1,721,272 research outputs found
Professor Kenneth Johnson Toyne 1937–2011
No full textThe life and research activities and achievements of Professor Kenneth Johnson Toyne are discussed in this obituary
Kenneth Johnson, Student 1
No full textKenneth Johnson was a senior student at Jacksonville State College (now Jacksonville State University) in 1962-1963. During his time as a mathematics major he was Vice President of Phi Mu Chi Beta and a member of the Scabbard and Blade. (circa 1963)https://digitalcommons.jsu.edu/lib-ac-histimg/34151/thumbnail.jp
Charles Kenneth Johnson Honorary Degree Citation
No full text1 p.Minister Charles Kenneth Johnson received an honorary Doctor of Divinity degree at Commencement in 1950. This is the text of the degree citation
Kenneth Johnson, ROTC Company Commander
No full textKenneth Johnson was a student at Jacksonville State College (now Jacksonville State University) in the 1960s. In 1962-1963 he was a Company Commander, Cadet Captain, as part of the ROTC B CO, or Baker Company.https://digitalcommons.jsu.edu/lib-ac-histimg/27982/thumbnail.jp
Kenneth Johnson, Scabbard and Blade 1
No full textKenneth Johnson was a student at Jacksonville State College (now Jacksonville State University). In 1962-1963 he was a member of the Scabbard and Blade.https://digitalcommons.jsu.edu/lib-ac-histimg/28030/thumbnail.jp
Oral history interview with Kenneth Johnson
No full textKenneth Johnson works fine metals into beautiful pieces of jewelry. Of Muscogee/Seminole Nation heritage, Johnson was introduced to traditional Native arts and crafting techniques during his formal education in Oklahoma, but he learned the tools of the artisan trade through apprenticing in Albuquerque and Santa Fe, New Mexico. Johnson discusses the spiritual and physical journey of his career as he has experienced both Southeastern and Southwestern cultures and motifs to express with his artful creations.The Oklahoma Native Artists Collection is a series of interviews with Native American artists living in Oklahoma or have Oklahoma ties. The purpose of this project is to highlight the contributions of American Indian artists to the state by examining their lives and careers through the lens of art. This series also contains interviews with collectors, gallery owners and festival organizers
Sophomore Rick Chapin and Business Instructor Kenneth Johnson Represent U of M Crookston at Marketplace for Entrepreneurs held in Bismarck, N.D.
No full textJohnson, Kenneth; Tollefson, Elizabeth. (2009). Sophomore Rick Chapin and Business Instructor Kenneth Johnson Represent U of M Crookston at Marketplace for Entrepreneurs held in Bismarck, N.D.. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/222168
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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