16 research outputs found
Korean Governments Content Industry Policy : A Longitudinal Study on the Cultural Budget Between 1974 and 2011
No full text본 논문은 저자의 2012년 박사학위 청구논문을 요약 보완하였음.이 연구는 우리나라 문화콘텐츠산업 진흥정책의 내용과 성과에 대한 실증적인 분석 결과를 담고 있다. ① 문화콘텐츠산업 진흥예산의 규모와 내용적 특성은 어떠하였는지, ② 문화콘텐츠산업 진흥예산과 문화콘텐츠산업의 주요 성과지표와 의 관계는 어떠한지를 체계적으로 파악하고 평가하였다. 이를 위해 1974년부터 2011년까지 38년간의 문화예산 데이터를 토대로 내용분석과 상관분석 등의 방법론을 이용하였다.
연구결과 우리나라 문화콘텐츠산업 진흥정책은 창작 및 유통지원 같은 소프트웨어 성격의 사업보다, 기반조성 및 시설건축 같은 하드웨어 성격의 사업 비중이 높은 것으로 나타났다. 또한 신성장동력이라는 정부의 선언과 달리, 실제 문화콘텐츠예산 규모는 최근까지도 전체 예산의 0.2%에도 미치지 못할 정도로 미미한 수준이었다. 장르별로는 김대중 정부 이후로 지원 대상 분야가 다양화되었는데, 전통적으로 영화산업 예산비중이 가장 높았고 음악과 만화, 애니메이션, 캐릭터산업은 예산비중이 낮았다. 또한 문화콘텐츠예산이 산업적 효과에 미치는 영향력은 다소 제한적이며, 일정 수준 이상의 상관관계가 나타나는 경우 예산 투입에서 성과 실현까지 대체로 2∼4년의 시간을 필요로 하는 것으로 나타났다. 매출에 비해 수출은 예산지원의 효과가 상대적으로 낮았으며, 고용의 경우 예산 지원과 일정한 관계를 보이지 않았다. 예산 항목 가운데 오랜 기간 많은 예산이 집중된 시설지원 사업의 경우 매출과 수출, 고용 지표 모두와 유의미한 상관관계가 나타나지 않았다. 반면, 창작지원 및 유통지원 예산은 문화콘텐츠산업 성과 지표와 일정한 상관관계를 보였다.
이러한 연구결과를 토대로 문화콘텐츠정책 당국은 사업계획 수립 시 예산의 질적 수준을 제고하고, 성과 측면에서 고용창출 효과가 이루어지도록 노력해야 한다는 정책적 함의를 도출하였다.This study conducts an empirical analysis of content industry policy
development in Korea between 1974 and 2011. It examines (1) the size and
content of the budget on content industry, and (2) the relationship
between content industry budget and its economic outcomes.
Thirty‐eight years of budget data retrieved from the Ministry of Culture,
Sports, and Tourism were content‐analyzed to assess the development
and achievements of cultural content industry policy.
An analysis of the size and content of the cultural content budget shows
that the cultural content industry policy puts more emphasis on
ʺhardwareʺ tasks such as construction than software tasks such as
creation or distribution. This study also found that the relationship
between the size of the content budget and its economic outcome is rather
limited. When there is a significant correlation between the size of the
budget and its outcome, it takes about 2∼4 years until we observe the
effectiveness of the given budget.
In sum, the findings imply that the Korean government should reconsider
the quality of the budget, make its best efforts to increase employment as
a result of implementing content industry policy
1974~2011 문화예산 분석을 중심으로
No full text이 연구는 우리나라 문화콘텐츠산업 진흥정책의 시작과 내용, 성과에 대한 역사적이고 실증적인 분석 결과를 담고 있다. (1)문화콘텐츠산업 진흥정책은 언제부터 시작되었으며 어떠한 과정을 통해 주요 정책분야로 성장하였는지, (2)문화콘텐츠산업 진흥예산의 규모와 내용적 특성은 어떠하였는지, (3)문화콘텐츠산업 진흥예산과 문화콘텐츠산업 경제적 성과와의 관계는 어떠한지를 체계적으로 파악하고 평가하였다. 이를 위해 1974년부터 2011년까지 38년간의 문화예산 데이터를 토대로 기술통계와 연결망분석, 상관분석 등의 방법론을 이용하였다.
