1,720,988 research outputs found
Fig. 4 in New Distributional Records of Three Species of Euphylliidae (Cnidaria, Anthozoa, Hexacorallia, Scleractinia) from the Ryukyu Islands, Japan
No full textFig. 4. Specimens of Catalaphyllia jardinei preserved in the Smithsonian National Museum of Natural History (Photographs taken by Allison Becker) (USNM). A–B, corallite of USNM 1259568, collected at 52–55 m deep off Manza Horshoe Cliffs, Onna, Okinawajima island, Okinawa, Japan, on 21 December 1988, by Robert F. Bolland; C–D, corallite of USNM 94409, collected at 27 m deep off Nago City, Nago, Okinawajima island, Okinawa, Japan, on 21 February 1992, by R. F. Bolland.Published as part of Fujii, Takuma, Kitano, Yuko F & Tachikawa, Hiroyuki, 2020, New Distributional Records of Three Species of Euphylliidae (Cnidaria, Anthozoa, Hexacorallia, Scleractinia) from the Ryukyu Islands, Japan, pp. 275-282 in Species Diversity 25 on page 280, DOI: 10.12782/specdiv.25.275, http://zenodo.org/record/573874
Fig. 3 in New Distributional Records of Three Species of Euphylliidae (Cnidaria, Anthozoa, Hexacorallia, Scleractinia) from the Ryukyu Islands, Japan
No full textFig. 3. Corallum of Catalaphyllia jardinei currently reported from Amami-Oshima island, Japan. A, side view of the corallite of KAUM- CN-14; B, view from the top side of the corallite and the calice of KAUM-CN-14; C, side view of the corallite of CMNH-ZG 09662; D, view from the top side of the corallite and the calice of CMNH-ZG 0966 showing three-forked branching of the calice.Published as part of Fujii, Takuma, Kitano, Yuko F & Tachikawa, Hiroyuki, 2020, New Distributional Records of Three Species of Euphylliidae (Cnidaria, Anthozoa, Hexacorallia, Scleractinia) from the Ryukyu Islands, Japan, pp. 275-282 in Species Diversity 25 on page 279, DOI: 10.12782/specdiv.25.275, http://zenodo.org/record/573874
The Establishment and Development of the Sensyoku Festival in Kyoto : Point of Intersection of Showa Depression, the Public Consumption Society, Industry and Tourism Promotion
No full text染織祭は昭和6年(1931), 昭和恐慌期に京都染呉服商(問屋)が発起し, 京都染織業界が行政の支援を受けて創設された。主体は公民合同による「染織講社」であった。20年以上, 春の京都で挙行された染織祭は主に祭祀と女性時代衣装行列から成る。前者は岡崎公園グランドに社殿を仮設して染織祖神を祀り, 後者は8時代構成(上古-江戸)で143人分の衣装を制作, 芸妓が着装し, 市中を行列した。現在の祇園祭と同等の観客数に染織業界のみならず, 多くの業界が便乗した。男性装束のみの時代祭と対照され, 当時「京都四大祭の一つ」と謳われた。しかし, 京都の高度な学識や技術を駆使した時代風俗行列は, その豪華ささゆえ, 日中戦争が始まると自粛され, 昭和8-12年の5年間で終わった。その後, 戦時下では苦労しながらも祭祀のみを継続し, 衣装は日本文化を鼓舞する展覧会に求められ, それまでの染織祭から変質した。そして, 戦後復興期にも祭祀は続き, 衣装は時代祭に協力する形で再び市民の前に登場した。恐慌・戦争・復興という激動の時代, 短命に終わった染織祭の歴史研究はこれまでほとんどなく, 『京都の歴史』第9巻にも記述がなく, 今回, 前述したように祭りの全容を初めてつかんだ。とくに, その創設をめぐり, 昭和恐慌と大衆消費社会の萌芽という両者の関係に焦点を当て, (1)中核の京染呉服商(問屋)を分析し, 中間層ではなく, 第一次世界大戦以降に成長してくる「大衆」を顧客にしていたこと, (2)昭和恐慌が大衆消費社会を促進したこと, (3)支援をした行政(京都市)は不況脱却のため, 産業振興・観光振興を図りたい思惑を持っていたことを明らかにした。京都染織業界, 京都市, 京都産業界等, さまざま思惑が交錯した染織祭は, 昭和恐慌・大衆消費社会・産業観光振興の3つの交点で花咲いた祭りであった。The Sensyoku Festival was founded in 1931 and lasted 20 years. It was promoted by kimono fabrics dealers, spread to the Kyoto dyeing and weaving industry, and Kyoto city government supported it. The Sensyoku Festival was comprised of two elements, ceremony to worship the dyeing and weaving gods and the parade displaying traditional costumes of each era of Japanese history. The clothes by high techniques of Kyoto were produced for 143 people. The Sensyoku Festival was called one of the big four festivals in those days. When Japan-China War began, the parade was restrained from, but, the ceremony to worship was continued. The parade was participated in the Jidai Festival a period of time after the war. There was not a study until now about the Sensyoku festival. This time, I got the whole aspect of it. I pray for adding it to the history of Kyoto. I clarified relations about the Showa Depression and relations of the public consumption society in this article. So, the Showa Depression promoted public consumption society
Let her come in --Ophelia's Ballad Performances and Political Crisis in Hamlet--
No full text『ハムレット』におけるオフィーリアについては, これまでジェンダーやセクシュアリティ, あるいは女性の狂気の表象という観点から解釈されてきた. しかしBialo が指摘するように, そのような解釈は階級を見落としがちであり, さらにはオフィーリアの狂気の場がデンマーク王位の不安定さが繰り返し描写される『ハムレット』という芝居の構造の中で論じられることも少ない. 故に本論は, Bruce Smith によるシェイクスピア劇におけるバラッド・パフォーマンスに関する議論基づき, 4幕5場におけるオフィーリアのパフォーマンスの劇的機能を明らかにする. オフィーリアのバラッド歌唱は民衆による政治的危機下において行われる. 民衆は, レアティーズの父の殺害を隠蔽する王室に反抗し, レアティーズを王にせよと要求し宮廷に進攻する. この場を考察することで, オフィーリアのバラッド・パフォーマンスは, 初期近代イングランドにおいては舞台上で直接的に表出させることが許されなかった民衆の抗議を内在することを明らかにする.Readings of Ophelia have often focused on gender, sexuality or the representation of madness gendered as feminine. However, as Bialo notes, such readings tend to ignore class ; in addition, critics often fail to convincingly situate Ophelia's madscene in the structure of Hamlet, where the instability of the Danish throne is repeatedly depicted. The aim of this paper is, therefore, to clarify the dramatic function of Ophelia's balladperformances in Act 4, scene 5, on the basis of an argument by Bruce Smith, who discusses the function of balladperformances in Shakespeare's plays as a whole. This paper will show that Ophelia's ballad singings are performed in the midst of a political crisis in which the populace has demanded that the king be replacedby Laertes because of the royal family's attempt to cover-up the murder of Laertes' father. By examining this scene, this paper will show that mad Ophelia's balladperformances contain protests of the populace, which were not allowed to be expressed directly on stage in Early Modern England
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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