1,720,971 research outputs found
Modernity and the Great Depression: The Transformation of American Society, 1930-1941
No full texthttps://kent-islandora.s3.us-east-2.amazonaws.com/facultybooks/102/thumbnail.jpgOrder, planning, and reason—in the depths of the Great Depression, with the nation teetering on the brink of collapse, this was what was needed. And this, Kenneth J. Bindas suggests, was what the ideas and ideals of modernity offered—a way to make sense of the chaos all around. In Modernity and the Great Depression, Bindas offers a new perspective on the provenance and power of modernist thought and practice in early twentieth-century America.In the midst of a terrible economic, social, and political crisis, modernism provided an alternative to the response of many traditional moralists and religious leaders. Promoting a faith based in reason, organization, and planning, modernists espoused a salvation that was not eternal but rather temporal, tangible, and, for a generation with so little to hold onto, eminently practical—one that found virtue in pleasure and private pursuits. After surveying the contested definitional terrain of “modernism” and “modernity,” Bindas tracks their course and influence through such government programs as the Civilian Conservation Corps and the National Youth Administration; in the massive American Expositions and World\u27s Fairs that heralded progress and a better future; on the efforts of women interior decorators to update and enhance the comforts of the modern home; and—thanks to the proliferation of electricity and radio—on the popular and high-culture musical recordings and broadcasts that reinforced a shift away from traditional modes of performance and reception.In the transformation he describes, Bindas also locates the limits of modernism’s influence, as later generations confronted the spiritual shortcomings of its ultra-rationalist and materialist paradigm.</p
The Civilian Conservation Corps and the Construction of the Virginia Kendall Reserve, 1933-1939
Get PDFReview of: The Civilian Conservation Corps and the Construction of the Virginia Kendall Reserve, 1933-1939, edited by Kenneth J. Bindas
Regional Solidarity and the Cold War: Tanzania, Zambia and the Decolonization of Zimbabwe
No full textBased on British, American and Tanzanian archival sources, this essay analyses Zambia’s and Tanzania’s support for the decolonization of Zimbabwe, and sheds new light on the tensions and difficulties that marked the cooperation between the FLS during the 1970s. In so doing, this essay shows that, in spite of some limits and contradictions, support for the decolonization of Zimbabwe represented a central pillar of the state-building strategies pursued by the Tanzanian and Zambian governments after independence, and helped also to consolidate a regional bloc – the FLS – that would challenge apartheid South Africa and support Namibia’s national liberation struggle during the 1980
The Civilian Conservation Corps and the Construction of the Virginia Kendall Reserve, 1933–1939
No full texthttps://kent-islandora.s3.us-east-2.amazonaws.com/facultybooks/31/thumbnail.jpgHow the Civilian Conservation Corps transformed our understanding of nature In the spring of 1933, the United States was in the midst of the worst economic calamity it had ever experienced. Newly inaugurated president Franklin D. Roosevelt asked Congress to approve funding allowing legions of out-of-work young men to find employment reclaiming and developing the nation’s natural spaces. The Civilian Conservation Corps became a reality in April 1933 and forever changed the way the American people viewed their parks, rivers, lakes, and other natural areas. This book tells the story of the CCC’s construction of the Virginia Kendall Reserve, which today is part of the Cuyahoga Valley National Park, in Northeast Ohio. Four hundred and thirty acres of farmland came under the control of the Akron Metropolitan Park District and its director-secretary, Harold Wagner, who immediately applied to the federal government to establish a CCC camp there with the aim of creating a natural recreation landscape open to the public. Author Kenneth Bindas and seven of his students from Kent State University drew upon a wide variety of government documents, oral histories, and other primary sources to place the construction of the Reserve within the larger context of modernism and the emerging 1930s movements whose goals were to protect and open up natural areas. As a case study, the construction of the Virginia Kendall Reserve provides an example of the design, manipulation, and construction used to create so many Civilian Conservation Corps environments. The book is filled with historic photographs showing the process of construction, and contemporary photos by Marina Vladova visually detail the lush nature that families, hikers, runners, bikers, and naturalists enjoy today. Published in cooperation with the National Park Service and Eastern National</p
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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