연구결과 우리나라 문화콘텐츠산업 진흥정책의 실질적인 시작점은 1989년으로 볼 수 있었다. 이 시기를 기점으로 이전 시기는 민족문화 및 예술 진흥기(1974~1988)로, 이후 시기는 예산증감 추이를 고려하여 문화콘텐츠정책 도입기(1989~1998), 문화콘텐츠정책 발달기(1999~2008), 문화콘텐츠정책 확장기(2009~현재)로 각각 시기 구분하였다. 문화콘텐츠산업 진흥정책은 당시 정부의 정치적, 경제적, 문화적 배경에 따라 도입되었고, 시간이 흐를수록 그 위상은 강화되었다. 더불어 문화콘텐츠산업 진흥정책은 국가 주도적 성격이 강한 특성을 보이는데, 문화콘텐츠라는 용어가 만들어지고 관련 분야를 획정하여 하나의 정책단위로 구성되는 과정에서 정부의 의지가 무엇보다 강하게 반영되었다. 이에 따라 관료 주도적 진흥 정책이 최근까지 꾸준히 입안되고 집행되어 오고 있다.
문화콘텐츠 예산의 규모와 내용적 특성을 분석한 결과, 우리나라 문화콘텐츠산업 진흥정책은 창작 및 유통지원 같은 소프트웨어 성격의 사업보다, 기반조성 및 시설건축 같은 하드웨어 성격의 사업 비중이 높은 것으로 나타났다. 또한 신성장동력이라는 정부의 선언과 달리, 실제 문화콘텐츠예산 규모는 최근까지도 전체 예산의 0.2%에도 미치지 못할 정도로 미미한 수준이었다. 장르별로는 김대중 정부 이후로 지원 대상 분야가 다양화되었는데, 전통적으로 영화산업 예산비중이 가장 높았고 음악과 만화, 애니메이션, 캐릭터산업은 예산비중이 낮았다.
문화콘텐츠예산이 실제 문화콘텐츠산업 진흥에 기여한 바를 상관분석을 통해 검증해본 결과 예산 지원이 산업적 효과에 미치는 영향력은 다소 제한적이며, 일정 수준 이상의 상관관계가 나타나는 경우 예산 투입에서 성과 실현까지 대체로 2~4년의 시간을 필요로 하는 것으로 나타났다. 매출에 비해 수출은 예산지원의 효과가 상대적으로 낮았으며, 고용의 경우 예산지원과 일정한 관계를 보이지 않았다. 예산 항목 가운데 오랜 기간 많은 예산이 집중된 시설지원 사업의 경우 매출과 수출, 고용 지표 모두와 유의미한 상관관계가 나타나지 않았다. 반면, 창작지원 및 유통지원 예산은 문화콘텐츠산업 성과 지표와 일정한 상관관계를 보였다.
이러한 연구결과를 토대로 문화콘텐츠정책 당국은 사업계획 수립 시 예산의 질적 수준을 제고하고, 성과 측면에서 고용창출 효과가 이루어지도록 노력해야 하며, 사회문화적 가치를 고려한 산업 진흥정책을 시행해야 한다는 정책적 함의를 도출하였다.This study conducts an empirical analysis of cultural content industry policy development in Korea between 1974 and 2011. It examines (1) the starting point of cultural content industry policy and its development into one of the major governmental policies, (2) the size and content of the budget on cultural content industry, and (3) the relationship between cultural content industry budget and its economic outcomes. Thirty-eight years of budget data retrieved from the Ministry of Culture, Sports, and Tourism were content-analyzed to assess the development and achievements of cultural content industry policy. In addition, descriptive statistics, two-mode network analysis, and correlation analysis were used for the statistical analyses.
The results indicate that the cultural content industry policy has been initiated in 1989 and advanced since then. The history of cultural content industry policy can be categorized into four periods: (1) pre-introduction (1974-1988), (2) introduction (1989-1998), (3) development (1999-2008), and (4) expansion (2009-present). The characteristics of the cultural content industry policy have been affected by the political, economic, and cultural perspectives of the ruling regime and its status has been gradually elevated in each period. The cultural content industry policy has been constantly government-driven.
An analysis of the size and content of the cultural content budget shows that the cultural content industry policy puts more emphasis on "hardware" tasks such as construction than "software" tasks such as creation or distribution. Moreover, despite the government's catchphrase "cultural content industry as a new growth engine," less than 0.2% of the national budget was allocated to the cultural content industry. The movie industry has had the largest portion of the budget, whereas music, cartoon, animation, and character industries have received relatively low budgets.
