634,674 research outputs found
Allocation for Exploratory Development: Modifications in the TORQUE Model
No full textOperations Research Report
An Annotated Bibliography on the Management of Research and Development
No full textOperations Research Report
4614 T. L. Case to Bernard J. Reid, 1862
No full textLetter from T. L. Case to Captain Bernard J. Reid. Case wants to know why two recruits are absent
4615 T. L. Case to Bernard J. Reid, 1862
No full textLetter from T. L. Case to Captain Bernard J. Reid, informing him when to send and enlistment report
4610 T. L. Case to Bernard J. Reid, 1862
No full textLetter from T. L. Case to Captain Bernard J. Reid, ordering him to proceed to Clarion, PA to open a recruiting station
Album lyrique :composé de douze romances, chansonettes & nocturnes orné de lithographies mis en musique avec accompagnement de piano
No full textSongs for one or two voices and piano, interspersed with lithographs by F. Grenier, M. Adolphe, [Achille] Deveria, Jules Davie, and others Que me font les beaux jours!, romance / Paroles de Mr. E. Barateau -- Les jeunes Andaloux, bolero / Paroles de Mr. Crevel de Charlemagne -- Philomèna, prière / Paroles de Mme. Amable Tastu -- Le lac de Genève, nocturne à 2 voix / Paroles de Mr. Emile Barateau -- Un mot de toi!, romance / Paroles de Mr. L. de Trogoff -- Le départ du marinier, barcarolle / Paroles de Mr. Ortaire Constant -- Valse, valse, petite / Paroles de Mr. Evariste -- Les fiancées des pâtres, styrienne à 2 voix / Paroles de Mr. Crevel de Charlemagne -- Les jeunes filles, chansonette / Paroles de Melle. Euphrasie P*** -- J'ai tant pleuré!, prière / Paroles de Mr. L. de Trogoff -- La danse sicilienne, tarentelle / Paroles de Mr. Crevel de Charlemagne -- La rive qu'on aime, barcarolle à 2 voix / Paroles de Mr. Emile BarateauKSL Digital Book CollectionDigital Music Scores, Kulas Music Librar
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Album of ten pieces for the piano
No full textCover title: Spanish composers Romanza, by E. Granados.- Chanson, by L. Moreau.- Oriental, by J.R. Manzanares.- Valse intime, by R. Castro.- Nochecita, by I. Albeniz.- Danse triste, by A. Noguera.- Tango, by P. Hernandez.- Canción, by A.G. del Valle.- Habanera, by R. Gomez.- Minuet, by E.M. las CabañasKSL Digital Book CollectionDigital Music Scores, Kulas Music Librar
Advanced study pieces for the pianoforte
No full textFor piano Edited by various editors Pattering raindrops: staccato etude, Op. 83, No. 1 / Wilson G. Smith -- By the sea = Am Strande, Op. 8, No. 2 / George Posca -- Etude de concert, Op. 8, no. 1 / F.J. McDonough -- Spring zephyrs: octave etude, Op. 306, no. 7 / C.H. Döring -- Fragrance from the garden = Comme un souffle embaumé / Maurice Pesse -- Etude de concert in F♯ major / Oscar Beringer -- Song of the Kankakee, Op. 37 / Fred. L. Morey -- In springtime, Op. 30, No. 1 / Sigismond Noskowski -- Marche di bravoura: the Andes / G.W. Warren -- Marche grotesque, Op. 32, No. 1 / Christian Sinding -- Impromptu, Op. 28, No. 3 / Hugo Reinhold -- Gavotte, Op. 14 / G. Sgambati -- Japanese study = Étude japonaise, Op. 27, No. 2 / Ed. Poldini -- Harmonies du soir: etude, Op. 7, No. 1 / H. Pachulski -- Octave intermezzo = Octaven Intermezzo, Op. 44, No. 4 / T. Leschetizky -- Nocturne (for left hand alone), Op. 9, No. 2 / A. ScriabineKSL Digital Book CollectionDigital Music Scores, Kulas Music Librar
The Thursday Murder Club: Launching a megabrand author - a publishing case study
No full textIn 2020, the Christmas book charts in the UK made headlines: Barack Obama’s eagerly awaited autobiography, The Promised Land, was beaten to the top spot by The Thursday Murder Club by Richard Osman, a debut cosy crime novel set in a retirement village. Not only did Osman’s book beat the former US president’s expected bestseller, it also broke records, becoming the fastest-selling debut crime novel of all time. Although Osman has a certain level of fame in the UK from his TV appearances on shows such as Pointless, his celebrity status does not entirely explain the novel’s huge sales. This article tracks the acquisition, publication, and promotion journey of The Thursday Murder Club in order to understand the industry and cultural context of its success and to interrogate the role of celebrity in the creation of author brands. The findings suggest that the unexpected scale of the success of the book owed to a number of factors, including in-depth editing by the novel’s agent, editor, and author to tighten up the plot, an extensive and strategic promotional campaign, the pandemic (which drove interest in the book’s genre and themes), and the quality of the writing. We find that the book’s success was accentuated by Osman’s celebrity status rather than being entirely reliant on it. This research adds to the growing scholarship on celebrity authorship by means of an in-depth case study and provides insight into the processes behind publishing a ‘celebrity’ book and launching a megabrand author
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