1,721,870 research outputs found
Pat J. L. Lyons Park, Mobile, Alabama
No full textColor print of Pat J. L. Lyons Park, located on Spring Hill Avenue in Mobile, AL. Defined walking paths. Open pavillion and other buildings in background. Landscaped with flowers and trees. Park was named for the 40th mayor for the city of Mobile. Afternoon sunset sky. Divided back postcard.Printed on front: ' Pat J. L. Lyons Park, Springhill Ave., Mobile, Ala.' Printed on back: 'C. T. American Art.
In Loving Memory of Bro. Earl L. Lyons, Sr.
No full textFuneral program for Bro. Earl L. Lyons, Sr. The funeral was held Friday, December 29, 1995 at Sutton-Sutton Memorial Chapel, officiated by Rev. G. P. Taylor. Funeral arrangements were made through Sutton-Sutton Mortuary and he was buried in Fort Sam Houston National Cemetery near San Antonio, Texas
In Loving Memory of Rev. Larry L. Lyons "Dickie"
No full textFuneral program for Rev. Larry L. Lyons, born December 12, 1940 and died July 5, 2010. The funeral was held Thursday, July 8, 2010 at Mt. Sinai Baptist Church, officiated by Rev. L. H. Mills. Funeral arrangements were made through Carter-Taylor-Williams Mortuary and he was buried in Meadowlawn Memorial Park in San Antonio, Texas
Sherrie L. Lyons, From Cells to Organisms: Re-envisioning Cell Theory, Toronto: University of Toronto Press, 2020
No full textWorliczek HL. Sherrie L. Lyons, From Cells to Organisms: Re-envisioning Cell Theory, Toronto: University of Toronto Press, 2020. History and Philosophy of the Life Sciences. 2022;44(1)
Ann Olga Koloski-Ostrow & Claire L. Lyons (Éd.), Naked Truths. Women, Sexuality, and Gender in Classical Art and Archaeology
No full textMassar N. Ann Olga Koloski-Ostrow & Claire L. Lyons (Éd.), Naked Truths. Women, Sexuality, and Gender in Classical Art and Archaeology. In: L'antiquité classique, Tome 68, 1999. pp. 465-466
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Ann Olga Koloski-Ostrow & Claire L. Lyons (Éd.), Naked Truths. Women, Sexuality, and Gender in Classical Art and Archaeology
No full textMassar N. Ann Olga Koloski-Ostrow & Claire L. Lyons (Éd.), Naked Truths. Women, Sexuality, and Gender in Classical Art and Archaeology. In: L'antiquité classique, Tome 68, 1999. pp. 465-466
Michael L. Lyons, president of Tower Publishing Co. of Standish, yesterday said
No full textMichael L. Lyons, president of Tower Publishing Co. of Standish, yesterday said that his company has received an appointment from the United Nations to market and distribute U.N. publications to businesses nationwide. Tower will not publish the U.N. books and reports, which are valuable but underutilized resources for businesses. The company expects to add up to five employees to its current workforce of eight and to move to larger facilities in the Portland area to accomodate the new work. Details
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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