6,788 research outputs found
Caroline (Carrie) Cather Lindgren and family
No full textCaroline (Carrie) Cather Lindgren, Willa Cather's cousin, with her husband Oscar Lindgren and baby Charlotte. The Lindgrens pose in front of an interior wall cluttered with framed pictures. Caroline sits with the baby standing on her lap while Oscar stands behind them. All three stare off in different directions
Uniqueness of extremals for some sharp Poincar\'e-Sobolev constants
No full textWe study the sharp constant for the embedding of into
, in the case . We prove that for smooth connected sets,
when and is sufficiently close to , extremal functions attaining
the sharp constant are unique, up to a multiplicative constant. This in turn
gives the uniqueness of solutions with minimal energy to the Lane-Emden
equation, with super-homogeneous right-hand side.
The result is achieved by suitably adapting a linearization argument due to
C.-S. Lin. We rely on some fine estimates for solutions of Laplace--type
equations by L. Damascelli and B. Sciunzi
Astrid Lindgren and the Archives
No full textThe author Astrid Lindgren (1907-2002) is for many Swedes a genuine national icon. On several occasions, when the most popular and influential Swede is to be announced, Astrid Lindgren’s name is always one of the top names. Astrid Lindgren is for the Swedes known not only as a famous author, but also as a person who spoke out on things she found wrong in the Swedish society. In the history of Swedish literature 1945 is usually regarded as a milestone and Astrid Lindgren’s book Pippi Longstocking was published and revolutionised both children’s literature and the attitude to children and their upbringing. Astrid Lindgren also worked as editor-in-chief for the publishing house Rabén & Sjögren from 1946 to 1970 and for almost a quarter of a century she was responsible for the children’s literature while at the same time she was in practise her own editor. Today, ten years after she passed away 94 years old, her remaining papers, letters and manuscripts are kept in different archives where interesting research can be carried out. There is a substantial amount of material from her rich and prolific life and in this article I wish to illustrate how this material can be used to provide a deeper knowledge of Astrid Lindgren as a person and as an editor.</p
Astrid Lindgren oggi. Spunti per una riflessione
No full textThe Author does a study in deep about the charming work of Astrid Lindgren. Her books rapresent a widening of social childhood, and we can find some marks of fantastic mind and unconventional behaviour in them. The Author underlines the actuality of Lindgren’s literature
Possibillity of christian interpretation of selected works of Astrid Lindgren
No full textThe goal of the theses is to interpret a selected work of A. Lindgren in a theological way. Methodology of the practical part is built on the broad context of early Christian inculturation (interpretation of ancient culture in the Patristic Tradition, introduced in the work of Hugo Rahner), and of the modern philosophical-theological interpretation of secular culture (interpretation of Don Juan in the work of Karel Vrána). The personality of the author A. Lindgren is then described, with emphasis on certain biographical facts which are particularly important for the goal of the theses. The work of German theologian Thomas Vogel is introduced in the Czech environment for the first time. Thomas Vogel is well-known for his Christian interpretations of A. Lindgren?s books. In the final part the author interprets the book Mio, My Son from christological, ecclesiological and eschatological point of view
The relative toxicity of insect fumigants
No full textThis archival publication may not reflect current scientific knowledge or recommendations.Shepard, H. H.; Lindgren, D. L.; Thomas, E. L.. (1937). The relative toxicity of insect fumigants. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/204049
Astrid Lindgren and the Archives
No full textThe author Astrid Lindgren (1907-2002), well-known for the characters Pippi Longstocking, the Brothers Lionheart, Emil and Karlsson-on-the roof, is for many Swedes a genuine national icon. On several occasions, when a list of the most popular and influential Swede has been published, Astrid Lindgren’s name has been prominent. Around the year 2000 many Swedes voted Astrid Lindgren the most important person of the entire 2000 years, something that says much about our often short memory, but more about how popular Astrid Lindgren really is. In the year she turned 90 she was selected as ‘This Year's Swede in the World’ by The Society for Swedes in the World because few Swedes have been so esteemed throughout the world. On receiving the prize she said, ‘You are giving the prize of This Year's Swede in the World to a person who is extremely old, half blind, half deaf and completely mad. We must be careful about spreading this around’ (Törnqvist-Verschuur 2011, p.120)
Genreekvilibristen Astrid Lindgren
No full textThe paper examines genre strategies in a number of children’s books by the well-known Swedish author, Astrid Lindgren. Drawing on the reception theories of Hans Robert Jauss, Aidan Chambers and Reinbert Tabbert, the paper demonstrates that the stormy reception of Pippi Longstocking (1945), prompted by a review by Professor John Landquist, had principally genre-related grounds. The book made readers feel a sense of provocation because it challenged their archetextual horizon of expectations by evoking certain traditional genres and simultaneously twisting them in almost anarchic ways. In later books Astrid Lindgren makes a more elaborate use of classic genre structures. She generally chooses one well-known archetext as the generic dominant and allows it to interact with a set of other genres, thus calling forth the main aesthetic effect of the book from the archetextual dialogue between the dominant and the accompanying genres. The paper specifically investigates this polyphonic method in three of Lindgren’s most popular books. In All about the Bullerby children (1947–52) the generic dominant is idyll and the subordinated archetexts satire, parody, burlesque, farce, fairy tale and ballad. Mio, my son (1954) can be considered as an artistic fairy tale (Kunstmärchen), this dominant genre correlating with some other interwoven archetexts: apocryphal gospel, myth, legend, heroic tale and idyll. Finally, the generic dominant of Ronia, the robber’s daughter (1981) – a novel about the adventures of a band of robbers (Räuberroman) – finds its archetextual counterparts in folktale, popular legend, myth, burlesque, fantasy and Bildungsroman, among others
Genreekvilibristen Astrid Lindgren
No full textThe paper examines genre strategies in a number of children’s books by the well-known Swedish author, Astrid Lindgren. Drawing on the reception theories of Hans Robert Jauss, Aidan Chambers and Reinbert Tabbert, the paper demonstrates that the stormy reception of Pippi Longstocking (1945), prompted by a review by Professor John Landquist, had principally genre-related grounds. The book made readers feel a sense of provocation because it challenged their archetextual horizon of expectations by evoking certain traditional genres and simultaneously twisting them in almost anarchic ways. In later books Astrid Lindgren makes a more elaborate use of classic genre structures. She generally chooses one well-known archetext as the generic dominant and allows it to interact with a set of other genres, thus calling forth the main aesthetic effect of the book from the archetextual dialogue between the dominant and the accompanying genres. The paper specifically investigates this polyphonic method in three of Lindgren’s most popular books. In All about the Bullerby children (1947–52) the generic dominant is idyll and the subordinated archetexts satire, parody, burlesque, farce, fairy tale and ballad. Mio, my son (1954) can be considered as an artistic fairy tale (Kunstmärchen), this dominant genre correlating with some other interwoven archetexts: apocryphal gospel, myth, legend, heroic tale and idyll. Finally, the generic dominant of Ronia, the robber’s daughter (1981) – a novel about the adventures of a band of robbers (Räuberroman) – finds its archetextual counterparts in folktale, popular legend, myth, burlesque, fantasy and Bildungsroman, among others
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