55,194 research outputs found
Kinard - Wicker Company Ledger - Accession 1603 - M786 (843)
This collection consists of an account ledger for the Kinard-Wicker Company located in Newberry County, SC. The company was a mercantile or general store with a possible connection to former Winthrop President, James Pinckney Kinard (1864-1951) and/or his wife Lee Wicker Kinard (1871-1962). Signatures found in the ledger include: Mathias Wicker; J. A. Kibler (possibly John Adam Kibler); Kibler and Wicker; and Wicker and Cameron;This ledger contains the accounts of many local customers and what they purchased. This ledger is a good source for anyone conducting genealogical research and attempting to locate relatives that lived in Newberry County during the 1857-1861 time frame of this ledger.https://digitalcommons.winthrop.edu/manuscriptcollection_findingaids/2740/thumbnail.jp
The New Fugitive
Cry \u27Havoc!\u27 and Let Slip the Dogs of War, by James Rainsford
I Can\u27t Believe It\u27s Not Legal, by J. Tyler Lee, Jr.
It Was the One-Armed Author, by John Kinard
Spell-Check: Racisim or Pragmatism, by Jaymes Rainsford
Horoscopes from an Irish Wench, by Alissa Cooper
Coming Attraction
The New Fugitive
Farewell, Owen Thompson, by James Rainsford and Jay Cooper
…Nor Made to Court an Amorous Looking Glass, by James Rainsford
That\u27s the Gayest Thing I\u27ve Ever Heard, by John Kinard
Horoscopes From an Irish Wench, by Alissa Cooper
Interview with Librar
John Kinards stemme
John Kinard fra Anacostia i Washington D.C. var museumsmannen som sa at ”the museums must demonstrate how the power of knowledge can transform man’s life”. Tidlig i 70-årene begynte museumsfolk i mange land å høre om John Kinard (1936– 1989) fra Anacostia Neighborhood Museum, som holdt til i en nedlagt kino i Martin Luther King Avenue, blant den fargede befolkningen i den amerikanske hovedstad Washington D.C.
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
The road from London to Chichester in com, Suffex : containing 63 mile 2 furlongs vizt. : from ye standard in Cornhill London to Guilford in com Surry ...
Relief shown pictorially.; Road strip map in six sections, with numbered distances along road.; Orientation of north shown in each section..; Derived from John Ogilby's Britannia.; 39 in lower right corner.; Decorative cartouche around title statement
Citizen piece by Portland author John Preston on censorship.
Citizen piece by Portland author John Preston on censorship
Feature article on AIDS by Portland author John Preston.
Feature article on AIDS by Portland author John Preston
Polynesia [cartographic material] /
Map of Polynesia, with eastern Australia as Terra Australis, showing the Pacific islands, population, religions, number of missionaries and native assistants.; Imprint on map: London: Published by John Snow, 35 Paternsoter Row.; Prime meridian: Greenwich.; Plate from: A narrative of missionary enterprises in the South Sea Islands / John Williams. London : Published for the author, by J. Snow, 1837.; Also available in an electronic version via the internet at: http://nla.gov.au/nla.map-rm3970
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