1,723,456 research outputs found
L. Murray Grant, head-and-shoulders portrait
No full textL. Murray Grant 1904-Spokane, Washington. On frame: Hinea, Lafayette, Ind
L. Murray Grant, head-and-shoulders portrait
No full textL. Murray Grant 1904-Spokane, Washington; Purdue Masonic Club, Tau Beta Pi, YMCA House Gang, Methodist, Unmarried. On frame: Hinea, Lafayette, Ind
Buchbesprechung: Peter L. Murray und Rolf Stürner, German Civil Justice
No full textDer Beitrag bespricht – in englischer Sprache – das Buch „German Civil Justice“ von Peter L. Murray und Rolf Stürner
Homegoing Service Brother Samuel L. Murray
No full textFuneral program for Brother Samuel L. Murray, born July 19, 1918 and died January 29, 1991. The funeral was held February 4, 1991 at West End Baptist Church, officiated by Rev. Glenn P. Taylor. Funeral arrangements were made through the Lewis Funeral Home and he was buried in Fort Sam Houston National Cemetery near San Antonio, Texas
[Form letter from Robert L. Murray]
No full textA form letter from Robert L. Murray, American Society of Composers, Authors and Publishers, Thirty Rockefeller Plaza, New York City, dated May 13, 1941. Announcement by Murray advising that all ASCAP music is now back on air over the Mutual Broadcasting System
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
[Form letter from Robert L. Murray addressed to Comrades.]
No full textA letter addressed to Comrades, from Robert L. Murray, ASCAP, Thirty Rockefeller Plaza, New York, N. Y., dated November 29, 1940. Murray advises that all ASCAP music is to be barred from radio beginning January 1, 1941 and requests they write the Federal Communications Commission, have their Posts pass resolutions and send copies to their Senators, Representatives and Governors
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
- …
