1,720,990 research outputs found

    Changing morphology of Ghana’s Accra coast

    No full text

    Assessing the impact of sea-level rise on a vulnerable coastal community in Accra, Ghana

    Full text link
    Climate change and its associated sea-level rise are expected to significantly affect vulnerable coastal communities. Although the extent of the impact will be localised, its assessment will adopt a monitoring approach that applies globally. The topography of the beach, the type of geological material and the level of human intervention will determine the extent of the area to be flooded and the rate at which the shoreline will move inland. Gleefe, a coastal community in Ghana, has experienced frequent flooding in recent times due to the increasing occurrence of storm surge and sea-level rise. This study used available geospatial data and field measurements to determine how the beach topography has contributed to the incidence of flooding at Gleefe. The topography is generally low-lying. Sections of the beach have elevations of around 1 m, which allows seawater to move inland during very high tide. Accelerated sea-level rise as predicted by the Intergovernmental Panel on Climate Change (IPCC) will destroy homes of the inhabitants and inundate the Densu wetlands behind the beach. Destruction of infrastructure will render the inhabitants homeless, whilst flooding of the wetlands will destroy the habitats of migratory birds and some endangered wildlife species such as marine turtle. Effective adaptation measures should be adopted to protect this very important coastal environment, the ecology of the wetlands and the livelihoods of the community dwellers

    Coastal erosion management in Accra: Combining local knowledge and empirical research

    Full text link
    Coastal erosion along the Accra coast has become a chronic phenomenon that threatens both life and property. The issue has assumed a centre stage of national debate in recent times because of its impact on the coastal communities. Lack of reliable geospatial data hinders effective scientific investigations into the changing trends in the shoreline position. However, knowledge about coastal erosion, by the local people, and how far the shoreline has migrated inland over time is high in the coastal communities in Accra. This opens a new chapter in coastal erosion research to include local knowledge of the local settlers in developing sustainable coastal management. This article adopted a scientific approach to estimate rate of erosion and tested the results against perceived erosion trend by the local settlers. The study used a 1974 digital topographic map and 1996 aerial photographs. The end point rate statistical method in DSAS was used to compute the rates of change. The short-term rate of change for the 22-year period under study was estimated as -0.91 m/annum ± 0.49 m/annum. It was revealed that about 79% of the shoreline is eroding, while the remaining 21% is either stabilised or accreting. It emerged, from semi-structured interviews with inhabitants in the Accra coastal communities, that an average of about 30 m of coastal lands are perceived to have been lost to erosion for a period of about 20 years. This translates to a historic rate of change of about 1.5 m/year, which corroborates the results of the scientific study. Again this study has established that the local knowledge of the inhabitants, about coastal erosion, can serve as reliable information under scarcity of scientific data for coastal erosion analyses in developing countries

    Beyond Engineering: Building with Nature 2x video #14. Tema in Ghana - Coastal erosion and effects of port expansion

    No full text
    Fourteenth video in a set of 14 videos on designing for stakeholder inclusion in Building with Nature. This video forms a component of the e-book Building with Nature & Beyond (Slinger, 2021) published by TU Delft open Publishing. The book deals with stakeholder-inclusive, ecosystem-based approaches to hydraulic infrastructure design. Such an approach was applied in the Sustainable Ports in Africa project, which forms the central case study of Part II. Other examples are drawn from the Sand Engine, Room for the River, and the Mud Motor in The Netherlands as well as mangrove areas in Indonesia, hydropower exploration in Sierra Leone, and stakeholder engagement procsses in South Africa

    Going Beyond Counting First Authors in Author Co-citation Analysis

    Full text link
    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

    Full text link
    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
    corecore