1,720,971 research outputs found
Floating Roots: Agnes Varda\u27s Uncle Yanco
Full text linkThis article traces one source of Agnès Varda\u27s artistic inspiration to Jean “Yanco” Varda, the subject of her 1967 short film Uncle Yanco (US/France). Jean Varda was a peripatetic artist who lived on a houseboat and was part of a bohemian circle that included Henry Miller, Anaïs Nin, Alan Watts, and other luminaries of the San Francisco counterculture. Both Vardas were gleaners and artists. The author argues that both saw the imagination as a place where matter and spirit were reconciled. The article builds on previous work about Varda\u27s The Gleaners and I (Les glaneurs et la glaneuse, France, 2000), exploring Varda\u27s materialist feminism and her use of earthly and tactile materials. The author focuses not only on matter but also on the imagination and the intangible images, colors, and forms that are prominent in her oeuvre, arguing that Yanco served as a muse to his niece
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Free Indirect Affect in Cassavetes\u27 \u3ci\u3eOpening Night\u3c/i\u3e and \u3ci\u3eFaces\u3c/i\u3e
Full text linkReview of \u3ci\u3eLost in Translation\u3c/i\u3e, written and directed by Sofia Coppola
Full text link
Ears wide open: sound and alienation in Tati's "Play time: and Kubrick's "2001: a space odyssey"
No full textSign in the Void: Ulrike Ottinger\u27s \u3ci\u3eJohanna d\u27Arc of Mongolia\u3c/i\u3e
Full text link- …
