1,721,433 research outputs found
Graph Network Simulator PyTorch training dataset for water drop sample
DataSet for training the PyTorch Graph Network Simulator. https://github.com/geoelements/gns. The repository contains the data sets for water drop sampl
FIGURE 5 in Pristolepis rubripinnis, a new species of fish from southern India (Teleostei: Percomorpha: Pristolepididae)
FIGURE 5. Live colouration of Pristolepis marginata, CRG—SAC 2012.3.1, 111 mm SL, small tributary of the Valappattanam River, Kannur District, Kerala, India.Published as part of Britz, Ralf, Kumar, Krishna & Baby, Fibin, 2012, Pristolepis rubripinnis, a new species of fish from southern India (Teleostei: Percomorpha: Pristolepididae), pp. 59-68 in Zootaxa 3345 on page 66, DOI: 10.5281/zenodo.20986
FIGURE 2 in Pristolepis rubripinnis, a new species of fish from southern India (Teleostei: Percomorpha: Pristolepididae)
FIGURE 2. Live colouration of Pristolepis rubripinnis, holotype CRG—SAC 2012.2.1, 98.2 mm SL, Pamba river at Edathua, Kerala, India. Photo taken right after capture, note that yellowish green marks on head and body represent fright colouration.Published as part of Britz, Ralf, Kumar, Krishna & Baby, Fibin, 2012, Pristolepis rubripinnis, a new species of fish from southern India (Teleostei: Percomorpha: Pristolepididae), pp. 59-68 in Zootaxa 3345 on page 61, DOI: 10.5281/zenodo.20986
Figure 6 in Fossils of the oldest diplodocoid dinosaur suggest India was a major centre for neosauropod radiation
Figure 6. Phylogenetic position of Tharosaurus indicus gen. et sp. nov. (RWR-241) in 50% majority-rule tree. Clade Dicraeosauridae shaded in pink. Numbers above nodes indicate Bremer support values.Published as part of Bajpai, Sunil, Datta, Debajit, Pandey, Pragya, Ghosh, Triparna, Kumar, Krishna & Bhattacharya, Debasish, 2023, Fossils of the oldest diplodocoid dinosaur suggest India was a major centre for neosauropod radiation, pp. 1-15 in Scientific Reports 13 (1) on page 9, DOI: 10.1038/s41598-023-39759-2, http://zenodo.org/record/826834
Controlling association of vesicle embedded peptides by alteration of the physical state of the lipid matrix
We report here the reversible association of a designed peptide embedded in a lipid membrane through a stimulus-sensitive trigger that changes the physical state of the bilayer matrix. A peptide designed with the classical 4-3 heptad repeat of coiled coils, equipped with leucine residues at all canonical interface positions, TH1, was rendered membrane soluble by replacement of all exterior residues with randomly selected hydrophobic amino acids. Insertion of TH1 into large unilamellar phosphatidylcholine vesicles was followed by monitoring tryptophan fluorescence. Peptide insertion was observed when the lipids were in the liquid-crystalline state [1-palmitoyl-2-oleoyl-siz-glycero-3-phosphocholine (POPC)] but not when they were in the crystalline phase [1,2-dipalmitoyl-sn-glycero-3-phosphocholine (DPPC)]. Formation of a trimeric a-helical bundle in lipid bilayers was followed by fluorescence resonance energy transfer. Global fit analysis revealed a monomer-trimer equilibrium with a dissociation constant of around 10(-6) MF2. A lipid mixture composed of DPPC and POPC exhibiting a phase transition at 34 degrees C between a crystalline/liquid-crystalline coexistence region and a completely miscible liquid-crystalline phase was used to control the formation of the trimeric peptide bundle. TH1 is phase excluded in crystalline DPPC domains below 34 degrees C, leading to a larger number of trimers. However, when the DPPC domains are dispersed at temperatures above 34 degrees C, the number of trimers is reduced
Figure 7 in Fossils of the oldest diplodocoid dinosaur suggest India was a major centre for neosauropod radiation
Figure 7. Time-calibrated phylogenetic tree, based on the 50% majority-rule tree of Supplementary Fig. 6. Macronarians have been combined into a single lineage to enhance clarity. Red star indicates position of Tharosaurus indicus.Published as part of Bajpai, Sunil, Datta, Debajit, Pandey, Pragya, Ghosh, Triparna, Kumar, Krishna & Bhattacharya, Debasish, 2023, Fossils of the oldest diplodocoid dinosaur suggest India was a major centre for neosauropod radiation, pp. 1-15 in Scientific Reports 13 (1) on page 11, DOI: 10.1038/s41598-023-39759-2, http://zenodo.org/record/826834
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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