1,721,627 research outputs found

    Effects of high CO2 on the fixed nitrogen inventory of the western English Channel

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    In this study, we investigated the impact of CO2 induced seawater acidification on the concentration of inorganic nutrients, nitrate, nitrite, ammonium, soluble reactive phosphorous (SRP) and silicate at a coastal site in the Western English Channel (WEC). Samples were collected and filtered weekly during the spring to summer transition between 17th March and 21st July 2008. Ambient pH varied by 0.2 units over the study period, while purging with CO2 (380, 500, 760 and 1000 ppmv) resulted in a maximum pH decrease of 0.4 units. Surface nitrate was depleted during the spring phytoplankton bloom and nitrogen limitation was prevalent thereafter. Acidification did not change the concentrations of nitrate, nitrite, SRP or silicate. An average increase in total ammonium of 0.17 μmol L-1 (20) was observed in acidified seawater during the pre-bloom period. We suggest that this increase was not a biological interaction but due to the influx of gaseous ammonia from the atmosphere; CO2 induced acidification shifted the seawater dissolved ammonium-ammonia equilibrium towards the former and thereby decreased the sea-air concentration gradient of ammonia. Using the results from this study, a simple zero-dimensional model for the WEC was constructed which shows that this region will become a net sink for 300 mol m-2 a-1 for NH3 if atmospheric CO2 concentrations increase to 717 ppm. The increase in the total ammonium inventory of the WEC surface waters may increase phytoplankton biomass in the future.</p

    Characterization of a Time-Domain Dual Lifetime Referencing pCO2 Optode and Deployment as a High-Resolution Underway Sensor across the High Latitude North Atlantic Ocean

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    The ocean is a major sink for anthropogenic carbon dioxide (CO2), with the CO2 uptake causing changes to ocean chemistry. To monitor these changes and provide a chemical background for biological and biogeochemical studies, high quality partial pressure of CO2 (pCO2) sensors are required, with suitable accuracy and precision for ocean measurements. Optodes have the potential to measure in situ pCO2 without the need for wet chemicals or bulky gas equilibration chambers that are typically used in pCO2 systems. However, optodes are still in an early developmental stage compared to more established equilibrator-based pCO2 systems. In this study, we performed a laboratory-based characterization of a time-domain dual lifetime referencing pCO2 optode system. The pCO2 optode spot was illuminated with low intensity light (0.2 mA, 0.72 mW) to minimize spot photobleaching. The spot was calibrated using an experimental gas calibration rig prior to deployment, with a determined response time (τ63) of 50 s at 25°C. The pCO2 optode was deployed as an autonomous shipboard underway system across the high latitude North Atlantic Ocean with a resolution of ca.10 measurements per hour. The optode data was validated with a secondary shipboard equilibrator-based infrared pCO2 instrument, and pCO2 calculated from discrete samples of dissolved inorganic carbon and total alkalinity. Further verification of the pCO2 optode data was achieved using complimentary variables such as nutrients and dissolved oxygen. The shipboard precision of the pCO2 sensor was 9.5 μatm determined both from repeat measurements of certified reference materials and from the standard deviation of seawater measurements while on station. Finally, the optode deployment data was used to evaluate the physical and biogeochemical controls on pCO2

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Underway physical oceanography and carbon dioxide measurements during DISCOVERY cruise D366

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    Cruise QC flag: B (see further details). The Fair Data Use Statement for SOCAT can be found at hdl:10013/epic.48576.d00

    Time series of physical oceanography and carbon dioxide measurements at mooring site ZZ9920070416

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    Cruise QC flag: D (see further details). The Fair Data Use Statement for SOCAT can be found at hdl:10013/epic.48576.d00

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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