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A letter from George L. Lopez to Dr. Hector P. Garcia.
No full textA letter from George L. Lopez, Sectional Center Manager Postmaster, to Dr. Hector P. Garcia regarding an upcoming Olympic Flag raising ceremony
Historia antigua de Mexico, Manzanilla, L. y L. Lopez Lujan (coords.)
No full textTaladoire Éric. Historia antigua de Mexico, Manzanilla, L. y L. Lopez Lujan (coords.). In: Journal de la Société des Américanistes. Tome 81, 1995. pp. 326-329
Un manuel de photogéologie : M. L. Lopez-Vergara, Manual de fotogeología
No full textJoly Fernand. Un manuel de photogéologie : M. L. Lopez-Vergara, Manual de fotogeología. In: Annales de Géographie, t. 82, n°452, 1973. p. 482
Un manuel de photogéologie : M. L. Lopez-Vergara, Manual de fotogeología
No full textJoly Fernand. Un manuel de photogéologie : M. L. Lopez-Vergara, Manual de fotogeología. In: Annales de Géographie, t. 82, n°452, 1973. p. 482
Memorie dimenticate lungo la linea Gustav. Questioni identitarie e proposte partecipative per la valorizzazione del territorio del Frusinate
Full text linkIl contributo intende fare luce su una vicenda a lungo trascurata dalla storiografia italiana e internazionale, ovvero quella delle “marocchinate”, termine usato per indicare gli stupri di massa avvenuti durante la Seconda guerra mondiale nel Basso Lazio ad opera del contingente coloniale francese impegnato nella campagna di sfondamento della linea Gustav, una delle linee di fortificazione costruita dalle truppe tedesche per frenare l’avanzata degli Alleati. Per troppo tempo questa tragedia è stata racchiusa nei sotterranei della storia, in parte anche per l’estrema difficoltà di una sua rielaborazione all’interno di una società patriarcale e coloniale. In tale quadro, gli obiettivi sono duplici: da un lato riaccendere i riflettori su tali episodi e contribuire al dibattito critico sui processi di memorializzazione e di patrimonializzazione from below, dall’altro capire se e come la memoria possa fungere da parametro per l’azione territoriale
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
A. L. Lopez Martinez, La economia de las ordenes religiosas en el antiguo régimen
No full textHermann Christian. A. L. Lopez Martinez, La economia de las ordenes religiosas en el antiguo régimen. In: Annales. Histoire, Sciences Sociales. 50ᵉ année, N. 5, 1995. pp. 1202-1204
A. L. Lopez Martinez, La economia de las ordenes religiosas en el antiguo régimen
No full textHermann Christian. A. L. Lopez Martinez, La economia de las ordenes religiosas en el antiguo régimen. In: Annales. Histoire, Sciences Sociales. 50ᵉ année, N. 5, 1995. pp. 1202-1204
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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