760 research outputs found

    Music for classical guitar by South African composers : a historical survey, notes on selected works and a general catalogue

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    Includes abstract.Includes bibliographical references (leaves 296-309).This is the first comprehensive investigation of music for, or including, the classical guitar by South African composers. The focus of this research has been, firstly, to uncover as much of the repertoire as possible, and, secondly, to collate, study, catalogue and report on the information. A brief historical survey of the guitar in South Africa provides the context within which this study was conducted. The primary sources of quantitative data collection were through the archival catalogues of the South African Music Rights Organisation and through personal contact with guitarists, composers and guitar teachers. Other sources consulted were publishers, broadcasting corporations, recording companies, libraries and the internet. The body of the dissertation comprises biographical sketches, background notes, analyses and technical notes on 17 selected solo and chamber works dating from 1947 to 2007 by some of South Africa's most prominent composers and guitaristcomposers. The repertoire ranges in style from the traditional and ethnically inspired to the experimental and abstract. As this is an empirical survey, each selected entry includes details on instrumentation, duration, level of difficulty, number of pages, scordatura, commissions or requests, sources or publishers, premières and recordings. A biography of each composer is provided as well as background notes which offer an overview of the selected work. The notes discuss historical, cultural, musical and extra-musical influences, and frequently include references to interview material. The commentaries on the selected works, with musical examples, include an analytical component describing structure, form, stylistic and compositional elements, while the technical observations include performance suggestions and a grading for each work

    Subordinate but equal : the intra-Trinitarian subordination of the Son to the Father in the theologies of P. T. Forsyth and Jürgen Moltmann

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    In the New Testament and in the early church fathers’ writings, the Son is understood to be ontologically equal to the Father and subordinate to him. Whether understood as ingenerate-generate, sender-sent, commanded-obedient, subordination shows the distinction between the Father and Son. As seen in church history, minimizing these distinctions can lead to modalism and pressing them too far leads to Arianism. In the Bible, obedience or subordination does not mean ontologically inferior. Rather, obedience results from faith and love. Although some fathers connected obedience to Christ’s humanity, they were doing so while rejecting the Arian argument that the Son’s obedience meant he was ontologically inferior. They affirmed the voluntary obedience of the Son as an expression of his love for the Father and rejected any sense of coercion or determinism. The doctrine of the eternal generation of the Son from the Father’s ousia held together the equality and subordination of the Son to the Father. Beginning with Christ’s atoning work rather than metaphysics, P. T. Forsyth and Jürgen Moltmann believe that the Son’s obedience is crucial for the atonement to be the free act of grace of the Sovereign God. Because of this, the Son’s obedience must be divine, and thus eternal. Otherwise, the obedience would be from Christ’s humanity, and humanity would contribute in inappropriate ways to the atonement. They also believe that subordination, obedience, humility, and servanthood complete the understanding of divine love. The unity provided by the same divine love is expressed according to the particularity of the Person. In the Trinitarian relationship, the Son’s eternal obedience is his free response to the Father. Here subordination is not oppression, but perfect love freely given to the perfect Lover. This fuller conception of divine love that a proper emphasis on obedience affords has great potential to help Trinitarain theology contribute to the elimination of oppression and the improvement of human relationships and to do so in a manner consistent with the biblical witness

    Ep096 The Neighbours: Exploring Stories and Songs with Meghan Forsyth

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    Meghan Forsyth is the Project Coordinator and Researcher at the Research Centre for the Study of Music, Media, and Place, and the Director of the Bruneau Centre for Excellence in Choral Music at MUN. She is an ethnomusicologist specializing in music and dance of the Acadian diaspora, and is co-author, with Ursula Kelly, of the forthcoming book The Music of Our Burnished Axes: Songs and Stories of the Woods Workers of Newfoundland and Labrador. In addition to her work at MMaP, Meghan teaches courses in ethnomusicology, musicology and popular music at MUN’s School of Music. Recently, MMaP launched “The Neighbours: St. John’s” -- an app for mobile devices. In this episode, we chat about how this new app presents fascinating stories from cultural communities in and around St. John’s. Meghan describes how the app enables users to take a walking tour of downtown St. John’s and Middle Cove Beach to hear stories associated with individual locations, and then she gives us a preview of her new book on logging song traditions. Recorded 9 January 201

    La justice de Dieu : Les Tragiques d'Agrippa d'Aubigne et la Reforme protestante en France au XVIe siecle / Elliott Forsyth.

