1,721,542 research outputs found

    The Exoticization of ASL Interpretation of Hip Hop

    Get PDF
    In "The Exoticization of ASL Interpretation of Hip Hop," Krithi Reddy examines sign language interpretation of hiphop performances, shining a light on how interpreters are often described in derogatory language bred out of ignorance. In her analysis, Reddy not only looks at the ableist implications of the way sign language interpreters of hiphop are framed in the media, but also examines the implications of memeified white interpreters signing Black artists\u27 expressions of their culture and vernacular

    Roll No: 03d05004 under the guidance of

    No full text
    I would like to thank Prof. Krithi Ramamritham for devoting time and efforts in providing me vital directions and feedback, throughout the project. I would also like to thank my senior Abhay Kumar Jha for his help in initial phases of the project.

    Krithi: Cows at the Beach: Improvising Carnatic-jazz

    No full text
    Intercultural creative practice is a topic that has attracted a lot of recent scholarly attention. As improvising musicians from very different cultures and traditions, we decided to analyse a recent collaborative performance that we were involved in to unpack the ways that we were interacting through music. As performers, we were interested primarily in the ways that such an analysis would help us to work more effectively in intercultural situations, but we also wanted to understand the synergies and dissonances that exist between improvising cultures more broadly. For the essay we adopt the musical form of a krithi, a Carnatic compositional form that allows for joint statements and improvised exchanges. Through this dialogic process, we propose improvisation as a kind of negotiation that occurs between musicians, and between musicians and their culture, highlighting some of the specific challenges and rewards that we faced

    Krithi: Cows at the Beach: Improvising Carnatic-jazz

    No full text
    Intercultural creative practice is a topic that has attracted a lot of recent scholarly attention. As improvising musicians from very different cultures and traditions, we decided to analyse a recent collaborative performance that we were involved in to unpack the ways that we were interacting through music. As performers, we were interested primarily in the ways that such an analysis would help us to work more effectively in intercultural situations, but we also wanted to understand the synergies and dissonances that exist between improvising cultures more broadly. For the essay we adopt the musical form of a krithi, a Carnatic compositional form that allows for joint statements and improvised exchanges. Through this dialogic process, we propose improvisation as a kind of negotiation that occurs between musicians, and between musicians and their culture, highlighting some of the specific challenges and rewards that we faced

    Going Beyond Counting First Authors in Author Co-citation Analysis

    Get PDF
    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

    Get PDF
    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

    Get PDF
    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

    Get PDF
    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

    No full text
    Nao informado
    corecore