1,356,162 research outputs found
Kouadio Alexis Lally : retour aux ressources
No full textLe laboratoire est heureux d'accueillir pour la seconde fois Kouadio Alexis Lally. On se souvient de son précédent séjour, de mars à mai 2010 : il réalisait alors sa recherche doctorale et profitait du fonds documentaire pour étoffer sa bibliographie. Il avait également travaillé avec Patrick Gonin et Nathalie Kotlok sur la perspective de co-développement en Espagne. Depuis ce premier séjour, il a soutenue sa thèse (sous la direction du professeur Óscar Fernández Álvarez) intitulée "La inmigr..
Kouadio Alexis Lally : retour aux ressources
No full textLe laboratoire est heureux d'accueillir pour la seconde fois Kouadio Alexis Lally. On se souvient de son précédent séjour, de mars à mai 2010 : il réalisait alors sa recherche doctorale et profitait du fonds documentaire pour étoffer sa bibliographie. Il avait également travaillé avec Patrick Gonin et Nathalie Kotlok sur la perspective de co-développement en Espagne. Depuis ce premier séjour, il a soutenue sa thèse (sous la direction du professeur Óscar Fernández Álvarez) intitulée "La inmigr..
Rite and poetics of gift in contemporary art : exhaustion, disgust, destruction
No full textPrenant appui sur ma pratique plastique, cette thèse s’est développée en marge mon expérience subjective et vécu avec ma mère spirituelle, tout en étant ancrée dans la problématique de la période contemporaine. En ce sens, l’articulation entre mes œuvres plastiques, le patrimoine ancestral africain et l’art contemporain occidental reste un point central de médiation. De même, celles-ci s’articulent avec la magie africaine et la psychothérapie occidentale dans leur dimension thérapeutique. Ainsi donc, cette thèse intitulée « RITE ET POÉTIQUE DU DON DANS L’ART CONTEMPORAIN - Dépense, Dégoût, Destruction » a pour but d’examiner l’expression artistique du déchirement intérieur de mon histoire personnelle, développer des concepts artistiques de la pratique créatrice singulière. La première partie de la thèse situe mon œuvre poïétique dans le processus d’altérité qui mène à la naissance de concepts dans le champ de l’art contemporain, qui ont tendance à façonner la personnalité comme pédagogie d’intégration de l’apprentissage à l’individu. La seconde porte sur l’immatérialité artistique qui se révèle comme un procédé catalyseur du concept de performance. La troisième partie démontre les procédures plastiques d’aujourd’hui auxquelles l’artiste peut faire face en scrutant l’œuvre ritualisée. La quatrième est une mise en œuvre du vohou vohou comme processus de déconstruction d’une nouvelle identité artistique. Le don comme forme de re-création me permet de faire œuvre dans ma pratique picturale. C’est pourquoi, j’ai toujours revendiqué une dimension spirituelle qui apporte à l’œuvre son champ sacré. Plus proche de Michel-Ange ou de Marx Ernest par ma foi en l’art, je crée une œuvre allégorique, qui affirme efficacement la perte re-créatrice comme langage pictural dans l’art contemporain.On the basis of my practice of plastic arts, this thesis developed alongside my subjective experience lived with my spiritual mother, while staying rooted in the problematics of the contemporary era. In this perspective, the meeting place between my works of art, the African ancestral heritage and the western contemporary art stands as a central point of mediation. These meeting elements also go along with the African magic and the western psychotherapy in their therapeutic dimension. Then, this thesis entitled « RITE AND POETICS OF GIFT IN CONTEMPORARY ART - Exhaustion, Disgust, Destruction » aims at examining the artistic expression of my heartrending personal history, and developing artistic concepts of the singular creative practice. The first part of the thesis identifies my poietic work in the process of otherness which leads to the creation of concepts in the field of contemporary art, which concepts tend to shape the personality as pedagogy for the integration of learning by the individual. The second part is about the artistic immateriality which appears as a catalytic process for the concept of performance. The third part exhibits the nowadays plastic procedures the artist can meet by examining a ritualized work. The fourth one is an implementation of the vohou vohou as a process of deconstruction of a new artistic identity. Gift as a form of re-creation enables me to paint. Therefore, I always claim a spiritual side which endows the work of art with a sacred dimension. Admirer of Michel-angel or Marx Ernest through my faith in art, I create an allegorical work, which effeciently affirms the re-creative loss as a painting style in contemporary art
