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New Kinkler School
No full textPortrait of students who attended New Kinkler School during the 1935-1936 school year. There are four rows of male and female students posing in front of the entrance to the school building. Two boys in the front row hold a sign that reads, "New Kinkler School; 1935-1936; Mrs. Gaye Allen." Accompanying information lists student names. "Teacher: Gaye Allen; Row 4: Delores Schaefer, Annie Brogger, Bernice Hrncir, Adelene Fertsch, Bernice Fritsch, Dorothy Schaefer; Row 3: Unknown, Clarence Overgoner, James Brogger, Wilburn Fertsch, Dick Schultz, Clarence Laas; Row 2: --- Marek, Georgene Fertsch, Doris Appelt, Lucille Fritsch, Bernice Schaefer, --- Marek; Row 1: Marvin Appelt, Elroy Fertsch, Calvin Fehr, Arnold Hrncir.
Kinkler School
No full textPortrait of students who attended Kinkler School during the 1932-1933 school year. There are three rows of male and female students posing outside, in front of the building. The school is one-story and has a front porch. To the left of the school are two trees
Stechimmen eines Feuchtbiotops in Leverkusen-Steinbüchel
No full textAndrea Jakubzik, Helmut Kinkler & Klaus Cöll
New Kinkler School
No full textPortrait of students who attended New Kinkler School during the 1928-1929 school year. There are three rows of male and female students posing in front of the school building. One student in the front row is holding a sign that reads, "New Kinkler School, October 28, Millie Elstner." Accompanying information lists names of the students. "Bottom Row: Alfred Reinhardt, Edgar Schroeder, Lester Fritsch, Hilmer Fritsch, Emil Morrie, Hilton Elstner, Wm. Schroeder; Middle Row: Marvin Fertsch, Jonnie Cinadr, Mildred Fertsch, Lillie Gerlich, ---Henncke, Marie Brogger, Velma Fritsch, Woodrow Einkanf; Top Row: Tonie Fritsch, Lorene Fertsch, Millie Gerlich, Laura Fertsch, Louise Schroeder, Agnes Cinadr, Bessie Gerlich, Millie Elstner (Appelt).
New Kinkler School
No full textPortrait of students who attended New Kinkler School during the 1930-1931 school year. There are three rows of male and female students posing outside of the school. Accompanying information lists names of students. "Bottom Row, Left to Right: James Brocker, Wm. Schroeder, Hilton Mertz, Edwin Gerlich, Clarence Overgoner, Dick Schultz, Wilburn Fertsch; Middle Row, Left to Right: Adeline Fertsch, Flora Schroeder, Velma Fritsch, Mildred Fertsch, Marie Brogger, Doris Appelt, Bernia Fritsch, Irene Hrncir; Top Row, Left to Right: Lillie Gerlich, Marvin Fertsch, Victoria Schultz, Lorene Fertsch, Bessie Gerlich, Hilton Elstner, Tonie Fritsch, Millie Appelt (teacher), Edgar Schroeder.
New Kinkler School
No full textPortrait of New Kinkler School students during the 1937-1938 school year. There are four rows of male and female students standing and sitting in front of the school building. Accompanying information lists student names. "Teacher: Oscar Gettler; Row 4: Irene Hrncir, Annie Brogger, James Brogger, Bernice Fritsch, Delores Schaeffer; Row 3: Lucille Fritsch, Clarence Overgoner, Adelane Fertsch, Dick Schultz, Dorothy Schaefer; Row 2: Mildred Dahse, Calvin Fehr, Bernice Schaefer, Elrose Appelt, Clarence Laas, Georgene Fertsch, Rose Marie Fertsch, Dick English, Evelyn Mertz; Row 1: Unknown, Marvin Appelt, Elroy Fertsch, Shelton Fritsch, Otto Brogger, Arnold Hrncir.
New Kinkler School
No full textPortrait of students in Gladys Kolkmans's class at New Kinkler School sometime between 1903 and 1907. There are five rows of male and female students posed outside of the school. Accompanying information identifies some students. "Front row, left to right: Unknown, Unknown, Leon Laas and Victor Appelt; Second row, left to right: Unknown, Rudolph Appelt, Unknown, Lillie Rothbauer, --- Schroeder, Henry Schaeffer; Third row, left to right: Bill Appelt, Edmund Fertsch, Unknown, Alfred Zappe, Unknown, Robert Fertsch (?), Unknown, Unknown; Fourth row, left to right: Leona Appelt, Alma Appelt, Unknown, Ida Schaefer or Velda Appelt, Unknown, Annie Appelt; Fifth row, left to right: Unknown, Unknown, Unknown, Unknown, Adolph Fertsch, Unknown Unknown; Teacher: Gladys Kolkman.
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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