1,090 research outputs found
wvtool: Image Tools for Automated Wood Identification
This tool, wood vision tool, is intended to facilitate preprocessing and analyzing 2-dimensional wood images toward automated recognition. The former includes some basics such as functions to RGB to grayscale, gray to binary, cropping, rotation(bilinear), median/mean/Gaussian filter, and Canny/Sobel edge detection. The latter includes gray level co-occurrence matrix (GLCM), Haralick parameters, local binary pattern (LBP), higher order local autocorrelation (HLAC), Fourier transform (radial and azimuthal integration), and Gabor filtering. The functions are intended to read data using 'readTIFF(x, info=T)' from 'tiff' package. The functions in this packages basically assumes the grayscale images as input data, thus the color images should be subjected to the function rgb2gray() before used for some other functions
ANALISIS CAMPUR KODE DALAM LIRIK LAGU GENTLEMAN OLEH BOYBAND SHINEE KARYA JUNJI ISHIWATARI
(Title: The Code Mix Analysis In Lyrics Of Shinee’s Gentleman By Junji Ishiwatari)
This study aims to analyze the code mix in the lyrics of SHINee’s Gentleman by Junji Ishiwatari which specifically to describe what kind of code mix is contained in the lyrics and to describe how the factors caused the interference of code in the lyrics. The method used in this research is observation and library research. There are 16 forms of code mix contained in the lyrics, namely: 5 insertion of elements of tangible word, 9 insertion of elements of the phrase and 2 insertion elements of tangible clause. The dominant form of code mix is the insertion of phrasal elements. While there are 3 factors that caused the interference of the code in the lyrics, namely: (1) The casuality (informal situation), (2) The author wants to show the learning and/or position and (3) There is no correctly expression in language that had been used. The dominant factor of them is no correctly expression in language that had been used. The customary factor is not found in the lyrics of SHINee’Gentleman by Junji Ishiwatari although songwriters often use English in writing song lyrics
Salacia chinensis とその含有成分ネオコタラノールの抗糖尿病作用と臨床応用に関する研究
主査:森川 敏生 教授 学内授与番号:薬第171号
小林正和, 赤木淳二, 山下耕作, 森川敏生, 二宮清文, 吉川雅之, 村岡修「サラシアエキス配合食品の食後血糖上昇抑制効果」薬理と治療, Volume38, Issue6, 545-550(2010)
http://www.pieronline.jp/content/article/0386-3603/38060/545 掲載
小林正和, 赤木淳二, 山口康代, 山崎寛生, 森川敏生, 二宮清文, 吉川雅之, 村岡修 「サラシアエキス末配合食品の長期摂取時および過剰安全性検討」薬理と治療, Volume44, Issue3, 399-408(2016)
http://www.pieronline.jp/content/article/0386-3603/44030/399 掲載
Masakazu Kobayashi, Junji Akaki, Yasuyo Yamaguchi, Hiroo Yamasaki, Kiyofumi Ninomiya, Yutana Pongpiriyadacha, Masayuki Yoshikawa, Osamu Muraoka & Toshio Morikawa, "Salacia chinensis stem extract and its thiosugar sulfonium constituent, neokotalanol, improves HbA1c levels in ob/ob mice" Journal of Natural Medicines volume73, 584–588(2019)
DOI: 10.1007/s11418-019-01311-w 掲載
Masakazu Kobayashi, Junji Akaki, Kiyofumi Ninomiya, Masayuki Yoshikawa, Osamu Muraoka, Toshio Morikawa, Masato Odawara "Dose-Dependent Suppression of Postprandial Hyperglycemia and Improvement of Blood Glucose Parameters by Salacia chinensis Extract: Two Randomized, Double-Blind, Placebo-Controlled Studies" Journal of Medicinal Food, 24(1) 10-17(2021)
https://doi.org/10.1089/jmf.2020.4751 掲載application/pd
<Articles>Structure and Development of the Dispute over the Jodo Shinshu's Tradition of "No Reverence for Other Gods" in Early Modern Japan
