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Il presidio della libertà di espressione degli utenti. Parte I - La trasposizione in Italia dell'art. 17, par. 7, Dir. Copyright: un possibile bilanciamento di citazione e parodia con la formalistica dogmatica interpretativa su eccezioni e limitazioni.
No full textIl saggio tenta di sostenere una metodologia bilanciata delle eccezioni di citazione e di parodia soprattutto tra gli user-generated contents (UGCs) in Internet e in particolare su piattaforme come Youtube o social networks, a fronte della rigidissima interpretazione proibizionista della Corte di Giustizia dell'Unione europea.This essay tries to support a more balanced construction of quotation and parody exceptions in the environment of the user-generated contents (UGCs) on the net and in particolare in social networks or platforms like YouTube, in spite of the hyper-formalistic and prohibitionist interpretation of the European Court of Justice
Alcune considerazioni sul sistema dei compensi
No full textIl lavoro inquadra sistematicamente i diritti d'autore e connessi a compenso. Illustra il fondamento economico della loro gestione collettiva e le problematiche possibilità di una concorrenza fra gestori, alla luce del modello di regolamentazione predisposto da AGCOM
Interpreting Sophocles'Antigone
Full text linkStudying classical texts, two interpretations are possible: “literalist” or “allegorist”. Without value the different positions, our work will show how Hegel interpreted Sophocles’ Antigone.Dos opciones son posibles a la hora de abordar el estudio de los textos clásicos de la antigüedad: una es la interpretación literal del texto, llevada a cabo por filólogos e historiadores del pensamiento y, otra, es la interpretación alegórica, llevada a cabo por ciertos filósofos y otro tipo de hermeneutas. Sin entrar a valorar cada ninguna de estas dos posturas, nuestra tarea aquí será la de mostrar la significación de la Antígona de Sófocles para el pensamiento de Hegel
An Enhanced Serial Network Spectrum Sensing Scheme for Multiple Antenna Cognitive Radios
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Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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