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    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Urban value proposition of industrial built heritage

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    This dissertation is the reflection of the research study into urban planning structures of historic industrial complexes. The study’s aim has been to promote recognition and acknowledgement of these structures as the carriers of cultural-historical values in spatial transformation. Apart from object value, industrial heritage also has ensemble value. Being “the field of study into the material culture remains of industrial production and technology”, the field of Industrial Archeology offers the opportunity to gain further knowledge of the nature and background of industrial spatial planning. Given the current focus on cultural- historical values in spatial planning and the fact that the strategy of ‘conservation through development’ has found widespread recognition and application, this dissertation has set out to arrive at concrete definitions and instrumentation of reuse and transformation in urban planning. The study is based on existing sources of knowledge which allowed two spheres of human involvement and endeavour to be connected. The first is building archeological research that has been put into operating guidelines and has developed into a considerable volume of knowledge and experience which has shaped the practice of planning as well as the teaching of design. This field of knowledge represents the cultural- historical component of the study. In addition there is the domain of spatial planning discipline. The knowledge acquired in this area has been brought together in a series of four publications under the heading “The Fundamentals of Urbanism in the Perspective of the Twenty-First Century”. This, too, incorporates a considerable volume of knowledge and experience, which has been been laid down in publications classified on the basis of a planning-level approach to distinguish aspects of design, theory, law and programming. This planning-level approach allows for a structured and differentiated way to tackle industrial urbanization at the level of its composing parts. One case study lies at the heart of this dissertation’s research. It’s that of the former industrial estate of Philips Strijp-S at Eindhoven, The Netherlands. In selecting this location aspects of size and range have been taken into consideration. A decisive factor in its selection, no doubt, has been the amount of attention generated by and for the transformation itself. Prominent administrative and professional parties have gone through a process of research and planning that has been extensively documented. As a result, a fair account of the facts could be made. In it the administrative and societal contexts are closely connected with both research and design of the transformation. Urbanization archeological research is conducted under two denominators: research and value assessment. In order to reach a cultural-historical valuation, this study includes reference research into the city of Zlín, the cradle of Thomas Bat’a’s shoe industry in the former Czechoslovakia, for three reasons. There are major similarities between Philips and Bat’a in momentum, industrial ambition and innovative fundamental attitude first at the personal level of the entrepreneurs, secondly at the company level of industrialised production, and thirdly at the level of spatial and societal conditions. Philips started as a light-bulb factory located at Emmasingel, now part of the city centre of Eindhoven. When the company expanded with the addition of its own glass factory, it marked the beginning of the Strijp-S industrial estate. The Strijp-S study continues to concentrate on the most important period in terms of urbanization history, from the start of construction at the site in 1916 up to the fifties. At that point the company’s expansion involved the outplacement of essential company parts. The year 1951 marks the completion of the Strijp-S era, because it was then when the company’s spatial situation was documented by means of an ‘enriched’ map of the factory’s industrial estate. The ‘bottom-up’ approach of the Guidelines for Building Archeological Research (2009) has been adopted for the research study into the history of Strijp-S construction and use. The origin and expansion of the spatial planning structure of the Strijp-S estate have been shown in connection with the development of the company itself. The innovative fundamental attitude that led to the diversification of production (from light bulbs to a broad range of electrical appliances) in the first half of the twentieth century turned out to have been the breeding ground for an equally innovative architectural and urban-planning establishment of spatial and societal conditions in the interest of the company and the city of Eindhoven as a whole. Narrowly tracing the growth stages of the estate has brought into focus the elementary parts of the kind of spatial and programmatic structure which in the course of time have developed into typological constructs. Knowledge of Zlín and Bat’a helped to identify the factors that contributed to the success of the Philips company organization as inspired by American examples, such as Daylight Factories, Integrated Industry and Company Town. Thomas Bat’a built nearly a hundred daylight factories in and around Zlín, a city with a population of 40,000. Here the Integrated Industry did not only involve the production of shoes but also the ‘production’ of the entire city, in recent literature praised as a model company town. There was a substantial connection with Philips as appeared from the decision in the twenties to locate the Dutch branch of Bat’a in the town of Best, not far from Philips. In addition, an architectural-historical connection came to light between Zlín and Tony Garnier’s plan for a ‘Cité Industrielle’, which he had already developed in 1904, but was not published until 1917 under the title Une Cité Industrielle in reference to Lyon. Garnier’s spatial concept was virtually copied for Zlín. Although there is no irrefutable proof, a connection between Strijp-S and Garnier’s work is not unlikely in view of the personal connection between Anton Philips and Thomas Bat’a. On the basis of existing knowledge of the Zlín reference case a value assessment has been made for Strijp-S. As an extension of the editorial part, a values map has been designed to serve as an instrument for the urban spatial developer. Much was to be gained from a cartographer’s point of view since existing maps are wide of the mark. Maps that seemed to fit into the framework of the archeological urban approach turned out to be focused on the object too much, to be of varying levels of abstraction and to be unsuitable as blueprints for development. Elementary parts of the spatial and programmatic development of the urbanization of Strijp-S could be identified and inserted into the plannning-level structure of “The Fundamentals of Urbanism”. As a result a classification of concepts in the interest of cartografical representation was possible. The urbanization archeological values map that has been produced in this way has all the hallmarks that are needed for it to serve as a blueprint for the development process: topographical precision, abstract representation of spatial structures and distinguishing features according to cultural- historical values. The transformation history of Strijp-S is characterized by a process in which urban- planning research has not always been connected to development in the proper chronological order. In a review of that process and the development plans that have been made for Strijp-S in recent years by means of the set of instruments developed, it has been found that there is much left to be desired about those plans in terms of the cultural-historical values of the industrial spatial planning of the estate

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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