一八世紀半ば以降、山陰地方の浄土真宗優勢地帯では、真宗門徒が小寄講を結成し僧侶を招いて法談を聴聞する活動が活発となる。この法談の場を通じて、僧侶たちは門徒に対し浄土真宗の神祇不帰依の宗風を遵守するように教導していくが、いっぽうでこの宗風をめぐって神職などとの紛争もしばしば起こるようになった。また、同じく一八世紀半ば以降、領主や村役人たちは、活発化する民衆の宗教活動の統制を図ろうとしたが、こうした民俗の世界への介入は民衆の信仰の獲得をめぐって競合する宗教者間の対立を表面化させ、かえって紛争誘発の原因ともなった。特に、真宗優勢地帯において専業の神職が多数の神祠・森神の祭祀と各家における竈祓いの執行に関わっているような出雲国や石見国では、それが神祇不帰依の宗風をめぐる僧侶と神職の争いとして現象しやすかったのである。From the mid 18th century onward, in the areas of Jodo Shinshu dominance, where True Pure Land sect temples outnumbered those of other sects, in the San'in region, it was popular for the Shinshu monto (adherents) to form local organizations of the faithful known as koyori ko that were active in inviting Shinshu monks to preach to them. At the about the same time, Shinshu monks were preaching to the faithful to observe the sect's tradition of "no reverence for other gods" (神祇不帰依), i.e. the doctrine of not praying to native gods or Buddhist deities other than Amida for benefit in this world or salvation in the next, but there often arose disputes with Shinto priests over the sect's tradition. Then, through the repetition of disputes, the Shinshu monks devised in some localities an even more thoroughgoing implementation of the tradition. Likewise, from the latter half of the 18th century onward, feudal lords and village officials attempted to control the religious activities of the people who were becoming increasingly active, but this intervention into the popular sphere brought to the surface disputes between competing religious figures in their efforts to gain adherents, and instead became a source of further discord. The frequency of such disputes engendered in these religious figures an interest in devising of a systematic public recognition of religious activities by feudal lords who had not previously recognized them, and this tendency became linked as a result to triggering disputes between religious figures over public recognition of their activities. Particularly in areas of Shinshu dominance in the provinces of Izumo and Iwami where priests who served shrines on a full-time basis were generally involved in conducting rituals for many local shrines and sacred trees and to purify household ovens, it was easy for the discord between religious figures to manifest itself in form of disputes between Buddhist monks and Shinto priests over the Shinshu tradition of not revering other gods
<Articles>Suika School Intellectuals and the Production of Legitimacy
個人情報保護のため削除部分あり山崎闇斎によって唱えられた神道説である垂加神道の受容過程に着目し、垂加派の神道家が近世社会の中で文化資本をどのように獲得し、また再配分していったのか、を本稿では考察した。 垂加派が掲げた既成神道説の「集大成」とは、言説編成上の様式であり、近世的な知識人が、中世以来特権的な場で蓄積されてきた文化資本を獲得する様式である。垂加派の門弟は、師によって設定された伝授の階梯を経過することで、「集大成」によって獲得した文化資本を駆使して君臣の教説を正統化し、正統化した君臣の教説に基づいて、おもに公家・社家・武家など支配身分の職分を正統化する技法、能力を身につけることになる。垂加神道は、そのような正統性の生産能力を身につけることを求めた人々によって受容されたのであった。This paper examines the process in which the Shinto doctrine espoused by Yamazaki Ansai -- Suika Shinto -- gained acceptance and how members of this Shinto school acquired and redistributed cultural capital in early modern Japanese society. The Suika school's compilation of existing Shinto doctrines into a canon can be seen as a means through which early modern intellectuals acquired the cultural capital accumulated by medieval shrines. Disciples of the Suika school were able to redistribute this capital by legitimizing the idealogy of "subject loyalty". In the process, adherents of the Suika school used their knowledge and abilities to legitimate the governing class of nobles (kuge) and shrine attendants (shake). In short, Suika Shinto was promoted by those who sought to monopolize the ability to produce and bestow legitimacy
