154 research outputs found
Aceetaldehyde
No full textDocument(en) uit de collectie Chemische Procestechnologie.DelftChemTechApplied Science
How Facebook's Brand Personality Affects Brand Commitment and Preference: The Mediating Role of Self-image Congruence
No full textThe Mediating Role of Self-image Congruence and Perceived Product Quality on the Relationship Between Brand Personality and Brand Equity in the Belgian Beer Market
No full textComparative visual and DNA-based diet assessment extends the prey spectrum of polar cod Boreogadus saida
No full textsponsorship: Research was funded by Research Foundation Flanders (FWO) through a fellowship for strategic basic research (FWO-SB, grant no. 1S04418N) and by a Brilliant Marine Research Idea Philanthropy Award 2019 granted by the Flanders Marine Institute (VLIZ), Belgium, to S.M.M. and was carried out with infrastructure support from European Marine Biological Resource Centre (EMBRC) Belgium-FWO project I001621N. H.C. was supported by a fellowship from the former Flemish Agency for Innovation by Science and Technology, now Flanders Innovation & Entrepreneurship (VLAIO, grant no. 141328). Fieldwork was supported by the Alfred Wegener Institute, Helmholtz Centre for Polar and Marine Research (AWI), under expedition grant no. AWI_PS106/1_2-00 and the Netherlands Ministry of Agriculture, Nature and Food Quality (LNV) under its Statutory Research Task Nature & Environment WOT-04-009-047.04. We thank Captain Thomas Wunderlich and the crew of RV 'Polarstern' expedition PS106/2 for their support. We are very grateful to everyone who collected samples, that is Nils Koschnick, Jennifer Steffen, Erik Sulanke, Kim Vane and Susanne Fuchs with the assistance of Elisa Bravo Rebolledo, Giulia Castellani and Julia Ehrlich. We sincerely thank Birte Matthiessen, Paul E. Renaud and 2 anonymous reviewers for their constructive comments that helped improve the paper. Polar cod were sampled and processed according to and within the laws, guidelines and policies of the German Animal Welfare Organisation; no specific permissions were required. The fish collected are neither endangered nor protected in the coastal waters of the Svalbard Archipelago. Polar cod were sacrificed immediately after sampling. (Research Foundation Flanders (FWO) through a fellowship for strategic basic research (FWO-SB)|1S04418N, Flanders Marine Institute (VLIZ), Belgium, European Marine Biological Resource Centre (EMBRC) Belgium-FWO|I001621N, Flanders Innovation & Entrepreneurship (VLAIO)|141328, Helmholtz Centre for Polar and Marine Research (AWI)|AWI_PS106/1_2-00, Netherlands Ministry of Agriculture, Nature and Food Quality (LNV) under its Statutory Research Task Nature Environment|WOT-04-009-047.04, Captain Thomas Wunderlich, Alfred Wegener Institute, Academy of Finland (AKA)|141328)status: Published onlin
Warmte-overdracht in een roterende xanthogeneerreactor: Metingen aan twee xanthogeneerreactoren
No full textApplied SciencesKramers Laboratorium voor Fysische Technologi
Phenotype data (composition, functionality, end-product quality) of wheat grown in Flanders, Belgium
No full textData for the Ph.D. dissertation entitled: Outline of four degrees of diversification for understanding bread wheat (Triticum aestivum L.) quality. For further details on the content of the files, the meaning of abbreviations and used techniques, it is referred to the Ph.D. manuscript.
