2,934 research outputs found
The Last Decayed : Jon Knowles
No full text"This first monographic catalogue by Jon Knowles covers the artist’s exhibitions for the last ten years and builds upon the Darling Foundry's commitment to his production: his use of a studio for a 3 year period, the presentation of his exhibition Mixed Misuse and the production of this edition, The Last Decayed. The text of critic and Montreal curator Vincent Bonin highlights the artist’s post-studio practice and points to the discourses and tensions that raises each of his projects, describing them in a chronological logic. Artist, Michael Eddy, who wrote the second text, builds on the links between the human experience and the experience of the collector. A factual presentation of each exhibition by Jon Knowles enhances the understanding of his work." -- Publisher's website
[Working with Photography (The Professionals) : Documentation]
No full textIn 2013, artist Jon Knowles collaborated with four photographers (Michel Brunelle, Denis Farley, Guy L'Heureux and Sara K. Tremblay) who were asked to document his installation "Working with Photography (Drop Ceiling)" which was presented in the solo exhibition "Jon Knowles. Works with Photography" at the artist-run centre VOX. As an integral aspect of the project, the artist proposed to deposit the unpublished documentation in the Artexte collection
Keynote: Jon Gertner
No full textThe symposium will start on the evening of April 16 with a keynote address by Jon Gertner. Jon is a journalist, historian, and feature writer for The New York Times Magazine
as well as the author of the NYTimes bestseller, The Idea Factory. His address will focus on the issue of intellectual property and the ethical questions around the huge amount of human-generated content that large language models use as they are developed
Jon Mirande eta ironia
No full textLa ironía es un elemento que ha ido siempre unido a la poesía, y especialmente a la poesía moderna.Tras un pequeño repaso a esta en diferentes épocas, se pasa a describir las tres diferentes ironías de Jon Mirande: la intelectual, la social y la filosófica. Todo ello acompañado de ejemplosIrony is an element that has always been united to poetry, and especially to modern poetry. After a small revision of irony in different eras, the author then describes the three different ironies of Jon Mirande: intellectual, social and philosophical irony. All this illustrated with example
Jon Pineda, 32nd Annual ODU Literary Festival
No full textJon Pineda is the author of The Translator\u27s Diary, winner of the Green Rose Prize for Poetry, and BIrthmark, winner of the Crab Orchard Award Series in Poetry Open Competition. His memoir, Sleep in Me, is forthcoming in 2010 from the University of Nebraska Press. He teaches in the low-residency MFA program at Queens University of Charlotte
Interview with Jon Baskin--May 15, 2015
No full textJon Baskin is co-founder and editor of The Point magazine in Chicago. He is also a graduate student at the University of Chicago's Committee on Social Thought and the author of many essays and works of criticism for venues such as The Los Angeles Review of Books, The Nation, n+1, The New York Observer, BookForum, Salon, and The Point. Earlier in his career he was a fact checker for various magazines, including Popular Science, Inc Magazine, The Atlantic Monthly, and n+1. The interview was conducted at the office of The Point in Chicago on May 15, 2015.1_izzia9z
Jon Sands, 41st Annual ODU Literary Festival
No full textJon Sands is the author of The New Clean (2011), as well as the co-host of The Poetry Gods podcast. His work has been published widely, and anthologized in The Best American Poetry. He’s a youth mentor with Urban Word-NYC, and teaches creative writing for adults at Bailey House in East Harlem (an HIV/AIDS service center). He’s a recent MFA graduate in fiction from Brooklyn College, where his work won the Himan Brown Award for short stories, and he has represented New York City multiple times at the National Poetry Slam. He lives in Brookly
Essay piece by Jon Hawkins on an altercation that broke out in Portland\u27s Old
No full textEssay piece by Jon Hawkins on an altercation that broke out in Portland\u27s Old Port on Dec. 31 that was characterized by police as a riot. The author, who was the disc jockey at an Old Port pub that night and witnessed the incident, claims the 12 people arrested were reacting to excessive force being used by the police department
Kepentingan Amerika Serikat dalam Proses Denuklirisasi Korea Utara. BY AUTHOR: Javira Ardiani Bima Jon Nanda Zulkifli Harza
No full textKepentingan Amerika Serikat dalam Proses Denuklirisasi Korea Utara. BY AUTHOR: Javira Ardiani Bima Jon Nanda Zulkifli Harz
Guitar Environment #1
No full textMultichannel audio installation presented as part of 'Wavelength', Liquid Architecture 9, Carriageworks, Sydney, July 2008. Curator: Rene Christen----------\ud
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'Wavelength' was a group installation project consisting of a number of discrete works from following artists: Peter Blamey, Monica Brooks, Nicholas Economos, Jon Hunter, Jenny Hyde, Julian Knowles, Emily Morandini, Kusum Normoyle, Jasper Streit.----------\ud
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Author's Note: Guitar Environment #1 is a 5 channel installation work featuring damaged and degraded electric guitar sounds. Compositionally, the work is conceived within a combinatorial or musical 'mobile' framework, where any mix of channels can be listened to in any balance at any time. The playback platform for the installation is designed to create a condition of instability through interference. FM transmitter signals, sharing the same broadcast frequency, compete for pickup by portable FM receivers and headphones worn by listeners. The work thus creates a sense of instability which is articulated through the sound material and platform, aestheticising interference, noise and audio damage.----------\ud
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Curator's Note: Sound artists were invited to compose works in a way different from the cinematic baggage associated with surround sound. Each of 5 audio channels for each piece is broadcasted from a different FM transmitter hidden within the space, all transmitting on the same frequency. Audience members are invited to put on headphones tuned into this frequency and explore the soundscape of radio signals which exist within the space by moving through it. Pieces of the artists works emerge and disappear into the cacophony of the cities crowded radio waves and into each other, sometimes ambiguous as to what is the artist's contribution and what is the artifacting inherent in the system or alien signals permeating the boundaries of the installation
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