1,720,961 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
Copyright Education: The good, the bad, and the ugly.
The Digital Millennium Copyright Act, passed in 1998, requires any school that serves as an Internet Service Provider to provide “all of its users with informational materials describing and promoting compliance with copyright law.” A more recent law, the Higher Education Opportunity Act, requires colleges to inform students about the consequences of copyright infringement. Even without considering these mandates, good education about copyright is helpful for ALL people. That being said, copyright education is not easily accomplished. Copyright law professor Jessica Litman said it best: “The current copyright statute has proved to be remarkably education-resistant” (Digital Copyright, 2001). What can we do? Do librarians need to be copyright educators? What are colleges and universities doing to educate their students, staff, and faculty? What works? What is affordable? Come review the many items designed to promote copyright awareness -- and participate in hands-on exercises to design new “learning objects”
Copyright For The Rest Of Us: A Guide For People Who Aren’t Lawyers
Marcia W. Keyser is the Coordinator of Copyright Services, Instruction and Reference Librarian at Cowles Library, Drake University. She can be reached at [email protected] those who want to teach or learn more about American copyright law, Copyright For The Rest Of Us is the book to use. Eleven chapters, with illustrations, outline concepts such as basic copyright law, where to find it, and how to apply copyright law in many common situations. Each chapter includes a set of scenarios or discussion questions for use on your own or in class. Many chapters, such as “Music and Copyright” can be used on their own. Copyright For The Rest Of Us is licensed under a Creative Commons license, so students or instructors may read, download, or print no charge.A grant from the Drake University Humanities Center provided for illustrations and for student and professional editing
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