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    Also submitted by the author as part of application for candidature for the degree of Doctor of Letters, University of Adelaide, School of Humanities, Discipline of European Studies and Linguistics, 2006.Includes bibliographical references and index.564 p.Title page, contents and abstract only. The complete thesis in print form is available from the University Library

    Author Arna Bontemps reads to children at the East Winston Branch Library, 1956.

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    Author Arna Bontemps reads to children at the East Winston Branch Library, 1956

    The Imprisoned Traveler: Joseph Forsyth and Napoleon\u27s Italy

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    The Imprisoned Traveler is a fascinating portrait of a unique book, its context, and its elusive author. Joseph Forsyth, traveling through an Italy plundered by Napoleon, was unjustly imprisoned in 1803 by the French as an enemy alien. Out of his arduous eleven-year “detention” came his only book, Remarks on Antiquities, Arts, and Letters during an Excursion in Italy (1813). Written as an (unsuccessful) appeal for release, praised by Forsyth’s contemporaries for its originality and fine taste, it is now recognized as a classic of Romantic period travel writing. Keith Crook, in this authoritative study, evokes the peculiar miseries that Forsyth endured in French prisons, reveals the significance of Forsyth’s encounters with scientists, poets, scholars, and ordinary Italians, and analyzes his judgments on Italian artworks. He uncovers how Forsyth’s allusiveness functions as a method of covert protest against Napoleon and reproduces the hitherto unpublished correspondence between the imprisoned Forsyth and his brother.https://digitalcommons.bucknell.edu/bucknell-press/1041/thumbnail.jp

    Rita McKeough : Shudder // Reva Stone : Carnevale (Without Flesh)

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    This catalogue presents the work of two artists who use the body to explore the relationship between art and technology. Underlining the artists’ preoccupation with the control technology has over our lives, author Forsyth discusses Stone’s installation (which shows the influence of technology on the transformation of the body) and McKeough’s work (an investigation of fear through a performance combining images and sounds with human voice and gestures.) Text in English and French. Biographical notes on artists and author. 4 bibl. ref

    The legal effect of unlawful administrative acts: the theory of the second actor explained and developed

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    The author looks at the impact of decided cases in English law on the effectiveness of void acts such as administrative acts rendered unlawful. Article by Dr Christopher Forsyth (Reader in Public Law, University of Cambridge) taken from a seminar given by the author at IALS on 8 March 2001. Published in Amicus Curiae - Journal of the Institute of Advanced Legal Studies and its Society for Advanced Legal Studies. The Journal is produced by the Society for Advanced Legal Studies at the Institute of Advanced Legal Studies, University of London

    The legal effect of unlawful administrative acts: the theory of the second actor explained and developed

    No full text
    The author looks at the impact of decided cases in English law on the effectiveness of void acts such as administrative acts rendered unlawful. Article by Dr Christopher Forsyth (Reader in Public Law, University of Cambridge) taken from a seminar given by the author at IALS on 8 March 2001. Published in Amicus Curiae - Journal of the Institute of Advanced Legal Studies and its Society for Advanced Legal Studies. The Journal is produced by the Society for Advanced Legal Studies at the Institute of Advanced Legal Studies, University of London

    Conflicts of interest and critiques of the use of systematic reviews in policymaking: An analysis of opinion articles

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    © 2014 Forsyth et al.Background: Strong opinions for or against the use of systematic reviews to inform policymaking have been published in the medical literature. The purpose of this paper was to examine whether funding sources and author financial confl
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