4,390 research outputs found
Not an Additional Substance but the Body Feeling Itself : An Interview with Ghislaine Leung
No full textJacob Korczynski in an interview with Ghislaine Leung talks about the “disruptions” in her exhibitions “which ultimately complicate the institutional infrastructure that enables them.
With time, in time, our time
No full textCurator Jacob Korczynski examines Justin Hicks and Steffani Jemison’s collaborative project Mikrokosmos. Existing as a vinyl record, a series of performances and exhibitions, Mikrokosmos performs an archaeology of Black American music. Through a close reading of the Mikrokosmos LP Another time, this time, one time, Korczynski unpacks the potential of the aesthetics of the cut and repetition in redefining authorship, reception and the relationships between sound, performance and people
With time, in time, our time [Elektronisk resurs]
No full textCurator Jacob Korczynski examines Justin Hicks and Steffani Jemison’s collaborative project Mikrokosmos. Existing as a vinyl record, a series of performances and exhibitions, Mikrokosmos performs an archaeology of Black American music. Through a close reading of the Mikrokosmos LP Another time, this time, one time, Korczynski unpacks the potential of the aesthetics of the cut and repetition in redefining authorship, reception and the relationships between sound, performance and people
distinguish the limit from the edge : Theresa Hak Kyung Cha & Jimmy Robert
No full text"distinguish the limit from the edge" expands upon the dialogue between Theresa Hak Kyung Cha and Jimmy Robert by assembling a selection of additional work by both artists. Edited by Jacob Korczynski, "distinguish the limit from the edge" is commissioned by Book Works and published with the support of the Ministry of Culture, Sports and Tourism and Korea Arts Management Services in association with Participant Inc on the occasion of the exhibition "flipping through pages keeping a record of time": Theresa Hak Kyung Cha & Jimmy Robert at Participant Inc
Nour Bishouty : 1 - 130
No full text"Which images are made manifest across an artist’s practice and which are the ones that disappear? How do objects—whether seen or unseen—and the knowledge they possess traverse across place and time to avow their resistance? These are amongst the questions asked by artist Nour Bishouty in her artist’s book 1—130, a project that draws upon her ongoing research into the works of her father, Ghassan Bishouty (b. 1941 Palestine – d. 2004, Jordan). In 1—130, she borrows from methods of indexing and object classification to act as figurative codes for identification and cross-reference within the contexts of value and legacy. All the while employing paratactic strategies of text and image to understand the life and work of an artist faced with the discontinuity of deracination.
1—130 constitutes reflexive encounters with a series of 130 selected paintings and sculptures made circa 1965-2004 in Lebanon and Jordan, and concludes with an afterword by editor and curator Jacob Korczynski." -- Publisher's website
1-130 : Selected works Ghassan Bishouty b. 1941 Safad, Palestine — d. 2004 Amman, Jordan
No full textWhich images are made manifest across an artist’s practice and which are the ones that disappear? How do objects—whether seen or unseen—and the knowledge they possess traverse across place and time to avow their resistance? These are amongst the questions asked by artist Nour Bishouty in her artist’s book 1—130, a project that draws upon her ongoing research into the works of her father, Ghassan Bishouty (b. 1941 Palestine – d. 2004, Jordan). In 1—130, she borrows from methods of indexing and object classification to act as figurative codes for identification and cross-reference within the contexts of value and legacy. All the while employing paratactic strategies of text and image to understand the life and work of an artist faced with the discontinuity of deracination.1—130 constitutes reflexive encounters with a series of 130 selected paintings and sculptures made circa 1965-2004 in Lebanon and Jordan, and concludes with an afterword by editor and curator Jacob Korczynski
Jacob of Sarug's Homily on Tamar (Gen 38)
No full textThis small volume contains an edition (from Vatican ms. 117) of Jacob of Sarug’s homily on Tamar (420 lines long). The full title is “On Tamar and on the Mystery of the Church.” The biblical narrative on which the poem is based (Gen 38) gives Jacob the opportunity to discuss various women in the early part of biblical history and in Jesus’ lineage, as well as the fact that a woman who is called a prostitute is in that lineage. Jacob explains how Scripture’s language is used in this regard
June Clark by Jacob Korczynski : Photographs and installations that make meaning from memory and community.
No full textBorn and raised in Harlem, June Clark was forced to relocate in 1968 during the Vietnam War to the city in Treaty 13 territory known as Toronto. It was here, following her initial separation from family and community, that she commenced her trajectory as an artist with a camera she had been gifted. Her approach to image-making that began in Toronto has since brought her back home as Artist-in-Residence at the Studio Museum in Harlem and taken her to Paris for extended periods.For many people of my generation and younger, exposure to Clark’s practice arrived eight years ago through Toronto: Tributes + Tributaries, 1971–1989, the inaugural exhibition curated by Wanda Nanibush at the Art Gallery of Ontario. Formative Triptych (1989) literally shone in that show with its the three duratrans transparencies in lightboxes that each paired images with typeset texts reflecting on moments from Clark’s childhood. Instead of making photographs for this series, Clark utilized extant photographs as material, including two snapshots from her youth and one portrait of iconic blues singer Bessie Smith by Carl Van Vechten.Witness is both noun and verb. Positioned directly after Clark’s name to comprise the title of her current exhibition, the word seems to adopt the former sense with reference to the artist as its literal embodiment. Viewers, however, make manifest the latter meaning as they enter the Power Plant and move through a survey spanning three decades of her work
Christian Nyampeta Interviewed by Jacob Korczynski : An interdisciplinary approach to image-making that traces its impact in facilitating collective encounters.
No full textAn interview with artist Christian Nyampeta about his work featured in "Is it morning for you yet?" the 58th Carnegie International
Jacob Wassermann.
No full textOne of several renderings of the German author Jacob Wassermann by the painter and illustrator Suzanne Carvallo-Schülein.Digital ImageArtwork
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