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O Fogo do Amor
Full text linkTradução que se encontra em: Rustom, Mohammed. Theo-Fānī: ʿAyn al-Quḍātand the Fire of Love. In: ORFALI, Bilal; KHALIL, Atif; Rustom, Mohammed. Mysticism and Ethics in Islam. Beirut: American University of Beirut Press, 2022, p. 129-13
O Fogo do Amor
Full text linkTradução que se encontra em: Rustom, Mohammed. Theo-Fānī: ʿAyn al-Quḍātand the Fire of Love. In: ORFALI, Bilal; KHALIL, Atif; Rustom, Mohammed. Mysticism and Ethics in Islam. Beirut: American University of Beirut Press, 2022, p. 129-13
The ontology of the self in classical Islamic mysticism
Full text linkThis essay examines the ontological status and nature of the self as understood and taught in classical Islamic mysticism on the basis of teachings from two major Islamic mystical philosophers: Ibn ‘Arabi (d. 1240) and al-Ghazali (d. 1111). Following a short overview of mysticism in general, the arguments of these two figures are examined alongside the Islamic creed known as the Shahada, which defines the tradition’s monotheistic principle tawhid. It is determined during this examination that, according to classical Islamic mystics, the self as an independent entity is illusory and therefore has a negative ontological status. The nuances of this metaphysical position are carefully considered and explored, including by means of a comparative analysis with David Hume (d. 1776) at the end
Parables of the lovers: the hermeneutics of divine love in medieval Islamic mysticism
No full textThrough a hermeneutic analysis of medieval Islamic texts, the thesis examines the development of ideas about Divine love––its ontological origin, nature, and telos––in Sufism, with a focus on the teachings of four luminaries within the mystical tradition: Abu Hamid al-Ghazali (d. 505/1111), Ahmad al-Ghazali (d. 520/1126), Ibn ‘Arabi (d. 638/1240), and Jalal al-Din Rumi (d. 672/1273). It begins with a brief study of the development in the philosophy of love in Sufi thought up to the classical period in which these four figures lived. Love is shown to be central to the mystical path, even though its precise nature, as evidenced in the writings of these mystics, was interpreted with some differences. The thesis explores some of these varying nuances through a microanalytic, comparative study of their writings. It is shown that Rumi and Ahmad al-Ghazali inclined towards a more intoxicated approach, evidenced in the language of love, as found in their poetry, while Abu Hamid’s inclination was towards a more sober practice. Ibn ‘Arabi adopted a middle ground between the other writers, advocating an approach which lay in between the extremes of sobriety and intoxication. In the end, however, common motifs, ideas, and themes, outweighed the differences in their philosophies of love
Ibn 'Arabi's metaphysics of love: a textual study of chapter 178 of al-Futuhat al-Makkiya
Full text linkThis study examines the concept of Divine love and its various metaphysical articulations as enshrined in the thought of the Andalusian Sufi Ibn ‘Arabī (d. 1240 CE). In order to understand the concept of Divine love from the so-called “Akbarian” perspective, a thorough textual analysis of chapter 178, “On Knowing the Station of Love,” from Ibn ‘Arabī’s magnum opus, The Meccan Openings (al-Futūḥāt al-Makkiyya), will be carried out. This chapter, which is arguably the richest and most complex text on the topic of Divine love in the Sufi tradition, has not received detailed treatment in Western scholarship. The present study therefore aims to fill this lacunae, offering a complete reading and analysis of this work’s sophisticated cosmology, ontology, and psychology with reference to the development of love theory in the Sufi tradition which preceded Ibn ‘Arabī, and his own metaphysical worldview
The Halveti-Jerrahis & the legacy of Sheikh Muzaffer in North America
Full text linkThis thesis analyzes the legacy of the Halveti-Jerrahi sheikh, Muzaffer Ozak, in North America. Following his death, the Order was split into the Nur Ashki Jerrahi Order and the Jerrahi Order of America, with the former reflecting a more “universalistic” orientation, and the latter a more “traditional” one. Which of the two more accurately embodied his legacy? In order to answer the question, the study draws from personal interview testimonies of Sheikha Fariha al-Jerrahi and Sheikh Muhamad Jamal al-Jerrahi (Gregory Blann), as well as from the teachings of Sheikh Muzaffer. This thesis demonstrates that Sheikh Muzaffer consciously fostered different interpretations of his teachings while also showing it was not his intention to have the Halveti-Jerrahi Order separated. Moreover, the study shows that he grew to embrace the more adaptive interpretations of his message over the more conservative, yet still legitimate perspective of traditionalists
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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