1,721,031 research outputs found
Static mean-square displacement as an indicator of the crystal-to amorphous transformation
No full textStatic mean-square displacement as an indicator of the crystal-to amorphous transformation / Konrad Samwer ... - In: Journal of non-crystalline solids. 156- 158. 1993. S. 506-50
Amorphization of the intermetallic compound V2Zr by ball milling
No full textAmorphization of the intermetallic compound V2Zr by ball milling / Ulrich Herr and Konrad Samwer. - In: Journal of non-crystalline solids. 156-158. 1993. S. 608-61
Amorphization of the intermetallic compound V2Zr by ball milling
No full textAmorphization of the intermetallic compound V2Zr by ball milling / Ulrich Herr and Konrad Samwer. - In: Journal of non-crystalline solids. 156-158. 1993. S. 608-61
Kolossaler Magnetowiderstand in Perowskitsystemen: ein Metall-Isolator-Übergang im Magnetfeld
No full textKolossaler Magnetowiderstand in Perowskitsystemen : e. Metall-Isolator-Übergang im Magnetfeld / Konrad Samwer ; Rittmar von Helmolt. - In: Festschrift zum Einzug in das neue Gebäude, Naturwissenschaften II, 1. Bauabschnitt, und zum Festakt am 15. Juli 1996. - Augsburg, 1996. - S. 83-8
Concentration dependence of the Debye temperature in extended solid solutions near the crystal-to-glass transition
No full textConcentration dependence of the Debye temperature in extended solid solutions near the crystal-to-glass transition / Christoph Ettl and Konrad Samwer. - In: Journal of non-crystalline solids. 156-158. 1993. S. 502-50
Concentration dependence of the Debye temperature in extended solid solutions near the crystal-to-glass transition
No full textConcentration dependence of the Debye temperature in extended solid solutions near the crystal-to-glass transition / Christoph Ettl and Konrad Samwer. - In: Journal of non-crystalline solids. 156-158. 1993. S. 502-50
High resolution studies of the solid state amorphization reaction in the ZrCo system with the atom probe / field ion microscope
No full textHigh resolution studies of the solid state amorphization reaction in the ZrCo system with the atom probe / field ion microscope / Susanne Schneider ; Ralf Busch ; Konrad Samwer. - In: Polycrystalline thin films / eds.: Katayun (Katy) Barmak ... - Pittsburgh, Pa., 1994. - S. 223-228. - (Materials Research Society symposia proceedings ; 343
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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