1,720,983 research outputs found
PhD Workshop dell'AESOP
No full textThe workshop is a three days mixture of plenary sessions and small working groups where a selected group of PhD students works with a group of (selected) Mentors . After the full papers submission, the mentors have been involved also into the students grouping and in the scheduling of the whole workshop oriented to support them in their PhD Thesis path
The "Mediterranan Cities Project". Temporay re-uses of urban space and urban regeneration strategies
No full textThe paper’s main question is a case of urban regeneration related to an international cooperation project between various Mediterranean Cities, among which Naples. More specifically as for the Neapolitan case, the project’s main concern is re-using some abandoned or partially used buildings by temporary refurbishment, provided by economic and cultural operators from other Mediterranean cities involved in the cooperation project. The project shows some interesting issues worth to be highlighted:
• Regeneration strategies connecting public and private sector, at the national and international level;
• The relation between urban regeneration strategies and everyday practices of place-making in the city;
• The construction of interactive knowledge as a base for a regeneration project
Niccolò Granucci, "La piacevole notte e 'l lieto giorno", Introduzione, edizione e commento a cura di Flavia Palma
No full textNiccolò Granucci (1521-1603) rappresenta un tassello interessante, sebbene poco studiato, della storia della novellistica cinquecentesca. Tra le sue opere letterarie, soggette al fascino di Giovanni Boccaccio, particolarmente significativa è "La piacevol notte e ’l lieto giorno", pubblicata a Venezia nel 1574. Flavia Palma ne offre la prima edizione critica, corredata da un’ampia introduzione e da un dettagliato commento, volti a illustrare e contestualizzare le peculiarità della raccolta in relazione tanto al genere novella quanto alla tradizione letteraria coeva. Oltre a fornire un testo filologicamente attendibile, la studiosa ne mette in luce le affinità e le divergenze rispetto al modello decameroniano e alla novellistica cinquecentesca; illustra la natura combinatoria della scrittura granucciana, contestualizzando i legami con il teatro e con il trattato in forma di dialogo; propone uno studio accurato delle fonti di Granucci; problematizza l’atmosfera moralistica che permea l’opera, alla luce dell’influenza esercitata dal clima controriformistico; fornisce un esame attento dei motivi narrativi e della 'civile conversazione', ponendoli in relazione con la restante produzione granucciana. Quest’edizione rivela così i molteplici elementi di interesse della "Piacevol notte e ’l lieto giorno" sia nel contesto della tradizione novellistica sia all’interno del panorama letterario e storico-culturale dell’Italia cinquecentesca
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
"La piacevol notte e ’l lieto giorno" di Niccolò Granucci: echi e rielaborazioni cinquecentesche della tradizione novellistica italiana
No full textIl novelliere di Niccolò Granucci, intitolato "La piacevol notte e ’l lieto giorno" (1574), presenta molti tratti tipici della novellistica cinquecentesca, come l’influenza del moralismo post-tridentino, l’ampliamento della cornice e la contaminazione con altri generi, letterari e drammatici. Questo articolo fornisce uno studio degli aspetti più significativi di tale raccolta, ancora poco nota, allo scopo di fare luce sull’interessante tentativo di Granucci di conciliare la tradizione novellistica su modello boccacciano con lo schema della “civile conversazione” di ispirazione dialogico-trattatistica e le cogenti istanze moralistiche cattoliche. Nella prima parte vengono analizzate le informazioni fornite nei paratesti, con particolare attenzione alla scelta del titolo e all’enfasi posta sull’utilità morale dell’opera. La seconda parte si concentra sulla scelta della materia trattata e sulla sua organizzazione all’interno dei due libri che compongono il novelliere. La terza è dedicata all’interpretazione dei ruoli rivestiti da Giulio, Agnolo e Francesco, ossia i tre personaggi che formano la compagnia originaria da cui hanno inizio i ritrovi descritti nella cornice
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