Ochratoxin a and fumonisin B1 induce synergistic inhibition of DNA synthesis in C6 glioma cells
No full textGoing Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
La politique migratoire de la Côte-d'Ivoire
No full textThe Migration Policy of Côte-d'Ivoire
Kouadio BROU and Yves CHARBIT
This paper deals with the policy of internal and international migrations especially its determinants, instruments and results. The authors demonstrate that it was a means to provide workers for Ivorian agriculture. They identify, demographic, economic and historical factors. Then they analyse internal migration with special emphasis on the instruments used, selective regional allocation of jobs and passing of landholding rights. As for international migrations, conventions linking Cote-d'Ivoire and Haute-Volta or Cote-d'Ivoire and France are examined. Finally, the most recent trends are examined: internal and international migration policy evolved under the constraints of the economic and political crisis at the 1980's. They conclude that this policy was inefficient because it was unable to regulate migratory flows.La politique migratoire de la Côte-d'Ivoire
Kouadio BROU et Yves CHARBIT
Cet article traite de la politique des migrations internes et internationales, spécialement de ses déterminants, instruments et facteurs. Les auteurs démontrent qu'elle a été un moyen de procurer des travailleurs à l'agriculture ivoirienne. Ils identifient des facteurs démographiques, économiques et historiques. Puis ils analysent la migration interne en mettant l'accent sur les instruments utilisés, la politique régionale de l'emploi et la léglisation foncière et domaniale. Quant à la migration internationale, elle repose sur les conventions liant la Côte-d'Ivoire et la Haute-Volta ou la Côte-d'Ivoire et la France. Enfin, les tendances les plus récentes sont examinées : les politiques migratoires interne et internationale ont évolué sous la contrainte de la crise politique et économique des années 1980. Les auteurs concluent que la politique est inefficace dans la mesure où elle a été incapable de réguler les flux migratoires.La política migratoria de la Côte-d'Ivoire
Kouadio BROU y Yves CHARBIT
Este artículo trata de la política de las migraciones internas e internacionales, y especialmente de sus determinantes, instrumentos y factores. Los autores demuestran que esta política ha sido un medio de abastecimiento de trabajadores para la agricultura de la Côte-d'Ivoire. Ellos identifican factores demográficos, económicos e históricos. Luego analizan la migración interna insistundo sobre los instrumentos utilizados, la política regional del empleo y la legislación de bienes raíces y patrimoniales. Por lo que se refiere a la migración internacional, esta se basa en las convenciones establecidas entre la Côte-d'Ivoire y el Alto Volta o entre la Côte-d'Ivoire y Francia. Finalmente, se examinan las tendencias más recientes : las políticas migratorias interna e internacional han evolucionado como consecuencia de la crisis política y económica de los años 80. Los autores concluyen que la política es ineficaz, dado que ha sido incapaz de regular los flujos migratorios.Brou Kouadio, Charbit Yves. La politique migratoire de la Côte-d'Ivoire. In: Revue européenne des migrations internationales, vol. 10, n°3,1994. CERPAA CERPOD ORSTOM – Migrations africaines. pp. 33-59
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Author, publisher and bookseller : a tripartite synergy in Nigerian book industry
Full text linkThis work is about the roles of Author, Publisher and Bookseller in Book development in
Nigeria. The paper started by delving into the history of Book Publishing in Nigeria after
which it proceeded by defining who an author, a publisher, and a bookseller is and
expatiated on the indispensable roles of these key actors in Nigerian Book Industry and in
the emerging Information Society. Furthermore, the various constraints to book
development were identified while the paper advised on how the Book Industry can be
further promoted in Nigeria. However, the paper concluded and made recommendations
on how the Book sector can help in enhancing scholarship in the country
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