4,074 research outputs found
Pamela Campbell, Harpist, April 23, 1962
No full textConcert program for Pamela Campbell, Harpist, April 23,
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John Kelly : deconstructing Australia
No full textCatalogue of an exhibition held at McClelland Gallery, 17 December 2006 to 27 April 2007Curated by Pamela Cunningham
Organizational Factors and Office Workers’ Health After the World Trade Center Terrorist Attacks: Long-Term Physical Symptoms, Psychological Distress, and Work Productivity
No full textObjective: To assess if organizational factors are predictors of workers' health and productivity after the World Trade Center attacks.Methods: We conducted a survey of 750 workers and compared those who had direct exposures to the World Trade Center attacks (south of Canal Street workers; primary victims) with those less directly exposed (north of Canal Street workers; other victims and non-victims).Results: South of Canal Street workers reported headache more frequently than north of Canal Street workers did (P = 0.0202). Primary victims reported headache and cough more frequently than did other victims and non-victims (P = 0.0086 and 0.0043, respectively). Defensive organizational culture was an independent predictor of cough and job stress, and job stress was an independent predictor of on-the-job productivity losses.Conclusion: Organizational variables may modify health and productivity outcomes after a large-scale traumatic event in the workplace.This research was supported in part by the Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health (NIOSH) Grant 5 R21 OH007713-02, and the NIEHS sponsored UMDNJ Center for Environmental Exposures and Disease, Grant NIEHS P30ES005022.This is a non-final version of an article published in final form in Journal of Occupational and Environmental Medicine (50(2):112-25, 2008 Feb) a publication of Lippincott, Williams & Wilkins. The published article is available at http://journals.lww.com/joem/Fulltext/2008/02000/Organizational_Factors_and_Office_Workers__Health.4.asp
Richardson, Barbauld, and the construction of an early modern fan club
No full textMPhilMuch has been written about the life and long works of the eighteenth century epistolary novelist, Samuel Richardson, but the prospect of his position as the first celebrity novelist – responsible for courting his own fame as well as initiating his own fan club – has largely been ignored. The body of manuscripts housed at the National Art Library in the Victoria and Albert Museum in London provides the modern scholar with evidence of the skeletal beginnings of an early fan club. This thesis aims to show how these manuscripts were turned into a saleable commodity by the publisher and entrepreneur Richard Phillips, while under the guiding hand of another, slightly later, literary celebrity, Anna Laetitia Barbauld. In order to restore Richardson’s reputation amongst a new nineteenth century audience, Barbauld was required to construct her own idea of him as an eighteenth century celebrity author, and in doing so the insecurities of a self-professed, apparently diffident man, are revealed. Barbauld’s capacious, but heavily edited selection of letters is analyzed in this thesis, providing ample evidence that Richardson’s correspondents were more than just eager letter writers. By using Barbauld’s biography of Richardson this thesis aims to show how she manipulates the genre of life writing in her construction of him.
This thesis offers an alternative reading of how the Richardson manuscripts are viewed, redefining them as not simply a collection of letters, but as a collective entity, deliberately selected and archived as evidence of an early modern fan club, and its celebrity managing director
Samuel Richardson’s Views of Women in Pamela
Get PDFPamela is the first epistolary novel by Samuel Richardson, a masterpiece of sentimentalist literature. This paper mainly attempts to analyze Samuel Richardson’s views of women based on the image of Pamela. The paper begins with introducing the life experience and literary career of Samuel Richardson, and the situation in which Richardson created Pamela. And then, it discusses traditional virtues, such as chastity, diligence and modesty embodied in Pamela. These virtues are the base of rewards of women in society. Then the present author focuses on self-pursuit of Pamela as a modern woman who does not depend on men and make livings on their own, and comes to the conclusion that, on the one hand, Richardson praises traditional virtues of women; on the other hand, he expects women to get independence from men, which is contradictory part of Richardson’ views of women
Corum, Pamela (FA 824)
Get PDFFinding aid only for Folklife Archive Project 824. In the collection titled “The Oolite Rock Quarry,” the author discusses the quarry’s function, purpose, and importance to Meade County, Kentucky. This narrative was written by Pamela Corum for a folk studies class at Western Kentucky University
Morality of Pamela and Richardson
No full textMany of the objections to Samuel Richardson's Pamela: or Virtue Rewarded have come about because of its alleged middle-class morality. Responsibility for the early propagation of this idea can be traced to Henry Fielding's brilliant satire of the work, Shamela. The purpose of this paper is to examine both the morality of Pamela and its most influential criticism in light of the purpose of the book and the personality of its author. Also examined is the effect of the epistolary form of writing on the clarity of Richardson's ideas. Samuel Richardson wrote Pamela as an example of the value of moral behavior. Believing in the direct intervention of God, Richardson felt that virtuous actions led to success on earth as well as in heaven. Much of his justification for this theory came from his own experience. Richardson was already a successful printer when he undertook the writing of his first novel. That success, he felt, came through honest business practices and the resultant help of God.
Richardson's novel was certainly liable to the criticism of Fielding, but to make a satiric point the intended emphasis of Pamela was changed to show Pamela as a calculating female instead of an example of virtue. A close examination of Richardson's work reveals that he did espouse middle-class values; but those values were not necessarily detrimental to the purpose of his writing
Overtures - 1983
Get PDFContributers include: Isabelle Wasilewski, Gerald Majer, Cynthia Poe, Larry Swieca, Kelly O\u27Mahoney, Michael Davidson, Susan Mitchell, Sherry Payne, Enid Levenger Powell, Anne Siegel, Sara Esgate, Albert DeGenova, Pamela Miller, William T. Lawlor, Alice Ryerson, Jim Elledge, Gertrude Rubin, Gary Byron, Jeanette L. Fleming, Eleanor Gordon, Jacqueline Disler, John Dickson, Mary Trimble, Isabelle Wasilewski, Carlos Lopez, Daryl Jensen, Rosemary Strabrawa, Timothy Bell, Marta Jankowski, Sherry Payne, Kelly O\u27Mahoneyhttps://neiudc.neiu.edu/overtures/1006/thumbnail.jp
sj-pdf-1-vet-10.1177_03009858221075594 – Supplemental material for Dysplastic gangliocytoma of the cerebellum in a cat
No full textSupplemental material, sj-pdf-1-vet-10.1177_03009858221075594 for Dysplastic gangliocytoma of the cerebellum in a cat by Michelle Imlau, Mamoun Saeed, Jane Cryan, Seamus Hoey, Myles McKenna, Hanne Jahns and Pamela Kelly in Veterinary Pathology</p
Terence Kelly, Doctor of Musical Arts recital, March 3, 1983
No full textOmbra mai fu (Handel, G. F.); Il mio bel foco (Marcello, Benedetto); Sebben, crudele (Caldara, Antonio); Pietà, Signore (Stradella, Alessandro); An die Leier (Schubert, Franz); Memnon (Schubert, Franz); Lied eines Schiffers an die Dioskuren (Schubert, Franz); Dyen i Noch (Medtner, Nikolai); Roza (Medtner, Nikolai); Muza (Medtner, Nikolai); Mai (Fauré, Gabriel); Le Secret (Fauré, Gabriel); Les Roses d'Ispahan (Fauré, Gabriel); Arpege (Fauré, Gabriel); The Monk and His Cat (Barber, Samuel); Loveliest of Trees (Duke, John); The Pasture (Naginski, Charles); Symphony in Yellow (Griffes, Charles); Beautiful Dreamer (Foster, Stephen); I Rise When You Enter (Chanler, Theodore). Instrumentation: piano; teno
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