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Wolongia Zhu, Kim & Song 1997
No full textWolongia Zhu, Kim & Song, 1997 Diagnosis. The genus Wolongia is closely related to Nanometa Simon, 1908; but it can be differentiated from the latter by the following combination of characters: 1) absence of denticles between two cheliceral fang furrows in Wolongia, but present in Nanometa (Álvarez-Padilla & Hormiga 2011: fig. 88D); 2) some portion of the genital bulb concealed in cymbium in retrolateral view against the separated bulb from cymbium in Nanometa (Álvarez-Padilla & Hormiga 2011: fig. 90D); 3) copulatory duct tubular in Wolongia (Wan & Peng 2013: figs 6F, 10C, 12C, 14D, 18F, 22B, 26C, 28D, 32E, 34C; Present study: Fig, 3E) but as a modified sac in Nanometa (Álvarez-Padilla & Hormiga 2011: fig. 74B). Wolongia also similar to Okileucauge Tanikawa, 2001 in habitus and coloration, but differs from the latter by: 1) cymbium with an ectomedian and ectobasal process (Wan & Peng 2013: figs 5A–C, 9A–C, 17A–C, 21A–C, 25A–C, 31A–C, 33A–C; Present study: Fig, 3B,C) versus absent in Okileucauge; 2) embolic base exposed in Wolongia (Wan & Peng 2013: figs 5A, 9A, 17A, 21A, 25A, 31A, 33A; Present study: Fig, 3B) which is hidden in conductor in Okileucauge (Zhu et al. 2003: fig. 155D); 3) female palpal tibia without long trichobothria while present in O kileucauge (Zhu et al. 2003: fig. 158C); 4) fertilization duct slightly curved (Wan & Peng 2013: figs 6F, 10C, 12C, 14D, 18F, 22B, 26C, 28D, 32E, 34C; Present study: Fig. 3E) against heavily coiled and sac-shaped FD in Okileucauge. Type species, Wolongia guoi Zhu, Kim & Song, 1997, by original designation. Composition. Wolongia bicruris Wan & Peng, 2013 (Gaoligong Mountains, Yunnan Province, China); W. bimacroseta Wan & Peng, 2013 (Gaoligong Mountains, China); W. erromera Wan & Peng, 2013 (Gaoligong Mountains, China); W. foliacea Wan & Peng, 2013 (Gaoligong Mountains, China); W.guoi Zhu, Kim & Song, 1997 (Sichuan and Shaanxi Provinces, China); W. mutica Wan & Peng, 2013 (Gaoligong Mountains, China); W. odontodes Zhao, Yin & Peng, 2009 (Gaoligong Mountains, China); W. renaria Wan & Peng, 2013 (Gaoligong Mountains, China); W. tetramacroseta Wan & Peng, 2013 (Gaoligong Mountains, China); and W. wangi Zhu, Kim & Song, 1997 (Sichuan and Shaanxi Provinces, China).Published as part of Malamel, Jobi J., Nafin, Karunnappilli Shamsudheen, Sankaran, Pradeep M. & Sebastian, Pothalil A., 2018, First record of the spider genus Wolongia Zhu, Kim & Song, 1997 from India with the description of a new species (Araneae, Tetragnathidae), pp. 145-150 in Zootaxa 4407 (1) on pages 145-146, DOI: 10.11646/zootaxa.4407.1.13, http://zenodo.org/record/121647
Guizygiella Zhu, Kim & Song 1997
No full textGuizygiella Zhu, Kim & Song 1997 The genus was described by Zhu et al. (1997). Zhu et al. (2003) include four species in this genus. Here, two species are recorded from Laos for the first time. Wunderlich (2004) placed the genus in the Zygiellidae. A free sector in the orb web as typical for Zygiellidae sensu Wunderlich could not be observed. Therefore, the family status of this genus remains uncertain. Representatives appear to live in disturbed habitats (trees in towns, hedges along streets, riversides in agricultural fields) and were — only rarely— collected from natural habitats.Published as part of Jäger, Peter, 2007, Spiders from Laos with descriptions of new species (Arachnida: Araneae), pp. 29-58 in Acta Arachnologica 56 (1) on page 35, DOI: 10.2476/asjaa.56.29, http://zenodo.org/record/81833