日本近世の宗教秩序―浄土真宗の宗旨をめぐる紛争―
京都大学新制・論文博士博士(文学)乙第13509号論文博第666号新制||文||725(附属図書館)京都大学大学院文学研究科国史学専攻(主査)教授 上島 享, 准教授 三宅 正浩, 教授 谷川 穣学位規則第4条第2項該当Doctor of LettersKyoto UniversityDGA
A study of the antidiabetic effects and clinical applications of Salacia chinensis and its ingredient, neokotalanol
近畿大学Kindai University博士(薬学)主査:森川 敏生 教授 学内授与番号:薬第171号
小林正和, 赤木淳二, 山下耕作, 森川敏生, 二宮清文, 吉川雅之, 村岡修「サラシアエキス配合食品の食後血糖上昇抑制効果」薬理と治療, Volume38, Issue6, 545-550(2010)
http://www.pieronline.jp/content/article/0386-3603/38060/545 掲載
小林正和, 赤木淳二, 山口康代, 山崎寛生, 森川敏生, 二宮清文, 吉川雅之, 村岡修 「サラシアエキス末配合食品の長期摂取時および過剰安全性検討」薬理と治療, Volume44, Issue3, 399-408(2016)
http://www.pieronline.jp/content/article/0386-3603/44030/399 掲載
Masakazu Kobayashi, Junji Akaki, Yasuyo Yamaguchi, Hiroo Yamasaki, Kiyofumi Ninomiya, Yutana Pongpiriyadacha, Masayuki Yoshikawa, Osamu Muraoka & Toshio Morikawa, "Salacia chinensis stem extract and its thiosugar sulfonium constituent, neokotalanol, improves HbA1c levels in ob/ob mice" Journal of Natural Medicines volume73, 584–588(2019)
DOI: 10.1007/s11418-019-01311-w 掲載
Masakazu Kobayashi, Junji Akaki, Kiyofumi Ninomiya, Masayuki Yoshikawa, Osamu Muraoka, Toshio Morikawa, Masato Odawara "Dose-Dependent Suppression of Postprandial Hyperglycemia and Improvement of Blood Glucose Parameters by Salacia chinensis Extract: Two Randomized, Double-Blind, Placebo-Controlled Studies" Journal of Medicinal Food, 24(1) 10-17(2021)
https://doi.org/10.1089/jmf.2020.4751 掲載application/pdfdoctoral thesi
La Atmósfera del Horror: Un Análisis de los Elementos Visuales en Tomie de Junji Ito
INTRODUCTION
New Perspectives on Horror Manga
The primary objective of this study is to analyze Japanese horror comics, known as manga, through the works of Junji Ito, particularly Tomie. This author has become a central figure in the genre, and his work is essential for understanding how horror in manga achieves an impact that goes beyond its graphic elements, utilizing a distinctive visual and narrative style that creates a unique atmosphere and evokes profound emotions in its readers.
The analysis begins with a comparison between sequential horror media, such as happenings, and editorial media like comics, where the resources available are different: while the former include sound, characters in motion, and dynamic storytelling, comics must rely on visual strategies to achieve equally powerful horror effects. This research aims to explore the artistic evolution of Junji Ito and how, through the use and modification of lines and styles, he constructs atmospheres that immerse the reader in his narratives.
Throughout this study, the artistic styles that characterize horror manga will be examined, detailing the visual techniques that intensify the atmosphere, generate tension, and build unsettling narratives. The research seeks to answer a fundamental question: how is it possible to achieve, within editorial media—specifically horror comics—the same atmospheric effect that is present in sequential media?
This analysis of Junji Ito delves into the visual and narrative elements that define his style and have earned him a prominent place in horror manga. The study also considers the direct and indirect consequences of modifications in illustration on atmosphere and story development, highlighting the use of line work, onomatopoeia, and other essential resources for creating visual impact.
