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Wounded Language/Time: History, the Novel, and the Filipino-American Relation
Wounded Language/Time: History, the Novel, and the Filipino-American Relation studies the traumatic intertwining of Filipino and American histories and the resurfacing of this relation in contemporary novels. In analyses of Ben Marcus’s The Flame Alphabet, Tony Perez’s Cubao-Kalaw Kalaw-Cubao, Edgar Calabia Samar’s Walong Diwata ng Pagkahulog, and Gerald Vizenor’s The Heirs of Columbus, I explore how literature functions as the working through of US-Philippines relations, which are founded on the Philippine-American War, the monumentally violent and monumentally forgotten event that led to the US colonization of the Philippines. I argue that the Filipino-American relation is traumatic, based on an overwhelming event only subsequently processed that renders relation and temporality queer. Linking Filipino American studies to trauma, race, and sexuality studies while tracing trauma theory back to psychoanalysis and deconstruction, I trace the history of this relation in way that is consistent with, while also queering, trauma. I provide a spectral and contrapuntal genealogy of the Philippine-American War that shows how history on the part of both the US and the Philippines is, symptomatic of trauma, defined by forgetting and repetition. I then follow these traumatic symptoms through the other means by which the war continues, in Filipino and American novels, creative narratives attached to the intertwined identities and the nation, the historical form at stake in the imperial dynamic that defines the Filipino-American relation, comparison between the two traditions allowing clarification of each other and of the history that binds them. Focusing on the repetition of history through its forgetting, this screening leading to experimentation in literature through which writing doubles, thereby processing, trauma and the reclamation of new/native “failures” that deconstruct Western ontology, I show how Filipino and American novels are sublimations of history in which trauma manifests and is processed in another form after some delay. Providing a theoretical frame for Filipino American studies and the study of American with other literatures and of the Filipino as part of new American studies, the dissertation links the metropolitan and colonial constituents of empire through trauma to pursue humanistic inquiry into power, desire, language, identity, temporality, and justice
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
The spontaneous generation of excess and its capitalist capture
This thesis evaluates the economic and Marxist claims on excess. As its official science, economics takes the capitalist economy as a given and explains excess as savings on costs resulting from the strategic planning of capitalist agents, whose point of view, in studying economic phenomena, economics takes. Marx, in a historicist move, argues that capitalism is but one political economy among many, where the facts assumed by economics, such as savings, are, far from given, attributable to a particular systemic formation (a political event) of social relations and materials into an economy. This systemic social formation that comes to be called capitalism, Marx argues, involves at its core the exploitation of labor, in which capitalists expropriate the surplus value that laborers produce, appropriate it as their profits, which is then accumulated as additional capital. While this thesis takes the view that something similar to what Marx refers to as exploitation takes place in the capitalist social formation, I argue that a further standpoint beyond historicism is called for to account for the contribution, in addition to that of labor (whose point of view Marx takes), of other elements to the system. Deleuze’s metaphysics provides this standpoint by describing the abstract process that underlies all political economies, namely the assemblage of different elements into a unified, consistent, and productive whole that is the social formation. Thereby exploitation is revealed as a concrete actualization of the virtual process that Deleuze calls capture, an actualization specific to capitalism. More importantly, capitalist capture is revealed to presuppose a spontaneous generation of excess. As such, exploitation does not exhaust all the productive capacities of the system and is but one potential source of values among others. As Deleuze is quick to point out, however, all the (economic) potentials presupposed to be spontaneously generated are inseparable from the (political) process of capture that subordinates values to the dominant element in the system (e.g. to capital). Marx thus has some warrant to assert that exploitation is fundamental not only to the workings of the capitalist system but, more importantly, to the production of excess
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
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