Chapter 5 analyses 'The
Garden' as a version of the Horatian retreat poem
which is much altered, chiefly by Marvell's use of
Ovidian allusion and Neoplatonic metaphors and ideas.
Chapter 6 examines the relation of 'Damon the Mower'
and 'The Mower's Song'to the pastoral complaint in
classical literature, and demonstrates the pervasiveness
of the influence of Pliny's Natural History on 'The
Mower against Gardens'. Chapter 7 argues that the
'Horatian Ode' is a meditation on fate and human
motivation in the manner of Lucan, and that Horatian
influence is slighter than has usually been thought
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