1,722,965 research outputs found
Fiegel, Kurt H. (SC 1257)
Finding aid only for Manuscripts Small Collection 1257. Paper, “Historic and Archival Photographic Documents of the 1869 Bowling Green Water Works Engine/Boiler Room, Repair Shop and Pump House: A Contributing Element of WA-B-3, the Bowling Green Water Works, Warren County, Kentucky” by Kurt H. Fiegel, Frankfort, Kentucky. Includes historical narrative, construction details, maps and photographs. This project documented the structure prior to its demolition
Pour une sociologie du mal
Wolff Kurt H. Pour une sociologie du mal. In: L'Homme et la société, N. 4, 1967. pp. 197-213
Pierre-Etienne Du Ponceau
Nadelmann Kurt H. Pierre-Etienne Du Ponceau. In: Revue internationale de droit comparé. Vol. 5 N°2, Avril-juin 1953. pp. 284-290
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
AHC interview with Kurt H. Meyer.
February 17, 2009Kurt Meyer was born on Nov. 2, 1924 in Vienna, Austria, where he lived with his parents and his younger brother in the 9th District. His uncle had emigrated to the United States in the early 1930’s and arranged for Kurt Meyer’s family all necessary papers. In November 1938, after the Anschluss and the Reichskristallnacht, he immigrated to the U.S., were he had several jobs until he joined the US army in 1942. He went to Europe, interpreting and interrogating prisoners of war. After his discharge, he started his own business selling car seat covers, eventually ending up co-inventing inflatable structures for storage space.Austrian Heritage Collectio
Skull showing large bone destruction due to abscesses.
A photograph showing bond destruction due to abscesses. Fig. 32 from Oral Abscesses by Kurt H. Thoma, 1916
Prehistoric Peruvian skull from the cave Huaricauc.
A photograph of an archaeological skull taken from Peru showing evidence of an abscess in the upper incisor. Fig. 3 from Oral Abscesses by Kurt H. Thoma, 1916
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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