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    Der erste Veränderungsversuch der mittelalterlichen memorialen Begräbniskultur und die Geburt der humanistischen Gelegenheitsdichtung auf der Schwelle der Reformation in Livland | The First Attempt to Change the Medieval Sepulchral Culture …

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    The visual aspects of sepulchral culture in Livonia in the Late Medieval and Early Modern period have been thoroughly studied by art historians. They have analysed the spread and condition of tombstones and epitaphs, as well as the pictorial programmes of monuments. Less attention has been paid to records inscribed on tombstones, which are known both from surviving examples and from old manuscripts. According to Estonian art historians, Lutheranism changed the pictorial programmes of tombstones, and only in the second half of the 16th century put the word into the central position on them. The article seeks to verify this statement on the basis of broader material than has been used so far. For this purpose, the author uses data on all Latin tombstone records known today from Estonian churches (from the 14th century to 1918, they are held in the yet unpublished database Corpus Electronicum Inscriptionum Latinarum Estoniae), and analyses the oldest Livonian occasional poetry (manuscript and printed) from the first half of the 16th century. The article shows that the attempts to write long texts for grave monuments and place them in the dominating position on the tombstone were made in Livonia already before the Reformation, and can be considered a result of the impact of Renaissance humanism

    Academiae voluntas mihi potior est… Letters by the Livonian Humanist and Lawyer David Hilchen to the Professors of the Academy of Zamość 1603–1609

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    Academiae voluntas mihi potior est… Letters by the Livonian humanist and lawyer David Hilchen to the professors of the Academy of Zamość1603–1609 This paper is an annotated edition of 44 letters written by humanist lawyer David Hilchen from Livonia (1561–1610) to the professors of the Academy of Zamość, and a response by poet Szymon Szymonowic to Hilchen. A preliminary analysis of these letters, all from 1603–1609, reveals a dichotomy in Hilchen’s portrayal of the academic environment designed by Jan Zamoyski. In the first decade of its activities (almost until the death of Jan Zamoyski in 1605) it is depicted by Hilchen as a mental locus amoenus, a place for beautiful minds. It should be noted that this expression served a purpose of denoting a specific concept rather than being used as an amplificatio. Zamoyski's death brought on the academy’s decline, which was then depicted by Hilchen using motifs characteristic of the locus desperatus: the loss of light and warmth, the rise of calumny, and the deterioration of the quality of education. Yet according to Hilchen’s letters, despite external political and partly religious pressures, even stronger friendships and greater loyalty developed between the members of the academy. In shaping and describing this strategy of humanist friendship against desperation and calumny in everyday situations, Hilchen referenced inter alia the experiences of his previous correspondent, Justus Lipsius, as expressed in Lipsius’ letters, his treatise De Constantia and his speech De Calumnia. Not being an academic sensu stricto himself, Hilchen therefore stood up for its humanist and academic ideals.</jats:p

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods
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