This work not only describes the influence of Junji Ito but also aims to serve as a guide for design and art students interested in illustration, providing tools to understand and construct effective atmospheres that instill in audiences a constant desire to explore further. In this sense, understanding Junji Ito’s style and techniques is fundamental for learning how to depict horror and tension within the realm of printed and editorial media.
Thesis for the Degree of Bachelor in Graphic Communication Design
INTRODUCCIÓN Nuevas perspectivas del manga de horror
Este trabajo tiene como propósito principal analizar el cómic de horror japonés, conocido como “manga”, a través de la obra de Junji Ito, particularmente Tomie. Este autor se ha convertido en una figura central en el género, y su trabajo es esencial para comprender cómo el horror en el manga logra un impacto que va más allá de sus elementos gráficos, usando un estilo visual y narrativo distintivo que crea una atmósfera única y despierta profundas emociones en sus lectores.
El análisis parte de la comparación entre los medios secuenciales de horror, como los happenings, y los medios editoriales como el cómic, donde los recursos son distintos: mientras los primeros cuentan con sonido, personajes en acción e historias en movimiento, los cómics requieren de estrategias visuales para alcanzar efectos de horror igualmente potentes. Esta investigación tiene como objetivo explorar los cambios en el arte de Junji Ito, y cómo, mediante el uso y la modificación de trazos y estilos, construye atmósferas que sumergen al lector en sus relatos.
A lo largo del trabajo, se examinan los estilos artísticos que caracterizan el manga de horror, detallando las técnicas visuales que intensifican la atmósfera, generan tensión y construyen narrativas perturbadoras. El estudio busca responder a una pregunta fundamental: ¿cómo es posible lograr en medios editoriales, específicamente en el cómic de horror, el mismo efecto atmosférico que se alcanza en los medios secuenciales?
En este análisis de Junji Ito se profundiza en los elementos visuales y narrativos que definen su estilo y le han dado un lugar destacado en el manga de horror. El estudio también considera las consecuencias directas e indirectas de las modificaciones en la ilustración sobre la atmósfera y el desarrollo de la historia, destacando el uso de líneas, onomatopeyas y otros recursos esenciales para crear impacto visual.
Este trabajo no solo describe la influencia de Junji Ito, sino que también busca servir como guía para aquellos estudiantes de diseño y arte interesados en la ilustración, proporcionando herramientas para entender y construir atmósferas efectivas que generen en el público un deseo constante de explorar más. En este sentido, comprender el estilo y las técnicas de Junji Ito es fundamental para aprender a plasmar el horror y la tensión en el ámbito de los medios impresos y editoriales.
Tesis para obtener el grado de Licenciada en Diseño de la Comunicación Gráficahttps://digitalcommons.njit.edu/stemshowcase/1097/thumbnail.jp
Impact of Serum Retinol-Binding Protein 4 Levels on Regulation of Remnant-Like Particles Triglyceride in Type 2 Diabetes Mellitus
博士論文本文Full 以下に掲載:Journal of Diabetes Research Vol. 2013, Article ID 143515 pp.1-5 2013. Hindawi Publishing Corporation. 共著者:Naoto Yamaaki, Kunimasa Yagi, Junji Kobayashi, Atsushi Nohara, Naoko Ito, Akimichi Asano, Kaoru Nakano, Jianhui Liu, Takuya Okamoto, Yukiko Mori, Azusa Ohbatake, Satoko Okazaki, Yoshiyu Takeda, Masakazu Yamagish
High frequency of type 2 diabetes and impaired glucose tolerance in Japanese subjects with the angiopoietin-like protein 8 (ANGPTL8) R59W variant
金沢大学博士(医学)博士論文要旨Abstract 以下に掲載:Journal of Clinical Lipidology 12(2) pp.331-337 2017. Elsevier. 共著者:Jianhui Liu, Kunimasa Yagi, Atsushi Nohara, Daisuke Chujo, Azusa Ohbatake, Aya Fujimoto, Yukiko Miyamoto, Junji Kobayashi, Masakazu Yamagishithesi
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