1,721,207 research outputs found
Caridina weberi De Man 1892
No full textKey of the Polynesian species of the C. weberi complexPublished as part of Mazancourt, Valentin de, Marquet, Gérard & Keith, Philippe, 2019, Revision of freshwater shrimps belonging to Caridina weberi complex (Crustacea: Decapoda: Atyidae) from Polynesia with discussion on their biogeography, pp. 815-847 in Journal of Natural History 53 (13) on page 838, DOI: 10.1080/00222933.2019.1612959, http://zenodo.org/record/367564
Figure 1 in The genus Cotylopus (Teleostei: Gobioidei) endemic to the rivers of islands of the Indian Ocean with description of a new species from Mayotte (Comoros)
No full textFigure 1. Diagrammatic illustration of head in Cotylopus rubripinnis. (a) Dorsal view; (b) lateral view; (c) ventral view.Published as part of Keith, Philippe, Hoareau, Thierry & Bosc, Pierre, 2005, The genus Cotylopus (Teleostei: Gobioidei) endemic to the rivers of islands of the Indian Ocean with description of a new species from Mayotte (Comoros), pp. 1395-1405 in Journal of Natural History 39 (17) on page 1400, DOI: 10.1080/00222930400007456, http://zenodo.org/record/521463
Fig. 2 in Caridina variabilirostris (Crustacea: Decapoda: Atyidae), a new species of freshwater shrimp from Pohnpei (Micronesia)
No full textFig. 2. Neighbour-Joining tree of the 16S sequences of the specimens. Numbers on branches indicate bootstrap values. Letters 'M' indicate specimens firstly identified as Caridina mertoni and letters 'B' indicate specimens firstly identified as Caridina brachydactyla.Published as part of Mazancourt, Valentin de, Marquet, Gerard & Keith, Philippe, 2018, Caridina variabilirostris (Crustacea: Decapoda: Atyidae), a new species of freshwater shrimp from Pohnpei (Micronesia), pp. 1-16 in European Journal of Taxonomy 453 on page 5, DOI: 10.5852/ejt.2018.453, http://zenodo.org/record/381728
Figure 8 in Revision of freshwater shrimps belonging to Caridina weberi complex (Crustacea: Decapoda: Atyidae) from Polynesia with discussion on their biogeography
No full textFigure 8. Distribution map of the four species studied with oceanic currents of Southern Polynesia (from Martinez et al. 2009) represented: SEC. South Equatorial Current. SECC. South Equatorial Countercurrent. MCC. Marquesas Countercurrent. STCC. South Tropical Countercurrent. GYRE. South Pacific Gyre.Published as part of <i>Mazancourt, Valentin de, Marquet, Gérard & Keith, Philippe, 2019, Revision of freshwater shrimps belonging to Caridina weberi complex (Crustacea: Decapoda: Atyidae) from Polynesia with discussion on their biogeography, pp. 815-847 in Journal of Natural History 53 (13)</i> on page 837, DOI: 10.1080/00222933.2019.1612959, <a href="http://zenodo.org/record/3675643">http://zenodo.org/record/3675643</a>
FIGURE 2 in Description of a new species of Caridina (Crustacea: Decapoda: Atyidae) from two Micronesian islands (Guam and Babeldaob)
No full textFIGURE 2. Maximum likelihood phylogenetic tree (16S mtDNA) of the specimens. CAXXXX numbers are lab IDs of the specimens.Published as part of Mazancourt, Valentin De, Marquet, Gerard, Rogers, D. Christopher & Keith, Philippe, 2018, Description of a new species of Caridina (Crustacea: Decapoda: Atyidae) from two Micronesian islands (Guam and Babeldaob), pp. 39-50 in Zootaxa 4377 (1) on page 42, DOI: 10.11646/zootaxa.4377.1.3, http://zenodo.org/record/116323
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
<i>Stiphodon mele</i>n. sp., a new species of Freshwater goby from Vanuatu and New Caledonia (Teleostei, Gobiidae, Sicydiinae), and comments about amphidromy and regional dispersion
No full textKeith, Philippe, Marquet, Gérard, Pouilly, Marc (2009): Stiphodon mele n. sp., a new species of freshwater goby from Vanuatu and New Caledonia (Teleostei, Gobiidae, Sicydiinae), and comments about amphidromy and regional dispersion. Zoosystema 31 (3): 471-483, DOI: 10.5252/z2009n3a5, URL: http://www.bioone.org/doi/abs/10.5252/z2009n3a
Discovery of the freshwater genus<i>Sicyopus</i>(Teleostei: Gobioidei: Sicydiinae) in Madagascar, with a description of a new species and comments on regional dispersal
No full textKeith, Philippe, Marquet, Gerard, Taillebois, Laura (2011): Discovery of the freshwater genus Sicyopus (Teleostei: Gobioidei: Sicydiinae) in Madagascar, with a description of a new species and comments on regional dispersal. Journal of Natural History 45 (43-44): 2725-2746, DOI: 10.1080/00222933.2011.602479, URL: http://dx.doi.org/10.1080/00222933.2011.60247
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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