This study also found that the relationship between the size of the cultural content budget and its economic outcome is rather limited. When there is a significant correlation between the size of the budget and its outcome, it takes about 2-4 years until we observe the effectiveness of the given budget. The effectiveness of the budget input was lower for exporting than that of sales. Regarding employment, the relationship between the size of the budget and the level of employment was not found. The budget on construction, which has the highest budget among other cultural content industries, did not show any significant relationships with indicators of sales, exporting, and employment, while the budget on creation and distribution showed significant relationships with such indicators.
In sum, the findings imply that the Korean government should reconsider the quality of the cultural content budget, make its best efforts to increase employment as a result of implementing cultural content industry policy, and carry out policies that take into account the socio-cultural value of the Korean society.Docto
Free Speech - Silenced Voices: The Japanese Media and the NHK Affair
No full text여성국제전범법정을 다룬 NHK 다큐멘터리의 정치적 외압을 폭로한 일명 NHK 사건은 일본 주류언론이 정치적 독립성을 유지하고 자유로운 토론의 장이 될 수 있는가에 대한 근원적인 질문을 제기한다. 국가 공영방송에 대한 정부여당의 지나친 정치적 개입이 사건의 본질임에도 불구하고, 대다수 일본 언론은 이를 폭로한 기자 개인의 신상을 공격하거나 아사히신문과 NHK라는 두 경쟁 언론사간의 싸움에 초점을 맞춤으로써, 아베신조로 대표되는 일본 우익 인사의 입장을 대변하는 파수견의 모습을 보였다. 또한 진보언론에 대한 차별적인 공정성 및 균형성 요구와 지속적인 테러 위협은 일본 언론의 정치 스펙트럼 전반을 보다 보수화시켰고, 주간지 내용을 확대 · 반복하는 인터넷 대화그룹의 영향력은 자유로운 토론를 더욱 억압하였다. 결국 NHK 사건은 언론의 자유를 수호하고자 하는 바로 그 개념이 역설적으로 어떻게 언론의 자유를 억압하고 침묵의 목소리로 이어졌는지를 여실히 보여주었다. 진정한 자유 언론을 위해서는 시민사회와 지역언론, 그리고 새로운 온라인 네트워크가 상호 협력하여 오늘날 일본 언론에 팽배해 있는 자기검열과 순응의 분위기에 대항하는 힘을 길러야 할 것이다.
The NHK Affair, which deals with Asahi's disclosure about political
pressure to NHK documentary program on Women's International War
Crimes Tribunal, has raised fundamental questions on the capacity of
Japanese media to maintain their political independence and provided a
forum of unfettered political debates. Mainstream Japanese media focused
either on attacking the journalist who reported the whistleblower's
revelations or on the struggle between two corporate rivals, NHK and
Asahi, although an essential problem with the event was the ruling party's
excessive political intervention in the public broadcasting. During the NHK
affair, the Japanese media functioned as a guard dog, protecting the
interests of Japanese representative right-wingers such as Abe Shinzo.
Ironically, strong demands for fairness and balance toward liberal media
and continuous threats of terror have been pushing the political spectrum
of Japanese media further to the right. The NHK Affair demonstrates those
concepts designed to protect media freedom can be manipulated to stifle
the freedom of speech and lead mainstream media to keep silent
The Next Growth Strategy for Hallyu: A Comparative Analysis of Global Entertainment Firms
Get PDFPrevious policy approaches on Hallyu have been focused on the role of government engagement, particularly in fostering diversity and equal business opportunities for small-and-medium enterprises (SMEs). However, a more strategic approach to the cultural industries should be implemented by carefully examining the role of the private sector, particularly the role of large enterprises (LEs). This is important because LEs have an overarching and fundamentally differentiated role in increasing the size of industry through their expansive value-creating activities and diversified business areas. This study focuses on the complementary roles of SMEs and LEs in facilitating the growth of Hallyu by bringing in the perspective of value chain diversification and the modified value chain framework for the film industry. By conducting a comparative analysis of the global entertainment firms in the US, China, and Japan, this study reveals how LEs in the global market enter and explore new industries within culture and continue to enhance their competitiveness. By forming a business ecosystem through linking their value-creating activities as the platform of network, this study looks into the synergistic role among enterprises of different size and scale and suggests that Korea’s policy for Hallyu should reorient toward a new growth strategy that encourages the integrative network of firms where the value activities of LEs serve as the platform for convergence
At the Foot of the Candle, It is Dark: Kyunggi Province News Coverage in Korean Terrestrial Broadcasting
Get PDFThis research aimed to analyze the quantitative and qualitative characteristics of
Kyunggi province news reporting by the 3 major terrestrial TV stations in Korea.