FIGURE 16 in The spiders of the genus Wolongia Zhu, Kim & Song, 1997 from China (Araneae: Tetragnathidae)
No full textFIGURE 16. Wolongia guoi Zhu, Kim & Song, 1997, male and female from Fugong County, Pihe Township, Yueliangtian Village. A, habitus, dorsal view; B, genitalia, posterior view; C, epigynum, ventral view; D, vulva, dorsal view. Scale bars: A, 1.0 mm; B–D, 0.1 mm.Published as part of Wan, Jin-Long & Peng, Xian-Jin, 2013, The spiders of the genus Wolongia Zhu, Kim & Song, 1997 from China (Araneae: Tetragnathidae), pp. 87-134 in Zootaxa 3691 (1) on page 113, DOI: 10.11646/zootaxa.3691.1.3, http://zenodo.org/record/24764
FIGURE 1 Chelicerae, posterior view. A, Wolongia bicruris n in The spiders of the genus Wolongia Zhu, Kim & Song, 1997 from China (Araneae: Tetragnathidae)
No full textFIGURE 1 Chelicerae, posterior view. A, Wolongia bicruris n. sp.; B, Wolongia bimacroseta n. sp.; C, Wolongia erromera n. sp.; D, Wolongia foliacea n. sp.; E, Wolongia guoi Zhu, Kim & Song, 1997; F, Wolongia mutica n. sp.; G, Wolongia odontodes Zhao, Yin & Peng, 2009; H, Wolongia renaria n. sp.; I, Wolongia tetramacroseta n. sp. Scale bars: 0.1 mm.Published as part of Wan, Jin-Long & Peng, Xian-Jin, 2013, The spiders of the genus Wolongia Zhu, Kim & Song, 1997 from China (Araneae: Tetragnathidae), pp. 87-134 in Zootaxa 3691 (1) on page 98, DOI: 10.11646/zootaxa.3691.1.3, http://zenodo.org/record/24764
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
FIGURE 1 in The family placement of the Asian orb-weaving spider genus Guizygiella Zhu Kim & Song, 1997 (Araneae: Araneoidea)
No full textFIGURE 1. Guizygiella guangxiensis (Zhu and Zhang, 1993), from Thailand, female. A. dorsal. B. frontal. C. epigynum, ventral. Scale bars (in microns), A, 500; B, 250; C, 75.Published as part of Kallal, Robert J. & Hormiga, Gustavo, 2022, The family placement of the Asian orb-weaving spider genus Guizygiella Zhu Kim & Song, 1997 (Araneae: Araneoidea), pp. 146-150 in Zootaxa 5175 (1) on page 147, DOI: 10.11646/zootaxa.5175.1.8, http://zenodo.org/record/700333
FIGURE 8. Wolongia bimacroseta n in The spiders of the genus Wolongia Zhu, Kim & Song, 1997 from China (Araneae: Tetragnathidae)
No full textFIGURE 8. Wolongia bimacroseta n. sp., female paratype. A, habitus, dorsal view; B, epigynum, ventral view; C, vulva, dorsal view; D, genitalia, prolateral view; E, epigynum, tangential view. Scale bars: A, 1.0 mm; B–E, 0.1 mm.Published as part of Wan, Jin-Long & Peng, Xian-Jin, 2013, The spiders of the genus Wolongia Zhu, Kim & Song, 1997 from China (Araneae: Tetragnathidae), pp. 87-134 in Zootaxa 3691 (1) on page 105, DOI: 10.11646/zootaxa.3691.1.3, http://zenodo.org/record/24764
Domestic Demand Driven Growth Pattern of Korean IT Industry: Service-Driven Growth Pattern with Network Externality
No full textVariations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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