For further details, please contact the author
11. An Arrangement of Silence
No full textThe importance of silence for contemplation in the medieval monastery is well known. This chapter examines an alternative silence - that of withholding information. Like many letter collections of the twelfth century, those ascribed to Anselm of Canterbury (1033-1109) may have presented a selective image of their author. The lacuna in the documentation of Anselm’s first political exile raises the question of the extent to which monastic silence and the act of letter collecting are intertwined. Thus I analyse the arrangements of two such letter collections from the perspective of a ‘macro-text’ - an independent narrative. More specifically, I argue that these collections render an image of Anselm that idealizes silence as the virtue of an archbishop living in a state of monastic renunciation.</p
Una lectura iconográfica de Descartes
No full textIs there a "true" portrait of Descartes? While we know, with a few exceptions, who painted or engraved Descartes' portrait, we recognize Descartes without knowing if the paintings and engravings portray him "truly." What do Hellemans and the unknown author of "Descartes as Faust" have in common with Weenix's painting? The answer is unequivocal: the books; to such an extent that the book serves as an attribute. The icon of modern philosophy is the one that hides to think; it is the one who, from the secret behind the mask, looks at the viewer and forces him, under the prism of iconography, to return from the world of representation to the letter of the text.¿Hay algún retrato “verdadero” de Descartes? Si bien sabemos, salvo unas pocas excepciones, quiénes pintaron o grabaron el retrato de Descartes, reconocemos a Descartes sin saber si los cuadros y los grabados lo retratan “verdaderamente”. ¿Qué tienen en común los grabados de Hellemans y del autor desconocido de “Descartes como Fausto” con el cuadro de Weenix? La respuesta es inequívoca: los libro; hasta tal punto que el libro funge como un atributo. El ícono de la filosofía moderna es el que se esconde para pensar; es el que, desde el secreto detrás de la máscara, mira al espectador y lo obliga, bajo el prisma de la iconografia, a devolverse del mundo de la representación a la letra del texto
Exploring Substance Discourse: An Analysis of Reddit Posts Across Substance Types, Canadian Cities, and Political Standings
No full textSubstance Use Disorders (SUDs) have developed into a global epidemic, creating a significant burden worldwide. The SUD crisis persists due to limited awareness, treatment accessibility misconceptions, stigmatization, and prejudice against individuals who use substances, particularly if they are diagnosed with SUD. Public attitudes and stigmatizing beliefs towards individuals with mental health and SUDs are shaped by the language utilized to label individuals with these disorders. As such, emerging movements from people with lived/living experience (PWLLE) suggest changing the language we use to speak about individuals who use substances, e.g., person-first versus identity-first language. While the conceptual lens of stigma has been developed through research, the symbolic forms of stigma, such as language, are not as often updated. Given that stigma is recognized as a social and cultural process that is continuously evolving to reflect changes in substance use patterns, the lexicon used to determine stigmatizing language may shift with changes in preferred substances and substance use patterns. As such, the aim of this study is to provide an updated list of current stigmatizing terms used to describe substance use or those who use substances, obtained from conversations about substance use on Reddit. In addition, we would like to see how stigmatizing language changes across substance types, major cities in Canada, and their affiliated political parties
Una lectura iconográfica de Descartes
No full textIs there a "true" portrait of Descartes? While we know, with a few exceptions, who painted or engraved Descartes\u27 portrait, we recognize Descartes without knowing if the paintings and engravings portray him "truly." What do Hellemans and the unknown author of "Descartes as Faust" have in common with Weenix\u27s painting? The answer is unequivocal: the books; to such an extent that the book serves as an attribute. The icon of modern philosophy is the one that hides to think; it is the one who, from the secret behind the mask, looks at the viewer and forces him, under the prism of iconography, to return from the world of representation to the letter of the text.¿Hay algún retrato “verdadero” de Descartes? Si bien sabemos, salvo unas pocas excepciones, quiénes pintaron o grabaron el retrato de Descartes, reconocemos a Descartes sin saber si los cuadros y los grabados lo retratan “verdaderamente”. ¿Qué tienen en común los grabados de Hellemans y del autor desconocido de “Descartes como Fausto” con el cuadro de Weenix? La respuesta es inequívoca: los libro; hasta tal punto que el libro funge como un atributo. El ícono de la filosofía moderna es el que se esconde para pensar; es el que, desde el secreto detrás de la máscara, mira al espectador y lo obliga, bajo el prisma de la iconografia, a devolverse del mundo de la representación a la letra del texto
- …