For this, news content analysis, audience survey, and in-depth interview were
carried out. First, the content analysis shows that Kyunggi news is quantitatively
insufficient compared to Seoul news. Kyunggi news was mainly composed of
simple police case/accident news, lacked diversity and revealed a relatively high
ratio of negative orientations. Second, the audience survey show the demand for
Kyunggi news was high, but the major terrestrial broadcasting news did not
correspond to it. Third, the in-depth interviews of news reporters show why the
Kyunggi news came to have such problems. There are physical constraints such
as coverage limits with several reporters covering a vast area, and the broadcast
media characteristics of limited time slots of news. However, the more important
factor is that news value decisions centered on "national-level influence" result in
passive awareness of the importance of Kyunggi local news. Despite recent
awareness of the importance of Kyunggi news, without enhanced manpower and
allocation of news time slots, Kyunggi local news will not be able to overcome its
limits
Toward Quantum Secured Distributed Energy Resources: Adoption of Post-Quantum Cryptography (PQC) and Quantum Key Distribution (QKD)
No full textQuantum computing is a game-changing technology that affects modern cryptography and security systems including distributed energy resources (DERs) systems. Since the new quantum era is coming soon in 5–10 years, it is crucial to prepare and develop quantum-safe DER systems. This paper provides a comprehensive review of vulnerabilities caused by quantum computing attacks, potential defense strategies, and remaining challenges for DER networks. First, new security vulnerabilities and attack models of the cyber-physical DER systems caused by quantum computing attacks are explored. Moreover, this paper introduces potential quantum attack defense strategies including Quantum Key Distribution (QKD) and Post-Quantum Cryptography (PQC), which can be applied to DER networks and evaluates defense strategies. Finally, remaining research opportunities and challenges for next-generation quantum-safe DER are discussed
Clinical differences in Clostridium difficile infection based on age: A multicenter study
No full textAdvancing age is a well-known risk factor for Clostridium difficile infection (CDI). However, age-specific clinical differences in CDI are uncertain. A retrospective comparative analysis was performed based on age in 1367 patients with CDI in Korea. Most clinical features were similar in the two age groups studied, however malignancy was more common in the older group (age ≥ 65 y) (p < 0.001), while chemotherapy and transplantation were more common in the younger group (age < 65 y) (p < 0.001). Endoscopic examinations were more commonly performed in the older group (p = 0.010), which had a high positive predictive value (88.3%). More patients recovered from CDI without specific antibiotic treatment in the younger group than in the older group (p < 0.001). Although advancing age is an important risk factor for CDI, the clinical features of younger patients are similar to those of the older patient population.ope
The Next Growth Strategy for Hallyu: A Comparative Analysis of Global Entertainment Firms
Get PDFPrevious policy approaches on Hallyu have been focused on the role of government engagement, particularly in fostering diversity and equal business opportunities for small-and-medium enterprises (SMEs). However, a more strategic approach to the cultural industries should be implemented by carefully examining the role of the private sector, particularly the role of large enterprises (LEs). This is important because LEs have an overarching and fundamentally differentiated role in increasing the size of industry through their expansive value-creating activities and diversified business areas. This study focuses on the complementary roles of SMEs and LEs in facilitating the growth of Hallyu by bringing in the perspective of value chain diversification and the modified value chain framework for the film industry. By conducting a comparative analysis of the global entertainment firms in the US, China, and Japan, this study reveals how LEs in the global market enter and explore new industries within culture and continue to enhance their competitiveness. By forming a business ecosystem through linking their value-creating activities as the platform of network, this study looks into the synergistic role among enterprises of different size and scale and suggests that Korea’s policy for Hallyu should reorient toward a new growth strategy that encourages the integrative network of firms where the value activities of LEs serve as the platform for convergence
A New DC Arc Fault Detection Method Using DC System Component Modeling and Analysis in Low Frequency Range
No full textIn this paper, system component and arc modeling are presented, along with low frequency range analysis for dc arc fault detection. With an arc fault model consisting of a voltage source and variable resistor, the system during arcing can be described as an equivalent circuit model, which gives motivation for the proposed arc detection method. The presented model represents the low frequency characteristics of the main system components and arc in a dc system. Their influence on the line current can be well described and, as a result, it can be utilized for arc detection. The proposed method can distinguish normal operation from arcing and, as a result, dramatically reduces the possibility of false-positives. Experimental results verify the model validity and performance of the method
