1,720,996 research outputs found

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Comedic Music: The Juxtaposition Between Incongruous Musical Elements

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    Classical music is a learned art form with exemplary aesthetic value. It is often synonymous with serious music because of the careful consideration required to create and understand the music. The term serious, however, may imply a lack of fun. This thesis explores comedic Western art music, which juxtaposes high-style and low-style musical elements to provoke humor in an audience. In the second section of this document, the different theories of humor are briefly explained. In the third section, the incongruity theory of humor (which necessitates an absurd contrast between components resulting in a violation of expectations) is applied to how contrasting musical elements make a piece of music funny. In the fourth, fifth, and sixth sections, selected works by Franz Joseph Haydn, Robert Lucas de Pearsall, Wolfgang Amadeus Mozart, and Tom Johnson are analyzed for their humorous nature by considering their different methods of juxtaposing music elements.Music, Moores School ofHonors Colleg

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    "Let Us Not Be Misled": A Critical Appraisal of Characterization in John Adams's Nixon in China

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    This thesis aims to examine and appraise the characterization of the major historical characters in John Adams’s opera Nixon in China: Richard Nixon, Pat Nixon, Mao Tse-tung, Chiang Ch’ing, Chou En-lai and Henry Kissinger. The first chapter outlines the motivations and intentions of Adams, Goodman, Sellars and other key collaborators. The heart of the thesis is the second chapter, which details and compares the representation of the six major historical personages to the historical record. Each character’s subsection will begin with a brief biography drawn from authoritative sources and will then proceed to critically appraise the figure as characterized in the opera. The third and final chapter will discuss the musical devices and techniques Adams employs to develop each character. The conclusion will briefly discuss the importance that direction and acting have in characterization.Music, Moores School o

    Methods of Expressive Formal Design in Debussy's Sonata for Violin and Piano

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    This paper will discuss Claude Debussy’s final work, the Sonata for Violin and Piano, in terms of classical sonata form. This analytical view is not chosen to suggest that the classical design was used as a model for this work, but to draw out associations between the forms that help us to better understand Debussy’s unique design and appreciate its novel construction. Such an investigation is valuable as a compositional study, exemplifying the freedom with which tonal relations and thematic repetition can be organized while still outlining a form which satisfies the desired balance between recurrence and variety. From historical and biographical perspectives, it gives us insight into Debussy’s stylistic development and how traditional forms, either strategically or unintentionally, are reflected or alluded to in the music of his final years.Music, Moores School ofHonors Colleg

    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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