1,722,877 research outputs found
Kurt M. Dresel Collection 1814-1944
The collection consists primarily of German publications by Dr. Kurt M. Dresel during the interwar period.Dresel, KurtKurt Dresel was born in 1892 in Berlin. He became a physican and professor and wrote prolificly. Together with his wife Mathilde and son Peter he emigrated to the United States in 1938 and died in New York in 1951.Photographs removed to Photograph CollectionProcessed for digitizationdigitizedThe original German language inventory is in folder 1
Kurt M. Mislow (1923-2017)
Kurt M. Mislow, Hugh Stott Taylor Professor of Chemistry Emeritus at Princeton University, died peacefully on October 5th, 2017 at the age of 94. Through the use of non-numerical mathematical models to conceptualize molecular form and function, Mislow pioneered the development of a modern stereochemistry, with contributions including the chiroptical properties of biaryls, resolution of phosphine oxides, and the use of NMR spectroscopy for the study of stereodynamic processes.link_to_subscribed_fulltex
Lehner, Kurt M.: Friedrich Hielscher (Sergej Artamoshin)
Lehner, Kurt M.: Friedrich Hielscher. Nationalrevolutionär, Widerständer, Heidenspriester. – Paderborn: Ferdinand Schöningh, 2015. – S. 233. – ISBN 978-3-506-7134-5Ленер, Курт М.: Фридрих Хильшер. Национал-революционер, участник Сопротивления, языческий проповедник. – Падерборн: Фердинад Шёнинг, 2015. – 233 с. - ISBN 978-3-506-7134-
Kurt M. Campbell, Robert J. Einhorn et Mitchell B. Reiss (dir.). The Nuclear Tipping Point
Le Guelte. Kurt M. Campbell, Robert J. Einhorn et Mitchell B. Reiss (dir.). The Nuclear Tipping Point. In: Politique étrangère, n°1 - 2005 - 70ᵉannée. pp. 201-202
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
An experimental and theoretical study of heat transfer in an annulus with an inner rotating cylinder
Thesis (Sc.D.) Massachusetts Institute of Technology. Dept. of Mechanical Engineering, 1957.Vita.Bibliography: leaves [88]-91.by Kurt M. Becker.Sc.D
Recommended from our members
Letter to Kurt M. Servos from H.B. Stenzel on 1955-12-13
Jackson School of Geoscience
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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