1,721,898 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
La Tzigane : Zigeuner-Mazurka [illustration signée illisible L. Denis (hypothèse)]
No full textLa Tzigane - Zigeuner Mazurka [partition piano à deux mains]. Louis Ganne. Edition interdite en France et en Belgique, et dans tous les pays autres que l'Allemagne et l'Autriche-Hongrie. illustration signée illisible L. Denis (hypothèse). Illustrations pour une V2 augmentée et illustrée de l'article "Bohémienne aux grands yeux noirs... Essai sur le personnage tzigane dans la chanson" halshs-00003933. http://halshs.archives-ouvertes.fr/halshs-00003933/fr/
La Tzigane : Zigeuner-Mazurka [illustration signée illisible L. Denis (hypothèse)]
No full textLa Tzigane - Zigeuner Mazurka [partition piano à deux mains]. Louis Ganne. Edition interdite en France et en Belgique, et dans tous les pays autres que l'Allemagne et l'Autriche-Hongrie. illustration signée illisible L. Denis (hypothèse). Illustrations pour une V2 augmentée et illustrée de l'article "Bohémienne aux grands yeux noirs... Essai sur le personnage tzigane dans la chanson" halshs-00003933. http://halshs.archives-ouvertes.fr/halshs-00003933/fr/
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Ah ! la jolie saison : chanson créée par Mayol à la Scala [illustration L. Denis]
No full textAh ! la jolie saison : chanson créée par Mayol à la Scala, chantée par Mlle Mary Hett à l’Eldorado ; Hommage à La Jolie Fagette ; paroles Briollet-Rémus [Paul Briollet (1864-1937)] [Maurice Dumas dit Max Rémus (1875-1936)] ; musique Christiné [Henri Christiné (1867-1941)] ; illustration L. Denis, non-signée [illustrateur non-identifié, droits réservés ; illustration ayant été utilisée sur plusieurs partitions des éditions Maurel "L. Denis série Mayol portrait" ; sur quelques exemplaires, l’illustration est signée, voir medihal-00550685, medihal-00584785] ; Aux répertoires réunis/Répertoire artistique, 1 passage de l’industrie [éditions Maurel & Cie] ; intérieur : “chansonnette”, aucune mention artiste, sans date, sans cotage, imprimeur Ghidone ; verso : catalogue des divers répertoires [medihal-00556440] ; incipit : “Au printemps, sitôt qu’ les beaux jours”. Datation précise du titre impossible : absent du dépôt légal BNF ; datation médihal de l’exemplaire : entre 1901 et 1903 (1901 dans les mémoires de Mayol). Enregistrement par Mayol chez Gramophone en 1903 (source : catalogue Kelly)
Ballade Moyennageuse créée par Mayol à L'Eldorado (illustrations Léon Pousthomis et L. Denis)
No full textBallade Moyennageuse créée par Mayol à L'Eldorado - Paroles de A. de Reuss - Musique de J. Guédon - A. Dorey & A. Gruny Éditeurs, 68 rue du Château d'Eau, Paris [intérieur : sans mention artiste ; sans date ; sans © ; cotage ADAG166] ; catalogue verso "Les œuvres de Xavier Privas", sans précision de créateurs, mais avec précisions des illustrateurs]. Couverture composée avec deux illustrations : une signée Pousthomis (signature sans L., du début de carrière), et un portrait de Mayol, non-signé [de L. Denis]. Le portrait de Mayol a été publié sur plusieurs couvertures de partions, signé L. Denis [illustrateur non-identifié, droits réservés ; série Mayol portrait]. Exemplaire avec tampon de l'éditeur A. Dorey. Datation : 1900, par cotage (Devriès et Lesure) et par date du dépôt légal (FRBNF43030458)
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