329 research outputs found
La funzione Verga tra letteratura, musica, cinema e teatro
No full textPremessa al volume "La funzione Verga tra letteratura, musica, cinema e teatro
Legittimo impedimento: un'interpretazione della L. n. 51/2010 conforme a costituzione è possibile e non è inutile
No full texthe Theater of Narration: From the Peripheries of History to the Main Stages of Italy
No full textThis book examines the theater of narration, an Italian performance genre and aesthetic that revisits historical events of national importance from local perspectives, drawing on the rich relationship between personal experiences and historical accounts. Incorporating original research from the private archives of leading narrators—artists who write and perform their work—Juliet Guzzetta argues that the practice teaches audiences how ordinary people aren’t simply witnesses to history but participants in its creation. The theater of narration emerged in Italy during the labor and student protests, domestic terrorism, and social progress of the 1970s. Developing Dario Fo and Franca Rame’s style of political theater, influenced by Jerzy Grotowski and Bertolt Brecht, and following in the freewheeling actor-author traditions of the commedia dell’arte, narrators created a new form of popular theater that grew in prominence in the 1990s and continues to gain recognition. Guzzetta traces the history of the theater of narration, contextualizing its origins—both political and intellectual—and centers the contributions of Teatro Settimo, a performance group overlooked in previous studies. She also examines the genre’s experiments in television and media. The first full-length book in English on the subject, The Theater of Narration leverages close readings and a wealth of primary sources to examine the techniques used by narrators to remake history—a process that reveals the ways in which history itself is a theater of narration
Structural Analysis of the Victoria Quadrangle Fault Systems on Mercury: Timing, Geometries, Kinematics, and Relationship with the High-Mg Region
No full textThree nonparallel fault systems occur in the Victoria quadrangle of Mercury. The most
prominent system (Victoria system) includes the NNW‐SSE trending Victoria Rupes‐Endeavour
Rupes‐Antoniadi Dorsum (VEA) array, one of the major fault alignments on the planet, and shorter parallel
fault arrays. West and northwest of the Victoria system, two additional fault systems with NE‐SW (Larrocha
system) and NW‐SE (Carnegie system) trends, are found. The timing analysis reveals that the three
systems are coeval and were active until ~3.7 Ga. Measures of rim offset within faulted craters on the VEA
array and on Carnegie Rupes segment of the Carnegie system were used to derive the kinematics of faults
and to perform a finite stress inversion, which provides an ENE‐WSW trending regional shortening axis.
Results of the stress inversion and age relationships, together with geometrical and morpho‐structural
observations, suggest that the NE‐SW and NW‐SE systems acted as right‐transcurrent and
left‐transpressional, respectively, at the time when the computed strain field was active. The distribution of
the three systems spatially coincides with the boundaries of the high‐Mg region and of other regional
geochemical terranes. Lateral geomechanical variation of the crust combined with tidal despinning and
global contraction processes drove the localization and slip pattern of faults in a kinematically consistent
displacement field. Moreover, crustal heterogeneities controlled the lateral changes in density and spacing of
fault segments along the VEA. Following the demise of faulting, the established lateral variation of geometry
along the VEA favored the growth of volcanic vents at high‐permeability segment boundaries
Riforma della Costituzione e atteggiamenti del giurista. Considerazioni di metodo e una postilla di merito a prima lettura del progetto governativo di intervento sulla forma di governo nella XIX legislatura
No full textCorrigendum to: Geology of the Victoria quadrangle (H02), Mercury (Journal of Maps, (2016), 10.1080/17445647.2016.1193777)
No full textWhen the above article was first published online, the third author was incorrectly listed as F. Ferranti. This has now been corrected
La funzione Verga tra letteratura, musica, cinema e teatro
No full textIl volume indaga, da prospettive diverse, la persistenza della lezione di Giovanni Verga nella cultura e nell’immaginario artistico e letterario dalla fine dell’Ottocento ai nostri giorni
The Theater of Narration
No full textHonorable Mention, Aldo and Jeanne Scaglione Publication Award for a Manuscript in Italian Literary Studies This book examines the theater of narration, an Italian performance genre and aesthetic that revisits historical events of national importance from local perspectives, drawing on the rich relationship between personal experiences and historical accounts. Incorporating original research from the private archives of leading narrators—artists who write and perform their work—Juliet Guzzetta argues that the practice teaches audiences how ordinary people aren’t simply witnesses to history but participants in its creation. The theater of narration emerged in Italy during the labor and student protests, domestic terrorism, and social progress of the 1970s. Developing Dario Fo and Franca Rame’s style of political theater, influenced by Jerzy Grotowski and Bertolt Brecht, and following in the freewheeling actor‑author traditions of the commedia dell’arte, narrators created a new form of popular theater that grew in prominence in the 1990s and continues to gain recognition. Guzzetta traces the history of the theater of narration, contextualizing its origins—both political and intellectual—and centers the contributions of Teatro Settimo, a performance group overlooked in previous studies. She also examines the genre’s experiments in television and media. The first full-length book in English on the subject, The Theater of Narration leverages close readings and a wealth of primary sources to examine the techniques used by narrators to remake history—a process that reveals the ways in which history itself is a theater of narration
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