1,733,601 research outputs found
Bulent Ecevit as a poet
No full textTürk siyasi tarihinde kendine önemli bir yer bulmuş şahsiyetlerden biri olan Bülent Ecevit, aynı zamanda poetika sahibi bir şair ve İngilizceden Türkçeye önemli eserler vermiş bir çevirmendir. Bülent Ecevit, politik bir lider ve devlet adamı olarak çeşitli sahalarda akademik veya akademik olmayan çalışmalarda kendine yer bulmuştur. Ancak bir şair olarak edebiyat tarihi ve edebiyat incelemesi sahasında Bülent Ecevit'e dair yapılmış tez niteliğinde kapsamlı bir araştırma yoktur. Bu çalışmanın amacı Bülent Ecevit'i şiir yazan, şiir üzerine düşünen ve şiir çeviren bir edebi bir şahsiyet olarak tanıtmak ve eserlerinin Türk Edebiyatına katkılarını ortaya koymaktır. Bu bağlamda Bülent Ecevit'in edebi yaşamı ve kişiliği incelenmiş ve şiir dünyası metin analizleriyle ortaya konmaya çalışılmıştır. Çalışmada öncelikle Bülent Ecevit'in bir şair olarak hayatı ve eserleri verilmiş, ardından poetikası analiz edilmiştir. Daha sonra Bülent Ecevit'in şiirleri biçim ve içerik yönünden incelenmeye çalışılmış ve ulaşılan sonuçlar tez sonunda ortaya konmuştur.Bulent Ecevit is a translator who settled himself in an important place in Turkish political history and also a poet that has poetics. Moreover, he also translated important works from English to Turkish. Bulent Ecevit found a place for himself as a political leader and a statesman in academic or non-academic works in various fields. However, there is no any sort of thesis or wide research of him as a poet in the history of literature or literary research. This work's aim is to put forth Bulent Ecevit as a literary person who wrote poems, thought about poems and translated poems and his contributions to Turkish literature. In this context, Bulent Ecevit's literary life and personality are examined and aimed to put forth with poetry world text analysis. Firstly, in this work, Bulent Ecevit's life as a poet and his works are given, and then, his poetics are analyzed. Afterwards, the poems of Bulent Ecevit are aimed to be examined in the matter of style and content and put forth and the end of the thesis.Rahşan Bülent Ecevit Bilim Kültür ve Sanat Vakf
Promoting sustainable human settlements and eco - city planning approach : southeastern Anatolia region and southeastern Anatolia project ( Gap ) in Turkey as a case study
No full textBulent Acm
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Replication Data for: Congress Executive Communication
No full textExecutive Communications on Ukraine in the Congress between 2014-2023 and Sentiment Analysis of Ukraine news in New York Times, Washington Post and Wall Street Journal
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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