692 research outputs found
Transforming Recruitment: The Power of Data-Driven Decision Making
No full textDylan Klim, senior assistant director in Admission presented at the National Small College Enrollment Conference (NSCEC) in Charlotte, North Carolina. Klim\u27s presentation was titled, Transforming Recruitment: The Power of Data-Driven Decision Making.
The NSCEC conference focuses on small colleges and universities that provide essential education and networking opportunities for small college professionals
Dylan: A Commemoration
No full textDylan: A Commemoration. Edited by Stephen Pickering. California, 1971. Philosophical musings of an early Dylan enthusiast. This rare publication explores the author\u27s appreciation for Dylan as the greatest poet of the century, and rejects the rationalist distortions of rock magazines. Released the same year as Tarantula, it hails the work as scintillating and brilliant.https://digitalcommons.lasalle.edu/dylan_popular_culture_response/1000/thumbnail.jp
Bob Dylan and religion
No full textThis article, which is located within the field of research on religion and popular culture, is a discussion of the relations of one particular rock artist, Bob Dylan, to religion. Religion can be seen as a recurring topic in Dylan’s work—particularly during a period at the end of the 1970s and beginning of the 1980s, often referred to as his ‘Christian era’—and also in the discourses around him. This article explores how the topic of religion appears in discourses around Bob Dylan. In this article one particular aspect of the connection between religion and popular culture is looked at: the construction of certain artists or stars as religious figures, and more specifically Bob Dylan as a case. The author does not try to discover whether Dylan is religious or not; or which religion he possibly adheres to. Rather, the author looks at how rock artists and in this case Bob Dylan are ‘constructed’ as religious figures
Bob Dylan and religion
No full textThis article, which is located within the field of research on religion and popular culture, is a discussion of the relations of one particular rock artist, Bob Dylan, to religion. Religion can be seen as a recurring topic in Dylan’s work—particularly during a period at the end of the 1970s and beginning of the 1980s, often referred to as his ‘Christian era’—and also in the discourses around him. This article explores how the topic of religion appears in discourses around Bob Dylan. In this article one particular aspect of the connection between religion and popular culture is looked at: the construction of certain artists or stars as religious figures, and more specifically Bob Dylan as a case. The author does not try to discover whether Dylan is religious or not; or which religion he possibly adheres to. Rather, the author looks at how rock artists and in this case Bob Dylan are ‘constructed’ as religious figures.
Recommended from our members
Dylan
No full textThe Indonesian poet and public figure Goenawan Mohamad published "Bob Dylan" in the magazine Tempo and it was also published in the English version of Tempo. Reprinted by permission of the author Goenawan Mohamad and the translator Jennifer Lindsay
Gratitude as a practice to manage uncertainty and foster well being
No full textDylan Le Roy is a Student Affairs and Services Counsellor at Douglas College. He provided a much-needed “Managing Uncertainty with Gratitude” session for the Better Together Conference.
The campus community and the world are experiencing a large amount of uncertainty and change. Dylan Le Roy discusses how this increase in uncertainty may have impacted our sense of wellbeing. Through an experiential practice, participants explore how grounding in gratitude can help foster a greater sense of resiliency, creativity, and connection.presentationBetter Together Conferenc
Dylan to English Dictionary
No full textDylan to English Dictionary, by A.J. Weberman. New York, 2005.
This curious resource would seem, at first glance, to be a basic reference work treating Dylan\u27s lyrics to some form of translation. One only needs to read the very first paragraph of this work to learn that its author was deeply obsessed with Dylan, and through various experiences on LSD came to believe he could interpret hidden meaning in all of Dylan\u27s lyrics. He also credits himself for coining the term Dylanology.https://digitalcommons.lasalle.edu/dylan_academic_interpretations/1001/thumbnail.jp
Fly-Ins that Soar: Making Counselor Visits Meaningful
No full textDylan Klim, senior assistant director of Admission at Lynn University, Rosemary Martin Edwards, Associate Director of Undergraduate Admissions at PCACAC (Potomac & Chesapeake Association for College Admission Counseling), Randy Stamm, School Counselor at Hackensack High School, and Myra Castro, College Admissions Consultant at Castro College Consulting, presented “Fly-Ins that Soar: Making Counselor Visits Meaningful,” at the National Association for College Admission Counseling (NACAC) conference in Columbus, Ohio. The session highlighted strategies to maximize the impact of counselor engagement programs.
Counselor fly-in programs and campus visits are essential tools for fostering strong relationships between high school counselors, IECs, and college admission offices. This session brings together perspectives from all sides of the desk — college representatives and high school counselors and IECs — to share insights on what makes these programs truly effective. Speakers will discuss best practices, common pitfalls, and innovative strategies for creating meaningful, informative, and engaging experiences. Suggestions for how program participants can maximize their time on fly-in programs will be discussed Attendees will leave with actionable takeaways to improve their own counselor engagement initiatives
Bob Dylan and American Folk Music: The Pigeonhole Effect
No full textThis article tracks Bob Dylan\u27s early musical career and his relation to the American Folk music movement of the late 1950s into the early 1960s. The author grapples with the question of why Bob Dylan went electric and explores some of the stories around the seminal event in American Folk Music history. The author mainly uses Bob Dylan\u27s personal interviews and songs to draw conclusions
Murder Most Foul. Storia, memoria e mito nella produzione tarda di Bob Dylan
No full textWhile many of Dylan's songs became historic anthems of the civil rights movement, their author never misses a chance to remind us that his interest in historical events lies in the possibility of turning them into metahistorical tales. In Chronicles (2004), he writes: "The madly complicated modern world was something I took little interest in. It had no relevancy, no weight. What was up to date for me was stuff like the Titanic sinking, the Galveston flood, John Henry driving steel, John Hardy shooting a man on the West Virginia line. This was the news that I considered".
However, in Rough and Rowdy Ways, Dylan taps into contemporary history more than in any other album, clearly stating his intent in "Mother of Muses": "I'm falling in love with Calliope | She don't belong to anyone, why not give her to me?". By invoking such an elitist relationship with the muse of epic poetry, Dylan begins a raging reflection on the meaning of time, history, and memory that culminates in a seventeen-minute track about Kennedy's assassination. References to facts, people, films, and songs from different places and times merge into masterpieces that, reliving memories, reshape history. The present paper examines these themes and mechanics and the labile boundary between memory and history, between written and oral cultures, in the 2016 Nobel laureate's late narrative songs
- …
