1,721,052 research outputs found

    Redescription of Leptus (Leptus) mariani HAITLINGER 1991 and L. (L.) stefani HAITLINGER 1991 (Trombidiformes: Prostigmata: Erythraeidae)

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    Haitlinger, Ryszard, Šundić, Miloje (2016): Redescription of Leptus (Leptus) mariani HAITLINGER 1991 and L. (L.) stefani HAITLINGER 1991 (Trombidiformes: Prostigmata: Erythraeidae). Linzer biologische Beiträge 48 (2): 1197-120

    Dall'emergenza alla ricostruzione. Un intervento urbano in Bosnia Erzegovina

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    Il volume analizza un'esperienza di analisi e progettazione urbana condotta nell'immediato dopoguerra a Bosansko Grahovo (Bosnia), da un team della Facoltà di Architettura di Ferrara. L'obbiettivo del progetto urbano, sviluppato in collaborazione con il governo locale, è stato quello di individuare una serie di interventi strategici che rispondessero alle drammatiche esigenze abitative dell'emergenza, aprendo la strada verso una ricostruzione capace di innescare un nuovo processo di sviluppo e di rinascita sociale ed economic

    The Polluter-Pays Principle and Site Ownership : the European Jurisprudential Developments and the Italian Experience

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    Drawing upon the European Court of Justice jurisprudence on the Environmental Liability Directive, the present contribution intends to discuss the prospects for establishing a relation of coherence between the polluter-pays principle and remediation procedures; throughout the discussion, a particular attention will be dedicated to the legislative and jurisprudential perspective of Italy on the position of the soil owner with respect to remediation of pollution he did not contribute to. Recent jurisprudential developments conferred new impulse to the debate revolving around the scope and significance of the polluter-pays principle; in particular, ecj, case C-534/13 offers scope to discuss the possibility of, and profitability for, the codification of a benchmark for soil owner’s liability: the conferral of a “warranty position” to the soil owner may eventually be grounded on the assessment of his causal contribution by means of omission

    Materiali Illustrativi

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    Documentazione relativa alle operazioni di analisi, rilievo e progettazione svolte in concomitanza con l'attività di elaborazione di linee guida per la ricostruzione sviluppata tra Bosansko Grahovo e l'Italia nel 1999, a cura del Laboratorio di Analisi e Progettazione Urbana coordinato dal prof. Daniele Pini della Facoltà di Architettura di Ferrara

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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