1,721,142 research outputs found
Samuel L. Caruso Oral History
Full text linkSamuel L. Caruso D.O., 1947 attended the Philadelphia College of Osteopathy during the wartime accelerated program, and was Chair of the Pediatrics Department at PCOM from 1972-1980, and was appointed Medical Director of the City Ave. hospital in 1980. In this interview, Caruso discusses the origins of the Pediatric Department and pediatric residency program at PCOM, his experiences and recollections of the college during his student years, his post-war private pediatric practice in North Philadelphia and work at the Women\u27s Homeopathic and City Ave. Hospitals, and professional relations between osteopathic and allopathic pediatricians. A short interview with Caruso\u27s wife (name not given, referred to in the interview as Mrs. Caruso) follows the main subject
Virgilio Marone grammatico. Epitomi ed Epistole. Edizione critica a cura di G. Polara. Traduzione di L. Caruso e G. Polara
No full textChevallier R. Virgilio Marone grammatico. Epitomi ed Epistole. Edizione critica a cura di G. Polara. Traduzione di L. Caruso e G. Polara. In: Revue belge de philologie et d'histoire, tome 58, fasc. 2, 1980. Histoire (depuis l'Antiquité) - Geschiedenis (sedert de Oudheid) pp. 435-438
Virgilio Marone grammatico. Epitomi ed Epistole. Edizione critica a cura di G. Polara. Traduzione di L. Caruso e G. Polara
No full textChevallier R. Virgilio Marone grammatico. Epitomi ed Epistole. Edizione critica a cura di G. Polara. Traduzione di L. Caruso e G. Polara. In: Revue belge de philologie et d'histoire, tome 58, fasc. 2, 1980. Histoire (depuis l'Antiquité) - Geschiedenis (sedert de Oudheid) pp. 435-438
Virgilio Marone grammatico, Epitomi ed Epistole. Edizione critica a cura di G. Polara. Traduzione di L. Caruso e G. Polara, 1979.(Nuovo Medioevo, 9.)
No full textCourcelle Pierre. Virgilio Marone grammatico, Epitomi ed Epistole. Edizione critica a cura di G. Polara. Traduzione di L. Caruso e G. Polara, 1979.(Nuovo Medioevo, 9.). In: Revue des Études Anciennes. Tome 82, 1980, n°1-2. pp. 106-107
Virgilio Marone grammatico, Epitomi ed Epistole. Edizione critica a cura di G. Polara. Traduzione di L. Caruso e G. Polara, 1979.(Nuovo Medioevo, 9.)
No full textCourcelle Pierre. Virgilio Marone grammatico, Epitomi ed Epistole. Edizione critica a cura di G. Polara. Traduzione di L. Caruso e G. Polara, 1979.(Nuovo Medioevo, 9.). In: Revue des Études Anciennes. Tome 82, 1980, n°1-2. pp. 106-107
Virgilio Marone Grammatico. Epitomi ed Epistole. Edizione critica a cura di G. Polara. Traduzione di L. Caruso e G. Polara. Con una Nota e un 'Appendice
No full textLiénard Edmond. Virgilio Marone Grammatico. Epitomi ed Epistole. Edizione critica a cura di G. Polara. Traduzione di L. Caruso e G. Polara. Con una Nota e un 'Appendice. In: L'antiquité classique, Tome 49, 1980. pp. 427-429
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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